Predan Barbara

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Dr Barbara Predan is an assistant professor, theoretician, researcher, designer and author. She received a bachelor’s degree in industrial design, and then a master’s degree in the theory and development of design from the Academy of Fine Arts and Design, University of Ljubljana. In 2012, she received her doctoral degree from the Scientific Research Centre of the Slovene Academy of Sciences and Arts and the University of Nova Gorica.

Predan is the co-author of the books Back to Design: An Anthological Survey of the Theory of Design in Slovenia (2007) and Sustainable Alternatives in Design: It’s High Time We Start Losing Time (2009). She is the (co-)author (or editor) of the books and exhibitions Iskra: Non-Aligned Design 1946–1990 (2009), Niko Kralj: The Unknown Famous Designer (2011), Design education: what do you see? What do you think about it? What do you make of it? – 30 years of design at ALUO (2015), Design as the Capacity for Change: Slovenia Design Showroom Milano (2017), Death in Design (2017), Thinking the Conditions of Our Time (2019); Papiro-logía: circular design and the use of paper in interior design (2019), The Questions Raised by Design (2020); and is the author of the exhibitions Gorenje with Vision (2012), Wood25 (2016–19); and is the co-author of the exhibitions Past Future Perfect (2014–15), Marx After Marx: Kunst-Marx (2019). Since 2010, with Petra Černe Oven, she has been co-editing Zbirka 42, a series of books on design, under the auspices of the Pekinpah Association. She has also participated as author or editor in the following seven volumes: Service and Information Design: Examples of Good Practice (2010), The Utopian Seminar (2011), Designing an Agenda, or, How to Avoid Solving Problems That Aren’t (2013), The Public Sector: Agent of Progress? (2015), R. Buckminster Fuller: The Operating Manual for Spaceship Earth (2016), Death in Design (2017, 2020), and Edvard Ravnikar: Design (2017).

Predan has published professional and scholarly articles in Design Issues, Design Principles and Practices, The international journal of design in society, Filozofski vestnik, Dialogi, ČKZ, 2+3D, Oris, and Piranesi, among others. In 2014, she and Petra Černe Oven contributed the chapter “Information design as a (r)evolutionary educational tool” to the Routledge’s Information Design: Research and Practice edited by Alison Black, Paul Luna, Ole Lund, Sue Walker. She prepared the texts for the scientific monograph Information design: research and practice (Routledge, New York 2017) together with Dr. Petra Černe Oven. In 2019–2020, together with Tevfik Balcıoğlu and at the invitation of the organisers, she co-edited and co-chaired the section entitled “Politics and Design: Past, Present, Future” at the international conference International Committee for Design History and Design Studies (ICDHS 12) in Zagreb, October 2020. Received an invitation together with Dr. Petra Černe Oven to prepare a chapter on the history of Slovene design for the period 1945–2000 for Victor Margolin and Bloomsbury Press. The chapter will be prepared for the book World History of Design, Volume III (Bloomsbury Press).

As an assistant professor, she teaches Development and Theory of Design and the elective course Service Design at the Department of Industrial and Unique Design of the Academy of Fine Arts and Design, University of Ljubljana.

Predan is a co-founder and leader of the department of design theory at the Pekinpah Association, and, since 2014, the director of the Institute of Design, an academic research organisation. She teaches a course in the history and theory of design and an elective subject in service design at the Academy of Fine Arts and Design, University of Ljubljana. Under the auspices of various institutions and events in Slovenia, Černe Oven and Predan have hosted over thirty world-renowned experts in the field of design. She regularly lectures at international academic and professional conferences, and, with Černe Oven, leads a number of Slovenian and international workshops in the field of service and information design.

 

Awards:

2020 – Design Principles & Practices International Award for Excellence: Award Winner for Volume 13

2019 – AIAP WOMEN IN DESIGN AWARD 2019, nomination in category: “PhD, Researchers and Teachers” (with Dr. Petra Černe Oven)

2018 – Recognition of the University of Ljubljana for special achievements and participation in the field of extracurricular activities

2017 – Award of the Slovenian Designers’ Association: Design excellence of the quarter in the field of “design theory and critique and professional journalism” (together with Dr. Petra Černe Oven)

2017 – Brumen Foundation Award in the category: information design, 6th Biennial of Visual Messages of Slovenia, National Gallery, Ljubljana (several co-authors)

2013 – Praise of the quarter of the Association of Designers of Slovenia – for a theoretical contribution to design (together with Dr. Petra Černe Oven)

2013 – Brumen Foundation Award in the category: web and mobile applications, 6th Biennial of Visual Messages of Slovenia, National Gallery, Ljubljana (several co-authors)

2012 – Award of the Slovenian Designers’ Association: Design excellence of the quarter in the field of “design theory and critique and professional journalism” (together with Dr. Petra Černe Oven)

Professional experience:

 

University of Ljubljana, Interdisciplinary Doctoral Programme in the Arts

2019–present: President of the Program Committee

 

University of Ljubljana, Academy of Fine Arts and Design

2020–2023: Head of research project “Models and Practices of Global Cultural Exchange and Non-aligned Movement. Research in the Spatio-Temporal Cultural Dynamics”

2019-2020: Head of Industrial Design and Applied Arts Department

2017–present: Employed as Assistant Professor

2009–2017: Guest/Visiting Lecturer

 

Hyphen’s Editorial Board

2019–present: Editorial Board Member

 

Brumen Foundation

2018–present: Board Member

2005-2010: Project Manager

 

CODEC: international design network

2016 – present: Co-founder and board member

 

Design for Europe

2015–2016: Slovenian Ambassador

 

Scientific journal The Design Journal, Bloomsbury Publishing, London (UK)

2015 – present: Editorial Manager

 

Institute of Design, Ljubljana (an academic research organisation)

2014–present: Co-founder and Director

 

Cankarjev dom, Culture and Congress Centre

2013-2019: Board Member

 

Zbirka 42 (Collection 42 – a series of books on design)

2010–present: Co-editor

 

Pekinpah Association (cultural, publishing and production association)

2013–present: Head of Design Theory Section

2007–2013: Head of Pekinpah Association

 

Biennial of Young Artists from Europe and the Mediterranean

2007-2018: Expert Committee Member

 

Biennial of Industrial Design – BIO

2006-2010: Expert Committee Member

 

Freelancer

2000–2017: Theoretician, Critic, Curator, Designer, Educator

Šeme Blaž

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Education:

