Ilovar Klemen
Grom Jure
Banović Ivana
Šiško Dorijan
Čadež Špela
Srakar Andrej
Predan Barbara
Dr Barbara Predan is an assistant professor, theoretician, researcher, designer and author. She received a bachelor’s degree in industrial design, and then a master’s degree in the theory and development of design from the Academy of Fine Arts and Design, University of Ljubljana. In 2012, she received her doctoral degree from the Scientific Research Centre of the Slovene Academy of Sciences and Arts and the University of Nova Gorica.
Predan is the co-author of the books Back to Design: An Anthological Survey of the Theory of Design in Slovenia (2007) and Sustainable Alternatives in Design: It’s High Time We Start Losing Time (2009). She is the (co-)author (or editor) of the books and exhibitions Iskra: Non-Aligned Design 1946–1990 (2009), Niko Kralj: The Unknown Famous Designer (2011), Design education: what do you see? What do you think about it? What do you make of it? – 30 years of design at ALUO (2015), Design as the Capacity for Change: Slovenia Design Showroom Milano (2017), Death in Design (2017), Thinking the Conditions of Our Time (2019); Papiro-logía: circular design and the use of paper in interior design (2019), The Questions Raised by Design (2020); and is the author of the exhibitions Gorenje with Vision (2012), Wood25 (2016–19); and is the co-author of the exhibitions Past Future Perfect (2014–15), Marx After Marx: Kunst-Marx (2019). Since 2010, with Petra Černe Oven, she has been co-editing Zbirka 42, a series of books on design, under the auspices of the Pekinpah Association. She has also participated as author or editor in the following seven volumes: Service and Information Design: Examples of Good Practice (2010), The Utopian Seminar (2011), Designing an Agenda, or, How to Avoid Solving Problems That Aren’t (2013), The Public Sector: Agent of Progress? (2015), R. Buckminster Fuller: The Operating Manual for Spaceship Earth (2016), Death in Design (2017, 2020), and Edvard Ravnikar: Design (2017).
Predan has published professional and scholarly articles in Design Issues, Design Principles and Practices, The international journal of design in society, Filozofski vestnik, Dialogi, ČKZ, 2+3D, Oris, and Piranesi, among others. In 2014, she and Petra Černe Oven contributed the chapter “Information design as a (r)evolutionary educational tool” to the Routledge’s Information Design: Research and Practice edited by Alison Black, Paul Luna, Ole Lund, Sue Walker. She prepared the texts for the scientific monograph Information design: research and practice (Routledge, New York 2017) together with Dr. Petra Černe Oven. In 2019–2020, together with Tevfik Balcıoğlu and at the invitation of the organisers, she co-edited and co-chaired the section entitled “Politics and Design: Past, Present, Future” at the international conference International Committee for Design History and Design Studies (ICDHS 12) in Zagreb, October 2020. Received an invitation together with Dr. Petra Černe Oven to prepare a chapter on the history of Slovene design for the period 1945–2000 for Victor Margolin and Bloomsbury Press. The chapter will be prepared for the book World History of Design, Volume III (Bloomsbury Press).
As an assistant professor, she teaches Development and Theory of Design and the elective course Service Design at the Department of Industrial and Unique Design of the Academy of Fine Arts and Design, University of Ljubljana.
Predan is a co-founder and leader of the department of design theory at the Pekinpah Association, and, since 2014, the director of the Institute of Design, an academic research organisation. She teaches a course in the history and theory of design and an elective subject in service design at the Academy of Fine Arts and Design, University of Ljubljana. Under the auspices of various institutions and events in Slovenia, Černe Oven and Predan have hosted over thirty world-renowned experts in the field of design. She regularly lectures at international academic and professional conferences, and, with Černe Oven, leads a number of Slovenian and international workshops in the field of service and information design.
