Kuhar Rok

Written by

1966 se rodi v Ljubljani.
1995 diplomira na Fakulteti za Arhitekturo v Ljubljani.
1996 zaključi podiplomski študij industrijskega designa na Domus Academy v Milanu, mentor Alberto Meda.
1997 začne samostojno pot na področju industrijskega oblikovanja.
Od 2005 skupaj s partnerko vodi biro Raketa.
Od 2017 zaposlen na Akademiji za likovno umetnost in oblikovanje v Ljubljani.

Frlic Metod

Written by

Education:

  • 1988: graduated in sculpture under prof. Luj Vodopivec at UL ALUO special school at UL ALUO (Luj Vodopivec)
  • 1996: Master’s degree from the same professor at UL ALUO

 

Awards (selection):

2017

  • First prize in the Dr. France Bučar portrait competition, Ljubljana

2009

  • First prize in the Stane Kavčič portrait competition, Ljubljana

2008

  • “EXCELLENCE AWARD”, 2008 Olympic Landscape Sculpture Design Contest, Beijing, China
  • Mayor’s Award 2008, Ljubljana

2007

  • ZDSLU Award for 2007, Ljubljana;
  • May Salon Award, Ljubljana

2002

  • First prize for the installation of a statue in TR3, Trzin

2000

  • Artist in Residence Sapporo (scholarship), Sapporo, Japan

1997

  • Grand Prix at the 3rd Biennial of Kranj, Kranj

1995

  • Atelierhaus Worpswede, DAAD (scholarship), Germany

1993

  • May Salon Award, Ljubljana

Public layouts (selection):

2020

  • Portrait of doctor Marija Bračko, Škofja Loka
  • Portrait of Janez Stanovnik, Ljubljana

2019

  • Portrait of conductor Anton Nanut, Kanal ob Soči

2018

  • Portrait of biologist and nature conservationist Fran Jesenko, Škofja Loka

2017

  • Portrait of Dr. FRANCE BUČAR, Ljubljana
  • Portrait of Dr. IVAN TAVČAR, Tomb at Visoko in the Poljanska Valley
  • The sad part of the rosary, spatial layout, New Chapel, Poljane above Škofja Loka
  • Vatican, Portrait of Pope Francis, Vatican Museum

2016

  • SOKOL statue at Sokolski dom, Gorenja vas
  • Portrait of dentist Dr. JOŽE RANT, Škofja Loka

2015

  • Portrait of businessman VINKO STANONIK, Poljane above Škofja Loka
  • Portrait of Bishop ANDREJ KARLIN, Stara Loka

2013

  • Fountain “THOUGHTS OF THE HEART”, Vrsar (primary school atrium)

2011

  • Statue “KISS”, Gornja Radgona (city park)

2010

  • WELL OF LOVE IN THE TIME OF “MURENČKI” (crickets), Gorenja vas

2008

  • Fountain “SPRING”, Trzin

2006

  • MEMORIAL TO DUKE KOCELJ, Zalavar, Hungary
  • Portrait of soldier ANTON HAFNER, Škofja Loka

2005

  • UNTITLED 2033, Dubai, United Arab Emirates
  • Portrait of ANTON AŽBE, Škofja Loka
  • TWO 2021, Forma viva Portorož, Portorož (Park sonce Lucija)
  • HIS DEPTH 2077, Kranjska Gora

2004

  • SOFTNESS OF THE SOLID, Caorle, Italy

2003

  • DREAMS IMMERSE IN A PIECE OF THE MORNING, Changchun, China

2002

  • VISION OF CLASS VI, Lendava
  • WAITING, Plemenitaš, Croatia

2001

  • PARTIAL VIEW, Tržič

1999

  • SOLAR ECLIPSE, Szentgotthard, Hungary
  • BIRTH OF VERSE, Ios, Greece

1994

  • Portrait of composer ANTON JOBST, Žiri

1990

  • CROSS, Kočevski Rog

1989

  • COITUS fountain, Trzin

Sedlaček Sašo

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Associate Professor Sašo Sedlaček is a new media and conceptual artist with a wide range of media interests, research and discovery in areas where science, society and art intertwine. He is an engaged artist who exhibits his works all over the world and is the recipient of various domestic and foreign awards.