  • 2006: completed post-doctoral research at the New Europe College in Bucharest and ICCROM in Rome, The Problem of Decay of Exterior Wall Paintings on Monuments: Comparative Study of Medieval Painted Churches of Bukovina (Romania) and Slovenia
  • 2005: PhD in Fine Arts / Restoration at UL ALUO with the topic Metoda ugotavljanja ohranjenosti in ogroženosti stenskih poslikav na zunanjščinah v Sloveniji na izbranem segmentu (Method for determining the preservation and endangerment of wall paintings on exteriors in Slovenia in a selected segment)
  • 2003: Master’s degree in restoration at UL ALUO, with the topic Eruptivni pojavi v ometih stenskih slik (Eruptive phenomena in the plastering of wall paintings)
  • 1999: graduated in painting from UL ALUO

 

Professional and collaborations:

  • 2000-2007: assistant at UL ALUO
  • 2007–: higher education teacher, assistant professor at UL ALUO
  • 2007–: research within the Research Institute of the Academy of Fine Arts and Design
  • 2020–: research within the interdisciplinary interfaculty Institute of the University of Ljubljana for Sustainable Heritage Protection (IULzTDV)
  • 2010-2020: Vice-Chair of the International Scientific Painting Committee at ICOMOS (ISC MP)
  • 2018–: reviewer of the international strategic network CELSA (Centre European Leuven Strategic Alliance)
  • 2010–: member of the SEE Mosaics expert group (Mosaic Conservation and Training of Conservators in south-east Europe)
  • 2006, 2015, 2017 guest lecturer at the universities of Bucharest, Dubrovnik and Udine
  • 1999–2000: conservator-restorer at the Institute for the Protection of Cultural Heritage of Slovenia, OE Kranj

For more than 20 years, he has led several conservation and restoration projects dealing with wall paintings, mosaics, stone statues and stucco

 

Scientific bibliography (selection 2016-2020):

  • ŠEME, Blaž. Conservation of exterior wall paintings in Slovenia: deficiencies in traditional practice and solutions for more sustainable preservation. Studies in conservation, ISSN 2047-0584. [Web ed.], 2020, ill.
  • ŠEME, Blaž. Ohranjanje in konserviranje-restavriranje modernih in sodobnih stenskih poslikav in mozaikov. (Preservation and conservation-restoration of modern and contemporary wall paintings and mosaics.) V: NEMEČEK, Nataša, (editor). Konservator-restavrator: povzetki mednarodnega strokovnega srečanja 2019 = Summaries of the International Meeting of Conservators-Restorers 2019, (Conservator-restorer, ISSN 1854-5289). Ljubljana: Slovenian Society for Conservation-Restoration: Community of Museums of Slovenia. 2019, p. 54-63, ilustr.
  • ŠMUC, Andrej, DOLENEC, Matej, KIKELJ, Martina L., LUX, Judita, PFLAUM, Miran, ŠEME, Blaž, ŽUPANEK, Bernarda, GALE, Luka, DOLENEC, Sabina. Variety of black and white limestone tesserae used in ancient mosaics in Slovenia. Archaeometry, ISSN 0003-813X. [Printed ed.], 2017, vol. 59, iss. 2, p. 205-221.
  • ŠEME, Blaž, PRISTOV, Tjaša (author, photographer). Conservation of mural paintings in secular buildings in Slovenia. Acta Academiae Artium Vilnensis, ISSN 1392-0316, Pasauiletini pastatu sienu tapyba: aktualios restauravimo teorijos, metodikos ir problemos = Mural painting in secular buildings: relevant theories, methods and problems of restoration / sudarytoja, edited by Dalia Klajumiene. – Vilnius: Vilniaus dailąes academy, 2016, 2016, 82, p. 23-41, ill.

 

References, conservation-restoration of works of art and other projects (selection 2016-2020):

  • Management of the conservation and restoration intervention: modern mosaic in the City Savings Bank of Ljubljana; Presented in: Mozaik v poslovalnici Mestne hranilnice ljubljanske na Čopovi 3 v Ljubljani: poročilo o konservatorsko-restavratorskem posegu (Mosaic in the branch office of the City Savings Bank of Ljubljana at Čopova 3 in Ljubljana: report on the conservation and restoration intervention, Ljubljana 2018), Ljubljana 2018.
  • Interdisciplinary project management Študentska forma viva: študentski inovativni projekti za družbeno korist (ŠIPK) (Student forma viva: student innovative projects for social benefit (ŠIPK), Ljubljana, 2018; Presented in: ŠEME, Blaž (editor.). Student form viva. Proceedings, Ljubljana 2018
  • Conducting conservation and restoration interventions: several fragments of Emona wall paintings, which are kept in the Museum and Galleries of the City of Ljubljana; Presented in individual reports on interventions for fragments with working codes MGML1 – MGML8, Ljubljana 2017.
  • Interdisciplinary project management Development, processing and testing of new materials for the production and conservation-restoration of mosaics: Po kreativni poti do znanja (Creative path to knowledge PKPZ); Presented in: VIDRAJZ Mateja, (editor). Development, processing and testing of new materials for the production and conservation-restoration of mosaics: Final report on the achieved goals.
  • Management of the conservation and restoration intervention: a modern wall painting in the corridor of the Secondary Hairdressing School in Ljubljana; Presented in: ZGONIK, Nadja. Restored social realist painting: a necessary marketing of equality. Diary, 10 June 2017; Wall painting “Youth is involved in production” by Maksim Sedej and Dane Pajnič; report on the conservation-restoration intervention, Ljubljana 2017

Smole Jurij

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Education:

  • 1995: graduated in Sculpture from UL ALUO, works in stone, bronze and other metals
    1997: Master’s degree in Sculpture 1997 (with prof. France Rotar)

 

Work experience and collaborations:

  • 2009–: lecturer at the Department of Restoration UL ALUO
  • 2009–: tutor of the cross-border project for the preservation of Slovenian land through sculptural work in Jeremitišče and Štandrež
  • 2004–: expert associate: Institute of Metallic Materials and Technologies
  • 2015–: lecturer at the Faculty of Natural Sciences and Engineering, University of Ljubljana
  • 2013– further program manager of the Domžale Gallery (program manager, organisation and setting up of exhibitions, art awareness, Galerija na potepu (Gallery on the go) excursions

Education (specialisation):