Awards:
2020 – Design Principles & Practices International Award for Excellence: Award Winner for Volume 13
2019 – AIAP WOMEN IN DESIGN AWARD 2019, nomination in category: “PhD, Researchers and Teachers” (with Dr. Petra Černe Oven)
2018 – Recognition of the University of Ljubljana for special achievements and participation in the field of extracurricular activities
2017 – Award of the Slovenian Designers’ Association: Design excellence of the quarter in the field of “design theory and critique and professional journalism” (together with Dr. Petra Černe Oven)
2017 – Brumen Foundation Award in the category: information design, 6th Biennial of Visual Messages of Slovenia, National Gallery, Ljubljana (several co-authors)
2013 – Praise of the quarter of the Association of Designers of Slovenia – for a theoretical contribution to design (together with Dr. Petra Černe Oven)
2013 – Brumen Foundation Award in the category: web and mobile applications, 6th Biennial of Visual Messages of Slovenia, National Gallery, Ljubljana (several co-authors)
2012 – Award of the Slovenian Designers’ Association: Design excellence of the quarter in the field of “design theory and critique and professional journalism” (together with Dr. Petra Černe Oven)
Professional experience:
University of Ljubljana, Interdisciplinary Doctoral Programme in the Arts
2019–present: President of the Program Committee
University of Ljubljana, Academy of Fine Arts and Design
2020–2023: Head of research project “Models and Practices of Global Cultural Exchange and Non-aligned Movement. Research in the Spatio-Temporal Cultural Dynamics”
2019-2020: Head of Industrial Design and Applied Arts Department
2017–present: Employed as Assistant Professor
2009–2017: Guest/Visiting Lecturer
Hyphen’s Editorial Board
2019–present: Editorial Board Member
Brumen Foundation
2018–present: Board Member
2005-2010: Project Manager
CODEC: international design network
2016 – present: Co-founder and board member
Design for Europe
2015–2016: Slovenian Ambassador
Scientific journal The Design Journal, Bloomsbury Publishing, London (UK)
2015 – present: Editorial Manager
Institute of Design, Ljubljana (an academic research organisation)
2014–present: Co-founder and Director
Cankarjev dom, Culture and Congress Centre
2013-2019: Board Member
Zbirka 42 (Collection 42 – a series of books on design)
2010–present: Co-editor
Pekinpah Association (cultural, publishing and production association)
2013–present: Head of Design Theory Section
2007–2013: Head of Pekinpah Association
Biennial of Young Artists from Europe and the Mediterranean
2007-2018: Expert Committee Member
Biennial of Industrial Design – BIO
2006-2010: Expert Committee Member
Freelancer
2000–2017: Theoretician, Critic, Curator, Designer, Educator
Kamnik Andrej
Education:
- 2006 – completed master studies at UL ALUO
- 2003 – completed bachelor studies at UL ALUO
Professional experience and collaborations:
Works in the field of painting, intermedia art (interactive architecture), video and animation
- 2018–: full-time employee as an assistant in the Department of Painting, Video and New Media major study courses at UL ALUO; lecturer in the fields of illustration and animation
- 2010–2018: external lecturer at the Institute and Academy of Multimedia (IAM), in the field of video graphics and animation
- 2015–2018: external lecturer at the Faculty of Design (associate member of the University of Primorska), subject Video in Design and subject Drawing and Painting Producer and television creative video graphics production in the company Pro plus
- 2003–: author of a number of animated commercials, music videos, telops, television video graphic corporate images and film promotional videos
Exhibitions (selection):
- Out of the loop, (exhibition of Zora Stančič), co-author of the video graphical animation, Monfort Gallery 2020.
- Sekvence narave (Nature’s Sequences), (Exhibition Monochrome Architects), co-author of the video editing and posting video projection (City Museum Ljubljana 2018).
- Kiparstvo danes, perfomativna telesa in okolja (Sculpture today, performative bodies and environments). (Center of Contemporary Arts, Celje 2013). Koda (pred) podobe (Code of the (pre)image), Miklova hiša (Ribnica 2010).