 

Awards:

  • TREND Award, Awarded Surpluses of Visual Creativity, Ljubljana, Slovenia, 2012
  • Siement Art Lab Award, Vienna, Austria, 2009
  • VIDA 11 Award, Fundación Telefónica Award, Madrid, Spain, 2008
  • SPAPORT Award of the Museum of Contemporary Art of the Republic of Srpska, Banja Luka, BiH, 2008
  • YVAA-Youth visual artist award / OHO Award for Young Visual Artists from Eastern Europe, Foundation for Civil Society in Trust, Slovenia / USA, 2006

Černe Oven Petra

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Petra Černe Oven is a designer, teacher, theoretician and author with a special interest in typography, information design and visual communications design.
Černe Oven received a Typographic Excellence Award from the Type Directors Club of New York, was the recipient of the Most Beautiful Slovene Book award (2011, 2017, 2018) and many other awards. She won the contest for designing the visual identity for the UNESCO event Ljubljana – World Book Capital 2010. She also won several awards for the best-designed Slovenian book (2011, 2017, 2018) and Slovene Designer’s Association awards.

Černe Oven completed her PhD at the Department of Typography and Graphic Communication at the University of Reading (UK) in the area of history, typography and language. She became research fellow and worked with professor Paul Stiff on the project “The Optimism of Modernity: Recovering Modern Reasoning in Typography”, for which, among other things, she curated an exhibition on the British artist and typographer Edward Wright and edited the companion book Edward Wright: Readings, Writings (Hyphen Press, 2007).

In 2009, she developed the concept for the international lecture series “Information Design 2009/2010”, which was organized in collaboration with the Slovene Museum of Architecture and Design and the Pekinpah Association. In 2011, she collaborated on an extensive research project on the Slovene designer Miljenko Licul, which culminated in an exhibition at the National Gallery of Slovenia in Ljubljana, for which she edited the accompanying book on the designer.

Since 2010, Černe Oven has teamed up with her colleague, Barbara Predan, to edit the collection entitled 42 (published by the Pekinpah Association), which publishes books on the subject of design theory. Up until now, 20 books have been published in the series. The books are always part of larger projects, seminars, workshops, and exhibitions. In 2012, she and Barbara Predan developed the project “Designing an Agenda, or, How to Avoid Solving Problems That Aren’t” (Pekinpah Association and the Regional Development Agency of the Ljubljana Urban Region), which looked at the fields of service and information design in both theoretical and practical terms. In 2013 they published a scholarly monograph under the same title. In 2014, Černe Oven and Predan were invited to contribute a text to the Information design: research and practice (Routledge 2017). In the same year they finished a project Death in Design (various workshops in 4 countries, book, exhibition) which examines the advantages and disadvantages of a world without death, and offers pointers on how to detect, depict, explain, kill, and survive death.

Černe Oven has also published professional and scholarly articles in Eye magazine, Typography Papers, Baseline, 2+3D, Emzin, Typomag, Hyphen, Oris, Likovne besede and other magazines and academic journals.

Černe Oven is a founding member and a member of the supervisory board of The Brumen Foundation, head of the section for information design of the Pekinpah Association, and co-founder of Institute of Design, a scientific research organization. She is the Slovenian representative and a board member at worldwide Association Typographique Internationale (ATypI).

Černe Oven is a member of several boards of international conferences (International Conference on Typography & Visual Communication, Cyprus, Greece; CIDI: Information Design International Conference, Brazil; Information+ conference, Vancouver, Berlin; ATypI, Antwerpen, Tokio) and regular peer reviewer for scholarly journals (Information Design Journal, Design Principles and Practices Research Network, AR Journal). In 2021 she was a member of the European Design Awards jury.

Under the auspices of various institutions and events in Slovenia, Černe Oven and Predan have hosted over thirty world-renowned experts in the field of design. Černe Oven regularly lectures at symposia and academic conferences at home and abroad. She teaches a course in the history and theory of design at the Department of Visual Communication Design at the Academy of Fine Arts and Design, University of Ljubljana and serves as a Vice-Dean for International Cooperation.

 

Website: linkedin.com/in/petracerneoven

Bibliography: on request

Močnik Ramovš Lucija

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Prof. mag. Lucija Močnik Ramovš (MA), is professionally engaged in the conservation and restoration of paintings on canvas, with an emphasis on structural interventions and aesthetic presentation. She is a lecturer in the field of conservation-restoration of paintings at the first and second level of the university study program.  

Education:

  • 1999: completed her studies in restoration with Professor France Kokalj.
  • 1996: graduated from UL ALUO with Professor Andrej Jemac.

 

Scholarships:

She continued her studies at home and abroad.  

Work experience and collaborations:

  • 1999 – lecturer at UL ALUO, associate professor since 2013.
  • 2023-2025 Head of Department for Restoration UL ALUO
  • 2017–2021: Dean of UL ALUO.
  • 2013–2017: Vice-Dean for Academic Affairs.