  • 1995 – 1998: Advanced training at the Brustolin foundry, Verona
    Expert in stone sculpture and precision casting of bronze and precious metals – castings made using the lost wax method

Projects:

  • 2002 – 2020: portraits of famous Slovenes: dr. R. S. Pejovnik, dr. France Bučar, Zofka Kveder, Jaki, dr. Jakob Turk, dr. Anton Debeljak, Drago Košmrlj, dr. Karel Verstovšek, dr. Spektorski, dr. Ivan Žolger, Jakob Aljaž, Claude Galien
  • 2019: Initiator of the project Reforma viva in Kostanjevica na Krki
  • 2020: founder of the Patina Centre (UL ALUO and Livartis)

Membership / Jury:

  • 2015 – 2019: member of the jury for the selection of commemorative coins at the Bank of Slovenia and medallist

Exhibitions (selection):

  • 2021 Monument in Suhorje
  • 2001–2019: author of awards for the International Festival of Creativity Golden Drum
  • 2001–2019: author of awards for the International Mountain Film Festival, Lirikon Festival, Effie Awards
  • 2018 Monument in Krka, Novo mesto
  • 2018 Monument in Solkan
  • 2018 Gallery Domžale
  • 2017 Monument in Jeremitišče
  • 2017 Galerie M, Schloss Portia, Villach
  • 2017 Monument in Štandrež
  • 2016 Dr. Karel Verstovšek, Velenje
  • 2014 Monument in Loški Potok
  • 2008 Velenje Gallery
  • 2007 Domžale Gallery
  • 2005 Grosuplje City of Statues, Grosuplje
  • 2005 Conciliation Chapel, Bizovik near Ljubljana
  • 2001 Kos Gallery, Ljubljana
  • 2001 Tržič Forma Viva, Tržič
  • 2000 Latobia, Ljubljana, Flyers
  • 2000 Corpus del akti, Ljubljana
  • 1999 City Hall, Ljubljana
  • 1999 Ilirija Gallery, Ljubljana
  • 1998 Kos Gallery, Ljubljana
  • 1997 Latobia, Ljubljana
  • 1997 City Hall, Ljubljana
  • 1994 / LRD Domžale

Mentoring and co-mentoring:

  • Mentor for the Faculty Prešeren Award: Zoran Flander
  • Co-mentor for the Faculty Prešeren Award: Angel Oblak, Matevž Barborič

Diploma theses:

  • 1999 Tehnologija keramike (Technology of Ceramics) / Vlasta Čobal; mentors: Jurij Smole, Matjaž Počivavšek
  • 2002 Mozaik (Mosaic) / Taja Lojk; mentor: Jurij Smole, co-author: Matjaž Počivavšek
  • 2008 Wood as a modern sculptural material / Marjeta Medved; mentor: Jurij Smole
  • 2010 Form and material: Expressiveness in relief: Development and realisation of ideas in different embossed forms and the influence of the use of different materials on the character of the form / Mirjam Semolič Sore; mentor: Jurij Smole
  • 2010 Various approaches to stone / Marko Zelenko; mentor: Jurij Smole
  • 2012 Sculpture techniques of aluminium casting, production of a figural statue from aluminium and video / Žiga Vojska; mentor: Jurij Smole, co-author: Bučar Dušan
  • 2012 Effect of stone treatment on its surfaces / Doroteja Erhatič; mentor: Jurij Smole, co-author: Blaž Šeme
  • 2012 Sculpture and technological aspects of the found object / Nina Hrelja; mentor: Jurij Smole
  • 2013 Technological approach to ceramic, coloured sculpture / Martina Marenčič; mentor Jurij Smole, co-mentor Matjaž Počivavšek
  • 2013 Reconstruction of the presbytery of the parish church of St. James in Ribno near Bled / Saša Stržinar; co-author: Jurij Smole, mentor: Blaž Šeme
  • 2015 Hollowing as a basic principle of sculptural construction / David Herzog Leitinger; mentor Jurij Smole
  • 2015 Restoration of the doors of the Cathedral of St. Nikolaj / Zoran Flander; mentor Jurij Smole, co-mentor Tamara Trček Pečak
  • 2016 The possibilities of sculpture using foamed concrete / Miha Knez; mentor: Jurij Smole
    2016 The process of making coloured statues from laminated polystyrene / Ivana Postić; mentor: Jurij Smole
  • 2016 Technology of making sculptures using recycled materials / Matej Vočanec; mentor: Jurij Smole
  • 2016 Technology as the foundation of expression in art in the case of masks / Maša Pelc; mentor: Jurij Smole
    2016 Replacement of missing handles on a porcelain vase from the National Museum of Slovenia / Barbara Škander; co-mentor: Jurij Smole
  • 2016 Selected methods of cleaning stone surfaces / Julija Zupan; mentor: Jurij Smole, co-author: Blaž Šeme
  • 2016 From tender to implementation / Miha Makovec; mentor Jurij Smole
  • 2016 Ethical approach to conservation-restoration of the Tomos Colibri 03 / Angel Oblak moped; mentor: Tamara Trček pečak, co-mentor: Jurij Smole
  • 2016 Cleaning of a bronze sculpture / Maja Cingerle; mentor: Jurij Smole
    Master’s theses:
  • 2008 Applied materials and techniques in contemporary sculpture / Živa Kutnjak; mentor Jurij Smole, co-mentor Alen Ožbolt
  • 2007 Modern practices in sculpture / Josip Barić; mentor Jurij Smole

Co-mentor:

  • 2016 Image and holder / Simon Jugovic Fink; co-mentor: Jurij Smole, mentor: Sergej Kapus

Černelč Robert

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Education:

  • 1995–99 Painting Studies at the Academy of Fine Arts in Ljubljana.
  • 2000–02 Master’s degree from the Academy of Fine Arts.
  • 2001–2004 Master’s degree in film directing from the Academy of Theater, Radio, Film and Television.