- Tehnologije v likovni umetnosti (Technologies in fine arts) (Gallery Velenje 2009).
- Artcircolo project – Overturest: Kulturraume im postfossilen zeitalter, exhibition and presentation of the project Wind Code Image (Gallery Glockenbachwerkstatt, Muenchen, Germany 2009).
- Arzenal depo 2K9 – Sodobna raziskovalna umetnost 80 let po Delaku (Contemporary research art 80 years after Delak) (studio Viba film, Ljubljana 2009).
- Načrt, Umestitev, Podoba (Plan, Placing, Image) (Bežigrajska galerija 2, Ljubljana 2008). Incorporation of image, (exhibition in presentation in the gallery Berlaymont, Brussels, Belgium 2008).
- Wind Code image, (Gallery Kapelica, Ljubljana 2008). Wind Code Image, Ars electronica – Ecology of techno mind (Kunstmuseum Lentos, Linz, Austria 2008).
- Flow 5.0 – Wind model, (Gallery Kapelica, Ljubljana 2007). Image incorporation (Flow 5.0), U3 – 5. trienale sodobne slovenske umetnosti. (Modern Gallery, Ljubljana 2006/2007). Project of undergraduate students of ALUO “Observatory” VV2 – 50. Internatonal Biennale in Venice (IUAV, University in Venice, Italy 2003).
- Animation Projects (selection): Out of the loop, (exhibition of Zora Stančič), co-author of the video graphical animation, Monfort Gallery 2020.
- Baal, (Andrej Rozman Roza, Slovene Youth Theatre, director: Vito Taufer). Video graphic animations for the play, conceptualised by Zora Stančič, 2019.
- V pomladi slovenskega knjižnega jezika, animated video graphic and mapping projection (Peterokotni stolp, Ljubljanski grad 2017).
- The Magic Flute, animated video graphic and animation for video background of the operetta. Production: Hiša kulture Celje, diretor Damjan M. Trbovc, (Kino Metropol, Celje 2015).
- Video poetry – VJ projection, coproduction: Zavoda za sodobne umetnosti in culture, Škuc Gallery and authors: Jana Putrle Srdič, Zoran Srdič Janežič, Alja Adam, Tone Škrjanec, (Ljubljana 2014).
- Snow white (J. W. Grimm), SLG Celje, director: Andrej Jus. Video and animation for video scenography (Celje 2014). COIN project, (Videolectures.net, Inštitut Jožef Štefan). Animated info-graphical video (2011).
- Studioroosegarde, Flow 0, 5 (animation for development of programme gear Flow 5,0 in video graphical presentation of the project Rotterdam, NL, 2008).
- Transatlantik 05, (director: Igor Vrtačnik) Producing graphical animations for documentary film (2008).
Awards, recognitions and rankings:
- 2018: Recognition of the University of Ljubljana for important art works in painting.
- 2016: Recognition of the Faculty of Design for important art works in visual culture and communitacion.
- 2010: Finalist of European Rewards of Promax agency / BDA for creative video graphics (Lisbon, Portugal).
- 2007: 6. Trim Research Award. 2004: Finalist of European Rewards of Promax agency / BDA for creative video graphics (London, UK).
- 2003: Reward of the Ul ALUO for special artistic achievements during the academic year 2002/2003.
- 2001: First prize of the 12th colony of graduate students of UL ALUO (Velenje).
- International colaborations:
- Studioroosegarde (Daan Roosegarde, Rotterdam, Netherland)
- Artcircolo project (Dr, Serafine Lindemann, Muenchen, Germany).
- Fantastificio SRL (Production house, Trieste, Italy).
Grants, residences:
- 2004–2005: Scholar of the Ministry of Culture of the Republic of Slovenia.
- 2012: Resident of the Ministry of Culture of the Republic of Slovenia in the field of video art (Berlin).
Memberships and Committees:
- Member of the Slovenian Animated Film Association.
- Expert mentor of the jury of the student competition program ‘Young Talents of Europe’ of the Animateka international festival.