In addition to her professional work, she is also involved in numerous working groups at the University of Ljubljana. She cooperates professionally with many national institutions in the field of cultural heritage protection.

  • 2020–: Chair of the Expert Commission for Immovable Cultural Heritage.
  • 2013 – 2018: President of the ZVKDS working group for professional exams in the field of conservation-restoration and rapporteur for the Ministry of Culture and a member or examiner of the examination group for the conservation-restoration subfield of fine art heritage – easel painting at the Ministry of Culture.

She organised and conducted several professional training seminars in collaboration with the ZVKDS Restoration Centre with the aim of educating and improving conservators-restorers.

Awards and recognitions:

  • 2008: Mirko Šubic Award for professional work – organising, leading and working on the conservation and restoration of the art material of Snežnik Castle.

 

References – restored works of art (selection):

  • Conducting conservation and restoration interventions on two dioramas at the Natural History Museum of Slovenia in 2018 and 2019.
  • Conservation and restoration works on paintings from the gallery collection of the Academy of Fine Arts and Design, the National Gallery and the National Assembly of the Republic of Slovenia.
  • Management and conservation-restoration of baroque paintings from the cycle Four Seasons (Allegory of Winter, Summer and Autumn) from the collection of ZRC SAZU, 2014-2017.
  • Conservation-restoration of paintings and management of works on 11 paintings from the art collection of Strmol Castle, Cerklje na Gorenjskem, 2012.
  • Conservation-restoration of paintings for the project The Fading of a Period, An Outline of Late Baroque Painting in Carniola (author: Ferdinand Šerbelj). Exhibition: National Gallery, Ljubljana, 2011
  • Conducting conservation and restoration work on the interior of the Ortnek chapel, permanent installation of side altars in the National Gallery, 1999 to 2002.

 

Bibliography (selection):

  • From gluing to minimal interventions. V: NEMEČEK, Nataša, (editor). Conservator-restorer: (20 years): summaries of the 2020 international expert meeting: National Gallery, 2020. Ljubljana: Slovenian Society for Conservation-Restoration: Community of Museums of Slovenia, 2020. p. 62-68.
  • Aesthetic presentation of images – two steps forward, one back. V: NEMEČEK, Nataša, (editor).  Conservator-restorer: summaries of the international professional meeting 2018, National Gallery, 2018 Ljubljana: Slovenian Society for Conservation-Restoration: Community of Museums of Slovenia, p. 24-27.
  • MOČNIK RAMOVŠ, Lucija, GOSAR HIRCI, Barbka. 2016. Use of retouching colours based on resin binders: from theory into practice. V: RECH 3: Postprints 2015. Porto: Escola artística e profissional Árvore (43-52).

Trček Pečak Tamara

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Professional experience:

Employed at the Academy of Fine Arts and Design.
External collaborator at the Department of Art History of the Faculty of Arts.
She is the head of the Department of Conservation-Restoration Development, program manager at the Department of Restoration UL ALUO, member of diploma and master’s commissions, member of the commission for students with special status at UL, member of the editorial board of the publication Protection of Monuments and member of the DRS Association.

Projects (selection):

In addition to conservation and restoration, she dedicates herself to the promotion and development of the profession and seeks improvements in the field of documentation, preventive conservation and copying. In addition to exhibitions at the National Gallery, she designed and led the projects Pogled v restavratorsko delavnico (A Look at the Restoration Workshop) in Restavriranje slik (Restoration of Paintings) by Valentin Metzinger, Conservation and Restoration of Works by Master HGG, Conservation-Restoration of Paintings at the Almanach and 17th Century Painting in Carniola and the Science for Art Symposium.

As an employee of UL ALUO, in cooperation with other institutions, she has designed and managed several projects, some of which are still in progress: Conservation and Restoration May Transversal, The Crack to the Baroque, Gabrijel Stupica under the microscope, Marij Pregelj under the microscope, Rihard Jakopič under the microscope, What we see with our eyes, what we see with our fingers, Feel the artwork, Holy Kinship – in layers, Close up, etc.

Ongoing projects:

In order to raise the awareness of the widest possible circle of people, she has designed and has been running the Ajkec project with restorers (workshops, books, films for children). In co-production of the National Gallery in Ljubljana and TV SLO, a series of ten shows with the same title about the creation, damage and rescue of works of art was recorded in accordance with her scripts.

Selected projects:

Videos:

Publications:

Events:

Grafenauer Petja

Written by

Dr Petja Grafenauer je docentka na Katedri za teorijo UL ALUO.