 

Professional experience, areas of work and memberships of expert committees:

  • 2015-: teaches at the UL ALUO – Video, Animation and New Media and the UL AGRFT – Film and Television Directing.
  • 2004 member of the jury, UL AGRFT “Grossman Award” for the best screenplay.
  • 2004-2008 member of the expert jury, Film Fund of the Republic of Slovenia.
  • 2020 member of the expert commission of the Prešeren Fund.
  • 2021 member of the jury at the 24th Slovenian Film Festival, Portorož.
  • Member of the Slovenian Directors’ Association.
  • Areas of work: painting, film directing, video, set design and screenwriting.
  • 2019-: Head of Video, Animation and New Media.
  • 2021-: President of the Board of Directors of UL ALUO

 

References (selection 2017-2022):

  • Ljubljana, Equrna Gallery, Enter the Void, solo exhibition, 2022.
  • Feature film Ptičar (Birder), directing, script and scenography: Robert Černelč, 2021
  • Ljubljana, Bažato Gallery, Prostori na poti (Spaces on the Way), group exhibition, 2022.
  • Ljubljana, Cukrarna, Vračanje pogleda (Returning the Gaze), with Polona Tratnik, Hair in vitro, film, directed by: Robert Černelč, 2022.
  • San Sebastian Film Festival, feature film Inventura, directed by: Darko Sinko, pre-production set design by: Robert Černelč, 2021.
  • Kostanjevica na Krki, Božidar Jakac Gallery, Osamljenosti (Loneliness), 2020
  • Murska Sobota, Murska Sobota Gallery, Percepcija filma (Perception of the film), 2018
  • Brussels, Berlaymont Palace, (org. by the Ministry of Culture), paintings, 2017
  • Ljubljana, City Gallery, Telesnost (Corporeality), Video installation Nosferatu, 2017

 

Awards:

  • Prešeren Prize of the Academy of Fine Arts for painting, Ljubljana, 1999.
  • Sponsor’s Award, 10th ALU Student Colony, Velenje, 1999.
  • Award for a film form shorter than three minutes; videofilm “Abadon” (3 min) – V. Festival of Independent Film and Video of Slovenia, 2000.
  • Award for first place in the category of short fiction, videofilm “Dežanje” (17 min) – V. Festival of Independent Film and Video of Slovenia, 2000.
  • 3rd Prize of the May Salon, Ljubljana, 2000.
  • II. prize, XXXVII. International Ex Tempore Piran, Piran, 2002.
  • Prize for Young Perspective Painters, Izlake Painting Colony, Izlake, 2002.
  • Vesna for debutant of the year, short film “Worms”, Festival of Slovenian Film, Ljubljana, 2004.
  • Best Film Award – 3rd place, film Worms, Zlinsky pes, Zlin Film Festival, Czech Republic, 2005.
  • Vega Award for promising students abroad, Ministry of Education and Science, Ljubljana, 2005.
  • Special Mention of the International Jury, film “Worms”, European Festival of Film Schools Bologna, Italy, 2005.

 

Kuhar Rok

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1966 se rodi v Ljubljani.
1995 diplomira na Fakulteti za Arhitekturo v Ljubljani.
1996 zaključi podiplomski študij industrijskega designa na Domus Academy v Milanu, mentor Alberto Meda.
1997 začne samostojno pot na področju industrijskega oblikovanja.
Od 2005 skupaj s partnerko vodi biro Raketa.
Od 2017 zaposlen na Akademiji za likovno umetnost in oblikovanje v Ljubljani.

Jeza Primož

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Izobrazba:

Diplomant Fakultete za arhitekturo v Ljubljani.

 

Delovne izkušnje:

2000–: predavatelj na Fakulteti za arhitekturo Univerze v Ljubljani.

2014­–: predavatelj na UL ALUO, smer Industrijsko oblikovanje.

1994: ustanovil je PRIMOZJEZASTUDIO, v okviru katerega je realiziral več kot 50 projektov s področja arhitekture in interiera.

V času študija se je ukvarjal z interierjem, grafičnem oblikovanjem (izdelal je več knjižnih oprem in promocijska gradiva založb DZS-ja ter Mladinske knjige) in filmsko scenografijo (realiziral je preko 40 scenografij reklamnih in kratkih filmov za domače in tuje produkcijske hiše).

 

Sodelovanja in projekti:

2008: knjiga Interier Primož Jeza 9+1, knjigo spremlja istoimenska samostojna razstava; predstavitev knjige v Ljubljani, Mariboru, razstavi v Moskvi in Beogradu.

Je selektor Meseca oblikovanja Ljubljana za Perspektivne oblikovalce.

Član številnih žirij kot npr. leta 2017 za Unesco.

Delo v komisijah (2016-20)

– predsednik natečajne komisije DUTB-ja za izvedbo študentskega natečaja “Natečaj za predlog opreme trosobnega stanovanja v soseski Celovški dvori”. Ljubljana 2016

– selektor Meseca oblikovanja Ljubljana za Perspektivne oblikovalce leta 2016. Ljubljana, 2016

– selektor Meseca oblikovanja Ljubljana za Perspektivne oblikovalce leta 2017. Ljubljana, 2017

– član natečajne žirije Unessca za likovno podobo rudnikov živega srebra CC Almadén in Idrija. Ljubljana 2017.

– selektor Meseca oblikovanja Ljubljana za Perspektivne oblikovalce leta 2018. Ljubljana, 2018.

– selektor Meseca oblikovanja Ljubljana za Perspektivne oblikovalce 2019. Ljubljana, 2019.

– selektor Meseca oblikovanja Ljubljana za Perspektivne oblikovalce 2020. Ljubljana, 2020.

– član žirije javnega razpisa za  »Spodbujanje kreativnih kulturnih industrij – Center za kreativnost 2020- 2021«, ki ga izvaja Ministrstvo za kulturo RS. Ljubljana, 2020

 

Nagrade, nominacije in priznanja (2016-20)

V zadnjem obdobju je bilo njegovo najbolj izpostavljeno delo stol Nico less, ki je večkrat nagrajeno:

– Red Dot Award 2016 winner (za stol Nico less)

– Oblikovanje leta, Mesec oblikovanja Ljubljana 2016 (za stol Nico less)

– Green Product Award 2018 (za stol Nico less)

– Circular Design of the year 2019 Moveco award (za stol Nico less)

– Iconic Awards 2019 Inovative interier (za stol Nico less)

– zmaga v Benetkah na mednarodnem natečaju Artre Laguna Prize 2020 v sekciji design art (Artre Laguna Prize 2020 winner) za delo Miza Frankenstein’s Bride.

Nominacije

Design Europa awards 2018 finalist, EU-LAC Foundation 2018 (za stol Nico less)

Archiproducts 2016 , Maison & Objet Paris, Pariz 2016 (za stol Nico less)

ArchiExpo i-NOVO awards at Orgatec 2016, Koeln 2016 (za stol Nico less)

Archiproducts 2017, Salone del mobile Milano, Milano 2017 (za stol Nico less)

Priznanje

2020: skupaj z doc. Barbaro Predan in Studiom Miklavc prejme Priznanje za oblikovalski dosežek leta 2020 od Društva oblikovalcev Slovenije za pregledno razstavo Ali ima prihodnost ponovitev? Interier 1990-2015.

 

 

Industrijsko oblikovanje:

JEZA, Primož. Načrtovanje idejnega in izvedbenega projekta modularne večfunkcijske zofe Venice. Ljubljana, 2017. Za: Prostoria d.o.o.

JEZA, Primož. Načrtovanje in izvedba stola iz filca ter lesa W22. Ljubljana, 2018. Za: Donar d.o.o.

JEZA, Primož. Načrtovanje in izvedba žametnega dvoseda Lars On Ljubljana, 2019. Za: Idiom d.o.o.

JEZA, Primož. Načrtovanje in izvedba nahrbtnika s stolom Backpack-a iz filca in kompozita ali lesene vezane plošče. Ljubljana, 2019. Za: Donar d.o.o.

JEZA, Primož. Načrtovanje in izvedba pisarniškega filc stola Nico ofice + – . Ljubljana, 2020. Za: Donar d.o.o.

JEZA, Primož. Načrtovanje in izvedba kovinskega barskega stola Nicolino. Ljubljana, 2020. Za: Donar d.o.o.

JEZA, Primož. Načrtovanje in izvedba stola Onemilionandhalfchiar (stol iz razrezanih bankovcev v vrednosti 1,5 miljona eur). Ljubljana, 2020. Za: Banka Slovenije

 

Razstave:

Razstavlja na samostojnih in skupinskih razstavah doma in v tujini:

– JEZA, Primož. Razstava slovenskega oblikovanja v Milanu, Odprto -100% odprto v galeriji Ventura futura v organizaciji MAO, z zofo Venice in stolom Nico less.  Milano, 2019

– JEZA, Primož. Skupinski nastop slovenskega oblikovanja na Maison & Object v  organizaciji MAO, z zofo Venice in stolom Nico less. Pariz, 2019.

– JEZA, Primož. “We ‘re open!” razstava slovenskega oblikovanja v galeriji Kunsthall Oslo, v organizaciji MAO, z zofo Venice in stolom Nico less.  Oslo, 2019.

– JEZA, Primož. The Circle (Krog), skupinski nastop slovenskega oblikovanja na 3 days of design Danska, v organizaciji MAO, z zofo Venice, stoloma Nico less in W22. Kopenhagen, 2020.

– JEZA, Primož. Tunel 29, Oblikovanje za postapokaliptični svet, skupinska razstava slovenskega oblikovanja v galeriji MAO, s predstavitvijo nahrbtnikom Backpack. Ljubljana, 2020.

– JEZA, Primož. Pregledna razstava slovenskega interierja Ali ima prihodnost ponovitev? Interier 1990-2015, v galeriji Kresija, s predstavitvijo kluba Propaganda, Administrativnega prostora PR- Slovenija in multimedijskega centra Kibla. Ljubljana, 2020.

 

Arhitektura:

– JEZA, Primož. Idejni projekt LMH (lesene modularne hiše) za prototip pri Laškem. Ljubljana, 2016. Za: Paron lesna industrija d.o.o.

– JEZA, Primož. Idejni in izvedbeni projekt mobilne hiše Felt house (Hiša iz filca). Ljubljana, 2017. Za: Adria dom d.o.o.

– JEZA, Primož. Idejni projekt za pridobitev projekta za gradbeno dovoljene hiše na Vrhovčevi ulici v Ljubljani. Ljubljana, 2017. Za: S-INVESTPROJEKT, inženiring d.o.o.

– JEZA, Primož. Projekt in izvedba razstavnega prostora na dogodku Salone del mobile Milano. Ljubljana, 2017. Za: Donar d.o.o.

– JEZA, Primož. Idejni projekt preureditve, prenove in nadzidave poslovne zgradbe Triglav na Dunajski cesti 22. Ljubljana, 2018. Za: Triglav upravljanje d.o.o.

– JEZA, Primož. Projekt atrijske hiše na Mirju z. Ljubljana, 2020. Za: Zasebni investitor

 

Konference, izobraževanja, predavanja:

S področja arhitekture in oblikovanja redno predava doma in v tujini.

2013: na povabilo University Colorado Denver v Aspnu predstavi Slovensko alpsko arhitekturo (skupaj s predsednico DAL-a Majo Ivanič).

2016: Konferenca Prenova za kreativni turizem, organizator Zavod Big, Mesec oblikovanja 2016, Mesto oblikovanja, Ljubljana.

2018: Znanstvena konferenca »Vloga znanosti pri inovacijah v lesarstvu«, organizator InnoRenew CoE z Oddelkom za lesarstvo v okviru prireditve Čar lesa 2018, Štihova dvorana CD, Ljubljana.

 

Mentorstvo pri interdisciplinarnih projektih:

Arheološki park Situla, študijsko leto 2015/16 (so sodelovali UL ALUO-IO, UL FA, UL BF in Mestna občina Novo Mesto). Tip projekta: Študentska interdisciplinarna delavnica prostorske, urbane, krajinske in vizualne ureditve arheološkega parka v Novem mestu.

Projekt Bovec, študijsko leto 2015/16 (sodelovali UL ALUO-IO, UL FA, UL EF in LTO Bovec). Tip projekta: Študentska interdisciplinarna raziskovalna naloga.

Naslov projekta: Mobilna bivalna enota za celoletno bivanje, študijsko leto: 2016/17 (sodelovali UL ALUO-IO, UL FA, Adria dom d.o.o. in ID interier design d.o.o.). Tip projekta: Študentska raziskava in eksperimentalno načrtovanje novih mobilnih enot za celoletno bivanje

PKP. Naslov projekta: Zelena dnevna soba, študijsko leto: 2017/18 (sodelovali Podjetje Tisa d.o.o., Zavod Bob, UL ALUO-IO in UL FA). Tip projekta: Trajnostno oblikovanje.

Naslov projekta: Mobilni delovni prostor, študijsko leto 2018/19 (sodelovali Podjetje Donar d.o.o., Ministudio d.o.o., UL ALUO-IO in UL FA), tip projekta: Produktno oblikovanje sodobnega pisarniškega pohištva.