Leta 2000 je diplomirala s temo Tavole parolibere: futuristična slikovna poezija pri Italijanih, Rusih in Slovencih(mentor dr. Lev Menaše) in leta 2010 doktorirala s temo Vzporedna slikarska linija: slovensko slikarstvo razširjenega statusa vizualnega 1926-2009 (mentor dr. Jure Mikuž).

Je specialistka za lokalno in regijsko umetnost po Drugi svetovni vojni, predvsem slikarstvo in sodobno umetnost. Od leta 2012 raziskuje tudi preseke ekonomije in umetnosti. Svoje raziskovanje redno objavlja v znanstvenih, strokovnih in poljudnih medijih. Napisala in uredila je več knjig o vizualni umetnosti, mdr. raziskavo obdobja pop arta v Sloveniji Neuvrščeni pop (2017), knjigo besedil Zdenke Badovinac Avtentični interes (2010) in monografijo slikarja Aleksija Kobala (2008).

Od 2005 do 2016 je bila nosilka modula Zgodovina sodobne umetnosti na Akademiji umetnosti Univerze v Novi Gorici. Med 2016 in 2017 je bila predstojnica Oddelka za fotografijo, VIST, Ljubljana. Leta 2017 se je zaposlila na ALUO.

Med leti 2001-2008 je bila članica Redakcije za kulturo in humanistične vede na Radiu Študent, med 2005 in 2006 urednica redakcije. Med 2006 in 2009 je vodila galerijski program Galerije Ganes Pratt. Med 2009 in 2015 je bila sourednica slovenske revije za vizualno umetnost Likovne besede. Od 2013 do 2014 je bila zaposlena kot kustosinja v Mestni galeriji v MGML v Ljubljani. Med 2015 in 2017 je vodila Galerijo Vodnikove domačije Šiška.

Kurirala je številne razstave, mdr. Neuvrščeni pop (2016–2017), Grafični bienale, z vami vse od 1955 (30. grafični bienale, 2013), Hočemo biti svobodni, kot so bili očetje (2010, z Božidarjem Zrinskim), Nestabilna realnost: 6 opic, 300 kuvert in 1 ljubezen: Nepopolno kot vedno (28. grafični bienale, 2009) in mnoge samostojne razstave, mdr. Žige Kariža, Viktorja Bernika, Dejana Kaludjerovića, Aleksija Kobala, Dušice Dražić, Saše Sedlačka, Ksenije Čerče, Ivana Fijolića, Jasmine Cibic, Igorja Eškinje, Marka Požlepa, Ištvana Išta Huzjana, Maje Smrekar, Connyja Bloma, Ibre Hasanovića, Ignacia Uriarteja, Sanele Jahić, Saše Vrabiča, Mihe Štruklja in drugih.

 

REFERENCE

izbrana bibliografija

  • GRAFENAUER, Petja, IVANOVIĆ, Nataša, BARUT, Urška. Kako je Mala galerija prenehala biti društvena in postala moderna / How Mala Galerija stopped being social and became modern. Likovne besede : revija za likovno umetnost, ISSN 0352-7263, 2019, [Št.] 113, str. 33-38. [COBISS.SI-ID 3986798]
  • GRAFENAUER, Petja. Non-aligned pop : case of Slovenia. Open journal for studies in arts, ISSN 2620-0635, 2018, vol. 1, no. 1, str. 7-28.
  • GRAFENAUER, Petja. Reception of expressionism in Slovene art history : transformations 1979-2018. Zbornik Seminara za studije moderne umetnosti Filozofskog fakulteta Univerziteta u Beogradu, ISSN 2217-3951, 2019, [Br.] 15, str. 181-193. [COBISS.SI-ID 3937134]
  • GRAFENAUER, Petja. Painting within the broader visual scope: the case of Slovenia. V: JANKOVIĆ, Ivana (ur.). Symposium Neverending Painting, Saturday, October the 3rd-Sunday, October the 4th, 2015, Museum of Contemporary Art Zagreb. Zagreb: Muzej suvremene umjetnosti. 2015, str. 6. [COBISS.SI-ID 4082939]

nagrade in priznanja

  • Priznanje Ivane Kobilca za sopotnike in podpornike, DLUL, 2020
  • Nagrada Slovenskega društva likovnih kritikov ‘kritiško pero’ za likovno kritiko in kuratorstvo, 2014
  • Zahvala MSS (NYCS) za mentorstvo pri magistrskem delu s področja mladih, 2014
  • Štipendija PATTERNS Lectures, Fundacija Erste, 2014/2015

članstvo v strokovnih in znanstvenih združenjih

  • Od 2019 podpredsednica Tiamsa CEE
  • Od 2018 predsednica Odbora Male galerije BS
  • Od 2015 članica AICA – Association Internationale des Critiques d’Art
  • Od 2014 članica IKT – International Association of Curators of Contemporary Art
  • Od 2006 članica Slovenskega društva za estetiko
  • Od 2006 članica Slovenskega društva likovnih kritikov

Zgonik Nadja

Written by

Dr. Nadja Zgonik is an art historian and an art critic.