Koštrun Peter

Written by

2007: diplomiral na Akademiji za likovno umetnost in oblikovanje v Ljubljani

Redno razstavlja v domačem in mednarodnem prostoru vse od leta 2003, sodeloval je tudi na skupinski razstavi Photonic Moments III – salon sodobne fotografije vzhodne in jugovzhodne Evrope (2007), ki na letni bazi predstavlja vzhajajoče umetnike tega geografskega področja.

 

Stančič Zora

Written by

Assoc. Prof. Zora Stančič (MA) works in three main areas. She approaches graphics with an extended field approach, and in her graphic works she explores the relationship between classical graphic techniques and modern digital graphics. Scenography and costume design is one aspect of her artistic creation, but she has participated in various important and successful events in theatre and film. She derives her illustration style, which is based on freehand drawing, from her experience in graphics.

 

Education

  • 1979 – 1984: Study of Graphics, University of Sarajevo (Academy of Fine Arts), Sarajevo, Bosnia and Herzegovina
  • 1990: Master of Arts, UL ALUO, title: “Framing and My Graphics”, mentor Prof. Zvest Apollonio

 

Work experience

  • 1985-2016: self-employed in culture, Ministry of Culture, Ljubljana
  • 2012: assistant professor of graphics
  • 2016-2021: higher education lecturer, University of Ljubljana, Faculty of Education

Art works

  • Zora Stančič, Poljubi me / Kiss me: graphics on silk pyjamas by AZ Factory 2021, Paris, France, curator: Alber Albaz
  • Andrej Rozman Roza Baal (theatrical play based on Baal by Bertolt Brecht), directed by: TAUFER, Vito, dramaturgy: Dubravko Mihanović, music: Alexander – Schatzi Pešut, set design: Zora Stančič, costume design: Barbara Stupica, animation: Andrej Kamnik, cast: Ivan Godnič, Vasko Atanasovski Trio, Jure Ivanušič, Uroš Maček, Robert Prebil, Matej Recer, Ivan Rupnik, Dario Varga, Matija Vastl, Première: 20th 3rd 2019, Slovenian Youth Theatre, Ljubljana, performance at the 51st week of drama at the Prešeren Theater in Kranj, Performance at the opening of the 34th Galella Evenings in Zagreb, Croatia
  • Nočno življenje (Nightlife), 2016, directed by: Damjan Kozole, costume design: Zora Stančič, cast: Pia Zemljič, Jernej Šugman, Marko Mandič, Peter Musevski, screenplay: Damjan Kozole, Ognjen Sviličić, photography: Miladin Čolaković, scenography: Dušan Milavec, Neža Zinajić, production Vertigo (SI), financial support Slovenian Film Centre, technical data DCP, in colour, 85 min, image format: 1: 2.35, sound 5.1. The film premièred at the category A Karlovy Vary Festival, where it received the Crystal Globe for Best Director, and has been invited to numerous festivals at home and abroad: Portorož, Motovun, Zadar, Sarajevo, Montpelier, Arras, Vienna, Trieste, Vienna, Sofiaetc. awards: Award for Best Director, Zadar, FSF Award Portorož, Award for Best Actress, FSF, Portorož, Nebojša Djukelić Award, Fest, Belgrade.
  • Zora Stančič, Nič posebnega / Nothing Special, Metropolitan Museum, New York, USA, purchase of books by Slovenian contemporary artists: POGAČAR, Tadej, VARL, Petra, HABICHT, Dejan, LAŽETIĆ, Tanja, January 2016 Note: text at the MMC event entitled The Metropolitan Museum bought books by Slovenian artists, 2 January
  • Zora Stančič, Brez naslova (No title), Hommage au metier de la gravure, Kunstlerhaus Klagenfurt, Austria, authors of the exhibition: Petar Waldegg and Prof. Dr. Philipp Maurer, group exhibition of graphic works, authors: Antoni Tapies, Emilio Vedova,, Pierre Soulages, Hans Hartung, Julije Knifer, FRELIH, Črtomir, BERNIK, Janez, JEMEC, Andrej, SPACAL, Lojze, 11 June 2015 – 14 August 2015. Catalogue of colour reproductions (32), 80 pages, 28 cm, published by Kunstverein Karnten, Klagenfurt
  • Zora Stančič, Angel, Shaving, 23rd International Graphic Biennial, Artists from the competition: invited, Jakopič Gallery, Ljubljana, Slovenia, 19 June 1999 – 30 September 09 1999
  • San Zanobi International Award
  • Zora Stančič, 12th Tallinn Print Triennial / Tallinn XII. graphics triennial, Tallinn, Estonia, group exhibition, 14 September 2001 – 21 October 2001. (Participation in the main exhibition on Mutating Image at Rotermann’s Salt Storage Arts Centre. Rotemannisoolalao arhitektuuri- ja kunstikeskus. International Triennial Award, Special Recognition.)
  • Zora Stančič, 5th International Biennial of Drawings and Graphics, Gyor, Hungary, honorary recognition of the international jury, group biennial exhibition.

 

Independent author and curatorial exhibitions

  • Zora Stančič, Marame (Headscarves), Eugen K. Brseč Gallery, Mošćenička Draga, Croatia, 12 July 2020 – 4 August 2020.
  • Zora Stančič, Zunaj kroga / Out of the loop / Fuori dal cerchio (spatial layout). Piran Coastal Galleries, Monfort Gallery, Portorož, 20 March 2020 – 10 May 2020 (Visibility of the exhibition in the media: www.rtvslo.si/4d/arhiv/174698177?s=mmc)
  • Zora Stančič, Eindrücke vom Rand. Objekte und Malerei /Impressions from the Edge. Objects and Paintings, solo exhibition by two authors with Boris Beja, BV Galerie, Klagenfurt, Austria, 3 October – 25 October 2017
  • Zora Stančič, Marama / Headscarf, History Museum of BiH, Sarajevo, Bosnia and Herzegovina, solo presentation in one of the three galleries of the museum, 9 March – 20 March 2017
  • Zora Stančič, Čije je moje tjelo (Whose is my body), MAP, Meeting Art Place, Brela, Croatia, solo presentation at the Centre for Visual Arts, 22 June 2013 – 21 July 2013
  • Zora Stančič, Kapelica v izložbi (Chapel on display), Kleine Kapelle im Schaufenster, Holasek Gallery, Graz, Austria, Art in Public Space, solo exhibition, 19 September 2009 to 30 September 2009
  • Zora Stančič, Best before / Uporabno do, Gallery MC, New York, USA, personal exhibition of two Slovenian authors with Elena Fajt, 1 December 2006 – 15 December 2006
  • Zora Stančič, curator Nives Marvin, Insieme / Together, Galleria A + A, Venice, Italy, with Huiqin Wang, 18 January 2006 – 7 February 2006
  • Zora Stančič, curator Philip Maurer, Die Kleine Galerie, Vienna, Austria, personal exhibition of two Slovenian creators with Jožef Muhovič, 22 April 2004 to 19 May 2004
  • Zora Stančič, curator Izeta Gradjević, Century / XX. Stoljeće / XX Century, Obala Art Centre Gallery at the Academy of Fine Arts, Sarajevo, Bosnia and Herzegovina, solo exhibition of graphics, 15 April 1998 to 4 May 1998