Education:

  • 1988 – graduated from the Department of Art History, Faculty of Arts, University of Ljubljana
  • 1993 – completed her master’s degree
  • 1997 – became a Doctor of Science in the field of art history

Work experiences:

  • 1998 – 2020: part-time professor at the Department of Landscape Architecture, Biotechnical Faculty, University of Ljubljana.
  • 1989–: lectures on art history, art theory and analysis of contemporary art at the Academy of Fine Arts and Design, University of Ljubljana.
  • 1988: among the founders and first editor-in-chief of the Modern Gallery’s newspaper M’ars (1989, discontinued in 2001).
  • As a student, she was employed at the Modern Gallery in Ljubljana at the Department of Documentary Studies.

Training, residencies:

She continued her studies abroad with a scholarship from the Cini Foundation in Venice (1988), with a scholarship from the Italian Ministry of Foreign Affairs at the Biblioteca Hertziana in Rome (1992), with a scholarship from the French Ministry of Culture at the Musée d’Art Moderne de la Ville de Paris (1993), was a two-time recipient of the Knafle Scholarship for the Kunsthistorisches Institut in Vienna (1991, 1994) and was selected for a residence in New York by the Ministry of Culture of the Republic of Slovenia (2003). In 2016, she was a visiting professor for one semester at the College of Humanities and Arts, National Chiayi University, Taiwan, and in 2018 she was a visiting researcher at Augsburg University in Minneapolis, MN, USA.

Other collaborations:

She has been the curator of numerous exhibitions, author projects and monographic presentations of Slovenian artists, some of which were prepared as projects for specific spaces (Gustav Gnamuš in the Hospital Chapel, Celje, 1995; Blue Hand: Art – Technology – Science, Rihard Jakopič Art Exhibition, Ljubljana, 1997; Cabinet of Found Objects: an exhibition of personal fetishes of artists, Coastal Galleries Piran, Loža Gallery, Koper, 1997) and has so far collaborated with most important Slovenian galleries, the Modern Gallery in Ljubljana, the Maribor Art Gallery, the Božidar Jakac Gallery in Kostanjevica na Krki, the Nova Gorica City Gallery and others. She has prepared several exhibitions of Slovenian art abroad: Forma eterna, Galleria Civica d’Arte Moderna, Bologna, 1995; La doppiezza della luce, Galleria A+A, Venice, 1999; Positionen des Körpers, Kunstforum, Bonn, transfer to Voipaala Art Center, Finland, 2000; The Different Same. Contemporary Slovene and Chinese Art (with Zhu Tong), Duolun Museum of Modern Art, Shanghai, 2003; Identikit. International exhibition. Muslim Mulliqi Prize (with Gani Llalloshi), The Kosova Art Gallery, Pristina, 2003.

In 2011, she was the commissioner of the Slovenian Pavilion at the 54th Venice Biennale, in 2014 she was the Commissioner for the Slovenian national team at the Biennial European Ceramic Context 2014, Bornholm Art Museum, Denmark. She participated in the international juries of the Essl Award for CE Europe (2003, 2005, 2007), she was the selector for the first international exhibition in Kosovo Muslim Mulliqi Prize in Prishtina (2003), and in 2007 she was a member of the international jury and chaired the international jury of the Ljubljana Ceramics Triennial several times. Unicum (2009, 2012, 2015, 2018).

Publications, research and academic contribution:

Her research interests include Slovene modernism, postmodernism, contemporary art, art theory and the theory of art historiography. She writes critiques, essays, scientific discussions, accompanying studies in exhibition catalogues. So far, she has had the following books published: Marij Pregelj. Drawing in a Picture (1994), Zdenko Huzjan (2001), Images of Slovenia (2002), Žarko Vrezec (2004), Marij Pregelj. Paintings 1957-1967 (2007, together with J. Denegri) and Studies in Slovene Modernism after 1945 (2010). Along with a group of students, she edited and prepared for publication the book Glossary of Slovenian Art after 1945 (2009). First available in a printed edition, it has been freely available online since 2013 www.pojmovnik.si.

As a long-time head of the Department of Theoretical Sciences at the Academy of Fine Arts, she led a project to prepare for a second-level theoretical study in the field of Theory of Fine Arts and implemented the scientific doctoral study of Art Sciences with her colleagues within the interdisciplinary doctoral study Humanities and Social Sciences. From 2007 to 2012 she was the President of the Expert Commission for Fine Arts of the City of Ljubljana, from 2010 to 2012 the President of the National Matura Commission for the subject Art History, from 2008 to 2012 a member of the Board of the Prešeren Fund, from 2011 to 2018 a member of the Expert Council of the Ljubljana Castle Public Institution. She is a member of the International Association of Art Critics AICA and the Slovenian section of PEN. Since 2009, she has been participating in a research program entitled Theatre and Inter-Art Research at UL AGRFT and since 2020 in a research project entitled Models and Practices of International Cultural Exchange. Movements : Exploring Spatio-Temporal Cultural Dynamics at ALUO, both funded by ARRS – the Slovenian Research Agency.

Jeza Primož

Written by

Izobrazba:

Diplomant Fakultete za arhitekturo v Ljubljani.

 

Delovne izkušnje:

2000–: predavatelj na Fakulteti za arhitekturo Univerze v Ljubljani.

2014­–: predavatelj na UL ALUO, smer Industrijsko oblikovanje.

1994: ustanovil je PRIMOZJEZASTUDIO, v okviru katerega je realiziral več kot 50 projektov s področja arhitekture in interiera.

V času študija se je ukvarjal z interierjem, grafičnem oblikovanjem (izdelal je več knjižnih oprem in promocijska gradiva založb DZS-ja ter Mladinske knjige) in filmsko scenografijo (realiziral je preko 40 scenografij reklamnih in kratkih filmov za domače in tuje produkcijske hiše).

 

Sodelovanja in projekti:

2008: knjiga Interier Primož Jeza 9+1, knjigo spremlja istoimenska samostojna razstava; predstavitev knjige v Ljubljani, Mariboru, razstavi v Moskvi in Beogradu.

Je selektor Meseca oblikovanja Ljubljana za Perspektivne oblikovalce.

Član številnih žirij kot npr. leta 2017 za Unesco.

Delo v komisijah (2016-20)

– predsednik natečajne komisije DUTB-ja za izvedbo študentskega natečaja “Natečaj za predlog opreme trosobnega stanovanja v soseski Celovški dvori”. Ljubljana 2016

– selektor Meseca oblikovanja Ljubljana za Perspektivne oblikovalce leta 2016. Ljubljana, 2016

– selektor Meseca oblikovanja Ljubljana za Perspektivne oblikovalce leta 2017. Ljubljana, 2017

– član natečajne žirije Unessca za likovno podobo rudnikov živega srebra CC Almadén in Idrija. Ljubljana 2017.

– selektor Meseca oblikovanja Ljubljana za Perspektivne oblikovalce leta 2018. Ljubljana, 2018.

– selektor Meseca oblikovanja Ljubljana za Perspektivne oblikovalce 2019. Ljubljana, 2019.

– selektor Meseca oblikovanja Ljubljana za Perspektivne oblikovalce 2020. Ljubljana, 2020.

– član žirije javnega razpisa za  »Spodbujanje kreativnih kulturnih industrij – Center za kreativnost 2020- 2021«, ki ga izvaja Ministrstvo za kulturo RS. Ljubljana, 2020

 

Nagrade, nominacije in priznanja (2016-20)

V zadnjem obdobju je bilo njegovo najbolj izpostavljeno delo stol Nico less, ki je večkrat nagrajeno:

– Red Dot Award 2016 winner (za stol Nico less)

– Oblikovanje leta, Mesec oblikovanja Ljubljana 2016 (za stol Nico less)

– Green Product Award 2018 (za stol Nico less)

– Circular Design of the year 2019 Moveco award (za stol Nico less)

– Iconic Awards 2019 Inovative interier (za stol Nico less)

– zmaga v Benetkah na mednarodnem natečaju Artre Laguna Prize 2020 v sekciji design art (Artre Laguna Prize 2020 winner) za delo Miza Frankenstein’s Bride.

Nominacije

Design Europa awards 2018 finalist, EU-LAC Foundation 2018 (za stol Nico less)

Archiproducts 2016 , Maison & Objet Paris, Pariz 2016 (za stol Nico less)

ArchiExpo i-NOVO awards at Orgatec 2016, Koeln 2016 (za stol Nico less)

Archiproducts 2017, Salone del mobile Milano, Milano 2017 (za stol Nico less)

Priznanje

2020: skupaj z doc. Barbaro Predan in Studiom Miklavc prejme Priznanje za oblikovalski dosežek leta 2020 od Društva oblikovalcev Slovenije za pregledno razstavo Ali ima prihodnost ponovitev? Interier 1990-2015.