 

Group exhibitions

  • Zora Stančič, Imago Mundi, Luciano Benetton Collection. Join the Dots / Unire le distanze salone degli incanti, ex Pescheria Centrale, Trieste, Italy, 2018 participating artists: Gustav Gnamuš, Boris Beja, Zmago Lenardič, Aleksij Kobal, 29 May 2018 – 2 September 2018
  • Zora Stančič, curator of the exhibition Ladislav Sykora and Michal Lazorčik, Linoryt, Klatovy Gallery, Klenova, Czech Republic, group international (Czech Republic, Serbia, Poland, Netherlands, England, USA, Australia, etc.) exhibition of works created at the Linocut Symposium from 2001 to 2016, 26 March to 17 July 2016
  • Zora Stančič, curator of the exhibition Snežana Skoko, Što se dešava? / What Is Going On?, Museum of Applied Arts, Belgrade, Serbia, art meetings, group international exhibition, participating artists from Croatia, Poland, Serbia and Slovenia, exhibition organiser: Punkt za umetnički aseksperiment and MPU, 10 February 2016 – 20 February 2016
  • Zora Stančič, NY Art Book Fair, P.S.1 Contemporary Art Center, New York, USA, artist’s book fair, exhibition curator Tadej Pogačar, 18 September 2015 to 20 September 2015
  • Zora Stančič, curator for Slovenian artists: Huiqin Wang, The Seventh China Art Weekly Festival, International Art Exhibition, Nantong, China, 26 November 2014 – 3 December 2014
  • Zora Stančič, curator for Slovenian artists Breda Škrjanec, Napake (Errors), artist’s book, 7th International Triennial of Graphics Sofia, Bulgaria: Barbara Drev, Črtomir Frelih,, Matjaža Geder, Eva Lucija Kozak, Eva Žula, 10 November 2014 – 30 November 2014
  • Zora Stančič, Brez naslova (No title), 7th International Festival of Contemporary Arts AKTO / AKTO 7- Festival for Contemporary Arts, Bitola, Macedonia, 09 August 2012 – 12 August 2012
  • Zora Stančič, A tout prix (project in public space on a billboard), 27th International Graphic Biennial, Ljubljana, Slovenia, 06 September 2007 – 28 October 2007 (Accompanying exhibition in Gallery P74, Ljubljana, Slovenia, book Nothing special and exhibition of prints from the book by Z. Stančič from: 3 September 2007 – 20 September 2007)
  • Zora Stančič, 26th International Graphic Biennial, Ljubljana, Slovenia Accompanying exhibitions Sunek, group exhibition, graphics, 23 June 2005 – 2 October 2005
  • Prva linija (First line) – avant-garde and alternative prints in Slovenia from conceptualism to date
  • The most beautiful graphics – Slovenian graphics of the last fifty years
  • Zora Stančič, Printmakers from Slovenia, CCa Galleries, West St., Farnham, Great Britain, group exhibition, graphics (Transfer from Cambridge, Oxford and Bath, all CCA Galleries, 1993, transfer to CCA Galleries, London, Great Britain – 11 February 1994 – 26 March 1994)
  • Zora Stančič, Brez naslova (No title), 20th International Biennial of Graphic Art, Ljubljana, Slovenia, group exhibition, graphics, 25 June 1993 – 30 September 1993

 

Collections

  • Zora Stančič, Nič posebnega / Nothing special, (artist’s book), 2008, Metropolitan Museum of Art, New York, USA
  • Zora Stančič, Untitled, 2000, Museum of New Zealand Te Papa Tongarewa, Auckland, New Zealand
  • Zora Stančič, Album, 1995, Revija, 2000, International Centre of Graphic Arts, Ljubljana, Slovenia
  • Zora Stančič, Avtocenzura (Self-censorship), 1997, Museum of Contemporary Art, Ljubljana, Slovenia
  • Zora Stančič, Brez naslova (No title), 1994, Albertina, Vienna, Austria
  • Zora Stančič, The World is Watching You, Farewell, 1995, The Jane Voorhees Zimmerli Art Museum, New Brunswick, New Jersey, USA
  • Zora Stančič, Brez naslova (No title), 1993, Fonds National D’art Contemporain, Paris, France

 

Mentoring

  • Mentoring in student art assignments: 3
  • Completed diplomas (1st level): 16
  • Completed master’s degrees (2nd level): 10
  • Doctorates (3rd level):
  • Prešeren Awards (faculty): 1

 

Awards and recognitions

  • Recognition, May Salon, Ljubljana, Slovenia, 2018
  • Župančič Award, Ljubljana, Slovenia, 2016
  • Recognition of important works of art in the field of graphics, University of Ljubljana (Academy of Fine Arts and Design), 2011
  • Honorary Award, 5th International Biennial of Graphics and Drawing, Gyor, Hungary, 1999
  • Honorary Diploma, 12th Graphic Triennial, Tallinn, Estonia, 1999
  • San Zanobi Award, 23rd International Graphic Biennial, Ljubljana, Slovenia, 1999
  • Grand Prix, Biennial of Slovenian Graphics, Otočec, Slovenia, 1996:
  • Novo mesto Award, Biennial of Slovenian Printmaking, Otočec, Slovenia, 1992

 