 

 

Industrijsko oblikovanje:

JEZA, Primož. Načrtovanje idejnega in izvedbenega projekta modularne večfunkcijske zofe Venice. Ljubljana, 2017. Za: Prostoria d.o.o.

JEZA, Primož. Načrtovanje in izvedba stola iz filca ter lesa W22. Ljubljana, 2018. Za: Donar d.o.o.

JEZA, Primož. Načrtovanje in izvedba žametnega dvoseda Lars On Ljubljana, 2019. Za: Idiom d.o.o.

JEZA, Primož. Načrtovanje in izvedba nahrbtnika s stolom Backpack-a iz filca in kompozita ali lesene vezane plošče. Ljubljana, 2019. Za: Donar d.o.o.

JEZA, Primož. Načrtovanje in izvedba pisarniškega filc stola Nico ofice + – . Ljubljana, 2020. Za: Donar d.o.o.

JEZA, Primož. Načrtovanje in izvedba kovinskega barskega stola Nicolino. Ljubljana, 2020. Za: Donar d.o.o.

JEZA, Primož. Načrtovanje in izvedba stola Onemilionandhalfchiar (stol iz razrezanih bankovcev v vrednosti 1,5 miljona eur). Ljubljana, 2020. Za: Banka Slovenije

 

Razstave:

Razstavlja na samostojnih in skupinskih razstavah doma in v tujini:

– JEZA, Primož. Razstava slovenskega oblikovanja v Milanu, Odprto -100% odprto v galeriji Ventura futura v organizaciji MAO, z zofo Venice in stolom Nico less.  Milano, 2019

– JEZA, Primož. Skupinski nastop slovenskega oblikovanja na Maison & Object v  organizaciji MAO, z zofo Venice in stolom Nico less. Pariz, 2019.

– JEZA, Primož. “We ‘re open!” razstava slovenskega oblikovanja v galeriji Kunsthall Oslo, v organizaciji MAO, z zofo Venice in stolom Nico less.  Oslo, 2019.

– JEZA, Primož. The Circle (Krog), skupinski nastop slovenskega oblikovanja na 3 days of design Danska, v organizaciji MAO, z zofo Venice, stoloma Nico less in W22. Kopenhagen, 2020.

– JEZA, Primož. Tunel 29, Oblikovanje za postapokaliptični svet, skupinska razstava slovenskega oblikovanja v galeriji MAO, s predstavitvijo nahrbtnikom Backpack. Ljubljana, 2020.

– JEZA, Primož. Pregledna razstava slovenskega interierja Ali ima prihodnost ponovitev? Interier 1990-2015, v galeriji Kresija, s predstavitvijo kluba Propaganda, Administrativnega prostora PR- Slovenija in multimedijskega centra Kibla. Ljubljana, 2020.

 

Arhitektura:

– JEZA, Primož. Idejni projekt LMH (lesene modularne hiše) za prototip pri Laškem. Ljubljana, 2016. Za: Paron lesna industrija d.o.o.

– JEZA, Primož. Idejni in izvedbeni projekt mobilne hiše Felt house (Hiša iz filca). Ljubljana, 2017. Za: Adria dom d.o.o.

– JEZA, Primož. Idejni projekt za pridobitev projekta za gradbeno dovoljene hiše na Vrhovčevi ulici v Ljubljani. Ljubljana, 2017. Za: S-INVESTPROJEKT, inženiring d.o.o.

– JEZA, Primož. Projekt in izvedba razstavnega prostora na dogodku Salone del mobile Milano. Ljubljana, 2017. Za: Donar d.o.o.

– JEZA, Primož. Idejni projekt preureditve, prenove in nadzidave poslovne zgradbe Triglav na Dunajski cesti 22. Ljubljana, 2018. Za: Triglav upravljanje d.o.o.

– JEZA, Primož. Projekt atrijske hiše na Mirju z. Ljubljana, 2020. Za: Zasebni investitor

 

Konference, izobraževanja, predavanja:

S področja arhitekture in oblikovanja redno predava doma in v tujini.

2013: na povabilo University Colorado Denver v Aspnu predstavi Slovensko alpsko arhitekturo (skupaj s predsednico DAL-a Majo Ivanič).

2016: Konferenca Prenova za kreativni turizem, organizator Zavod Big, Mesec oblikovanja 2016, Mesto oblikovanja, Ljubljana.