Projects

  • 28 June – 16 July 2017 Zora STANČIČ, (editor), ZLOKARNIK, Mojca (editor). Avanti grafika! = Avanti graphic! DLUL Gallery, organisation and catalogue of the exhibition with Slovenian participation
  • 15 June – 07/07/2019 Zora STANČIČ, (editor), ZLOKARNIK, Mojca (editor). Avanti graphics! drugič = Avanti graphic! 2 # in DLUL Gallery, organisation, catalogue and curation of an international exhibition
  • 7 July – 7 August 2021 Zora Stančič, (editor), Mojca Zlokarnik (editor). Avanti grafika! Tretjič=Avanti graphic! 3# in DLUL Gallery, organisation, catalogue and curation of an international exhibition

 

Significant achievements

  • Zora Stančič, Zora Was Here, (Ljubljana in person, alternative guide, book no. 9). Ljubljana: Revija Likovne besede, Zveza društev slovenskih likovnih umetnikov: = Artwords Magazine, Association of the Slovenian Fine Artists Societies, 2015. 127 pp., Illustr., 16 cm
  • Župančič Award 2016
  • Zora Stančič, Oblike (Shapes), public work in MGLC – café, equipment, screen printing on walls, co-authors: Nena Gabrovec, Kaja Lipnik, Arne Vehovar, MGLC – café biennial, Ljubljana, Slovenia, 2015. (18 November 2015, Bavčar, Julijana: Spregovori tisto, kar manjka (The missing things talk). Café biennial [MGLC] Delo in dom 18 November 2015, cf.: year 23, no. 37, p. 26 – 27, ill. Delo in dom – addition to Slovenske novice magazine, Journal of Culture, Župančič Award 2016)
  • Zora Stancic, Petra Varl, Zadnjih dvajset let / The Past Twenty Years, MGLC, Ljubljana, Slovenia, personal retrospective exhibition of two authors (An extensive catalogue with numerous texts and reproductions of works was published at the exhibition, 01 July 2008 – 31 August 2008)
  • Zora Stančič, Revija, knjiga umetnika (Magazine, artist’s book), 2000, published by MGLC, Ljubljana, Slovenia From 28 December 2000 to 20 February 2001, solo exhibition and presentation of the artist’s book Revija, Equrna Gallery, Ljubljana, Slovenia (49 graphics 2000, inkjet print / canvas, screen printing / paper, linocut / wallpaper, screen printing / paper or plastic, solo exhibition.)
  • Zora Stančič, Album, knjiga umetnika (Album, the book of an artist), 1995, published by MGLC, Ljubljana, Slovenia, [texts Milan Kleč… [et al.]; translation by Mark Valentin; photo Jane Štraus, Blaž Zupančič], book, Slovenian, English. Ljubljana: International Centre of Graphic Arts, 1995, Ljubljana, 119 p. : ill. ; 24 cm. Slov. and Eng. text Translation, 1,000 copies. Stančič, Zora (1956- – Albumi)

 

Membership in professional associations and commissions

  • Member of the Slovenian Association of Fine Arts Societies – DLUL (since 1985)
  • Member of the Ljubljana Association of Fine Arts Societies (since 1985)
  • Member of the DLUL Art Council
  • Member of S.K.O.M. (Association of Slovenian film set designers, costume designers, and mask designers)
  • Representative of PEF LJ in the expert council of Pionirski dom (since 2016)
  • Member of the expert commission for the program of galleries of the City of Ljubljana (from 2008-2017)

 

Membership in expert juries

  • Member of the jury for the Orion Awards for Achievement and the Butnskala Award for Originality, 2021
  • Member of the Ivana Kobilca DLUL Professional Awards Committee, 2019
  • Member of the commission for student Prešeren Awards at UL, 2018
  • Chairman of the Ivana Kobilca DLUL Professional Awards Committee, 2018
  • Member of the Likfest jury, Pionirski dom, Ljubljana, 2015, 2016, 2017, 2018, 2019
  • Member of the Graphic Spring jury, International Exhibition of Student Graphics, Exhibition Centre Vetrinjski dvorec, Maribor, 2015
  • Member of the expert jury of the Biennial of Children’s Graphics, Žalec, Slovenia, 2015
  • Member of the Sarajevo Film Festival Jury for the EFA (European Film Academy) Award, Sarajevo, Bosnia and Herzegovina, 2014
  • Honorary President of the Biennial of Children’s Graphics, Žalec, Slovenia, 2013

 

Lectures, guest appearances at domestic and foreign universities and other cultural institutions

  • Participation in the Academy of Fine Arts, University of Sarajevo, Department of Graphics (1 March 2021 – 1 June 2021)
  • Erasmus+ tour at the Academy of Fine Arts, University of Sarajevo, Department of Graphics (24 June 2021 – 29 June 2021)
  • Nema proza, workshop with students at the Blenkuš seminar at the Faculty of Architecture, University of Ljubljana, 2017/2018, (at the invitation of Prof. Dr. Matej Blenkuš), which ended with an exhibition: https://www.zag.si/si/novice/vabilo-na-razstavo-nema-proza
  • Lecture and workshop on the topic of the artist’s book, 2016, Academy of Applied Arts, Department of Graphics, University of Rijeka, Croatia (at the invitation of Prof. Maja Franković)
  • Teaching the subject Graphics and Printed Art for the master’s degree in Fine Arts at the Faculty of Education, University of Maribor, 2014/15 and 2015/16
  • Lecture on Graphic Technique at the Faculty of Architecture, University of Ljubljana, (8 April 2014 seminar in the subject Presentation Techniques, Prof. Jure Sadar), 2014
  • Lecture Printmaking at the University of Haifa, Israel, MA Program for Culture and Film Studies, (14 May 2013 at the invitation of Dr. Yvonne Kozlovsky Golan), 2013
  • Lecture Knjiga umetnika (Book of the Artist) at the Faculty of Education, University of Ljubljana (19 March 2013, at the invitation of Prof. Črtomir Frelih, M.Sc.), 2013
  • Lecture Knjiga umetnika (Book of the Artist) at the National Library of Serbia in Belgrade, Serbia (11 January 2013, at the invitation of the curator of the exhibition Book Art Object 2, Nena Skoko), 2013
  • Lecture Knjiga umetnika (Book of the Artist), at the Biotechnical Faculty, Department of Landscape Architecture, University of Ljubljana, (14 November 2012 at the invitation of Prof. Dr. Ana Kučan), 2012
  • Lecture and workshop for all departments at the Academy of Fine Arts in Sarajevo, Bosnia and Herzegovina (19 December and 20 December 2012, at the invitation of Prof. Dr. Amela Hadžimejlić) http://www.alu.unsa.ba/en/content/radionica-sa-zorom-stancic-knjiga-umjetnika