2018: Znanstvena konferenca »Vloga znanosti pri inovacijah v lesarstvu«, organizator InnoRenew CoE z Oddelkom za lesarstvo v okviru prireditve Čar lesa 2018, Štihova dvorana CD, Ljubljana.

 

Mentorstvo pri interdisciplinarnih projektih:

Arheološki park Situla, študijsko leto 2015/16 (so sodelovali UL ALUO-IO, UL FA, UL BF in Mestna občina Novo Mesto). Tip projekta: Študentska interdisciplinarna delavnica prostorske, urbane, krajinske in vizualne ureditve arheološkega parka v Novem mestu.

Projekt Bovec, študijsko leto 2015/16 (sodelovali UL ALUO-IO, UL FA, UL EF in LTO Bovec). Tip projekta: Študentska interdisciplinarna raziskovalna naloga.

Naslov projekta: Mobilna bivalna enota za celoletno bivanje, študijsko leto: 2016/17 (sodelovali UL ALUO-IO, UL FA, Adria dom d.o.o. in ID interier design d.o.o.). Tip projekta: Študentska raziskava in eksperimentalno načrtovanje novih mobilnih enot za celoletno bivanje

PKP. Naslov projekta: Zelena dnevna soba, študijsko leto: 2017/18 (sodelovali Podjetje Tisa d.o.o., Zavod Bob, UL ALUO-IO in UL FA). Tip projekta: Trajnostno oblikovanje.

Naslov projekta: Mobilni delovni prostor, študijsko leto 2018/19 (sodelovali Podjetje Donar d.o.o., Ministudio d.o.o., UL ALUO-IO in UL FA), tip projekta: Produktno oblikovanje sodobnega pisarniškega pohištva.

Miklavc Jure

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Jure Miklavc je diplomant Akademije za likovno umetnost in oblikovanje in je eden najvidnejših strokovnjakov na področju industrijskega oblikovanja z več kot dvajsetletnimi izkušnjami v praksi. Vodi Studio Miklavc – oblikovalski studio, ki je specializiran za področje industrijskega oblikovanja, vizualnih komunikacij, razvoja blagovnih znamk in svetovanja. Studio uspešno sodeluje z različnimi domačimi in tujimi naročniki s področja gospodarstva, kulture ali javne uprave. V zadnjem času največ razvijajo rešitve na področju zdravstva, osvetlitve, elektronskih naprav, uporabniških vmesnikov, transporta, pohištva in strojegradnje. Še posebej so uspešne rešitve, ki so jih razvijali na področju obutve za tek na smučeh za podjetje Alpina. Ti izdelki zavzemajo tretjinski svetovni tržni delež in so eni izmed globalno najbolj prepoznavnih izdelkov. Studio je v letu 2014 začel sodelovati s svetovno prepoznavnim in uglednim italijanskim podjetjem Bimota, ki izdeluje prestižna motorna kolesa. Oblikujejo tudi za naročnike iz Avstrije, Nemčije in Kalifornije. Posebej odmevne so tudi domače in tuje postavitve razstav, ki jih je zasnoval studio.

Miklavc poučuje na ALUO že od leta 1998, najprej kot zunanji sodelavec in od leta 2001 kot asistent pri izrednem profesorju Janezu Smerdelju. Od leta 2012 vodi svoj seminar in je vodja smeri Industrijsko oblikovanje. Med leti 2015 in 2019 je bil predstojnik Oddelka za Industrijsko in unikatno oblikovanje. Redno tudi predava na Univerzi Hongik na Mednarodni oblikovalski šoli za napredne študije (IDAS) v Seulu v Južni Koreji ter v Berlin international University of Applied Sciences v Nemčiji.

Kot uveljavljeni mednarodni strokovnjak sodeluje v žirijah za najodmevnejše mednarodne nagrade, med drugimi za prestižno nagrado Red dot product design v Essnu, Red dot design concept v Singapurju in Contemporary Good Design v Xiamenu na Kitajskem.

Miklavc je za svoja dela prejel številne mednarodne oblikovalske nagrade in njegovi izdelki so bili razstavljeni na številnih mednarodnih dogodkih in razstavah.

 

Reference:

Nagrada Good design award, Chicago, 2009, izdelki in blagovna znamka Binom

Nagrada Red dot award: product design, Essen, 2009, izdelki in blagovna znamka Binom

Red dot award: product design, Essen, 2010, čevlji za tek na smučeh Alpina Promise

Nagrada Prešernovega sklada, 2011

Nagrada Red dot award: product design, Essen, 2020, čevlji za tek na smučeh Alpina Elite 3.0