Trček Pečak Tamara

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Professional experience:

Employed at the Academy of Fine Arts and Design.
External collaborator at the Department of Art History of the Faculty of Arts.
She is the head of the Department of Conservation-Restoration Development, program manager at the Department of Restoration UL ALUO, member of diploma and master’s commissions, member of the commission for students with special status at UL, member of the editorial board of the publication Protection of Monuments and member of the DRS Association.

Projects (selection):

In addition to conservation and restoration, she dedicates herself to the promotion and development of the profession and seeks improvements in the field of documentation, preventive conservation and copying. In addition to exhibitions at the National Gallery, she designed and led the projects Pogled v restavratorsko delavnico (A Look at the Restoration Workshop) in Restavriranje slik (Restoration of Paintings) by Valentin Metzinger, Conservation and Restoration of Works by Master HGG, Conservation-Restoration of Paintings at the Almanach and 17th Century Painting in Carniola and the Science for Art Symposium.

As an employee of UL ALUO, in cooperation with other institutions, she has designed and managed several projects, some of which are still in progress: Conservation and Restoration May Transversal, The Crack to the Baroque, Gabrijel Stupica under the microscope, Marij Pregelj under the microscope, Rihard Jakopič under the microscope, What we see with our eyes, what we see with our fingers, Feel the artwork, Holy Kinship – in layers, Close up, etc.

Ongoing projects:

In order to raise the awareness of the widest possible circle of people, she has designed and has been running the Ajkec project with restorers (workshops, books, films for children). In co-production of the National Gallery in Ljubljana and TV SLO, a series of ten shows with the same title about the creation, damage and rescue of works of art was recorded in accordance with her scripts.

Selected projects:

Videos:

Publications:

Events:

Grafenauer Petja

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Dr Petja Grafenauer je docentka na Katedri za teorijo UL ALUO.

Leta 2000 je diplomirala s temo Tavole parolibere: futuristična slikovna poezija pri Italijanih, Rusih in Slovencih(mentor dr. Lev Menaše) in leta 2010 doktorirala s temo Vzporedna slikarska linija: slovensko slikarstvo razširjenega statusa vizualnega 1926-2009 (mentor dr. Jure Mikuž).

Je specialistka za lokalno in regijsko umetnost po Drugi svetovni vojni, predvsem slikarstvo in sodobno umetnost. Od leta 2012 raziskuje tudi preseke ekonomije in umetnosti. Svoje raziskovanje redno objavlja v znanstvenih, strokovnih in poljudnih medijih. Napisala in uredila je več knjig o vizualni umetnosti, mdr. raziskavo obdobja pop arta v Sloveniji Neuvrščeni pop (2017), knjigo besedil Zdenke Badovinac Avtentični interes (2010) in monografijo slikarja Aleksija Kobala (2008).

Od 2005 do 2016 je bila nosilka modula Zgodovina sodobne umetnosti na Akademiji umetnosti Univerze v Novi Gorici. Med 2016 in 2017 je bila predstojnica Oddelka za fotografijo, VIST, Ljubljana. Leta 2017 se je zaposlila na ALUO.

Med leti 2001-2008 je bila članica Redakcije za kulturo in humanistične vede na Radiu Študent, med 2005 in 2006 urednica redakcije. Med 2006 in 2009 je vodila galerijski program Galerije Ganes Pratt. Med 2009 in 2015 je bila sourednica slovenske revije za vizualno umetnost Likovne besede. Od 2013 do 2014 je bila zaposlena kot kustosinja v Mestni galeriji v MGML v Ljubljani. Med 2015 in 2017 je vodila Galerijo Vodnikove domačije Šiška.

Kurirala je številne razstave, mdr. Neuvrščeni pop (2016–2017), Grafični bienale, z vami vse od 1955 (30. grafični bienale, 2013), Hočemo biti svobodni, kot so bili očetje (2010, z Božidarjem Zrinskim), Nestabilna realnost: 6 opic, 300 kuvert in 1 ljubezen: Nepopolno kot vedno (28. grafični bienale, 2009) in mnoge samostojne razstave, mdr. Žige Kariža, Viktorja Bernika, Dejana Kaludjerovića, Aleksija Kobala, Dušice Dražić, Saše Sedlačka, Ksenije Čerče, Ivana Fijolića, Jasmine Cibic, Igorja Eškinje, Marka Požlepa, Ištvana Išta Huzjana, Maje Smrekar, Connyja Bloma, Ibre Hasanovića, Ignacia Uriarteja, Sanele Jahić, Saše Vrabiča, Mihe Štruklja in drugih.

 

REFERENCE

izbrana bibliografija

  • GRAFENAUER, Petja, IVANOVIĆ, Nataša, BARUT, Urška. Kako je Mala galerija prenehala biti društvena in postala moderna / How Mala Galerija stopped being social and became modern. Likovne besede : revija za likovno umetnost, ISSN 0352-7263, 2019, [Št.] 113, str. 33-38. [COBISS.SI-ID 3986798]
  • GRAFENAUER, Petja. Non-aligned pop : case of Slovenia. Open journal for studies in arts, ISSN 2620-0635, 2018, vol. 1, no. 1, str. 7-28.
  • GRAFENAUER, Petja. Reception of expressionism in Slovene art history : transformations 1979-2018. Zbornik Seminara za studije moderne umetnosti Filozofskog fakulteta Univerziteta u Beogradu, ISSN 2217-3951, 2019, [Br.] 15, str. 181-193. [COBISS.SI-ID 3937134]
  • GRAFENAUER, Petja. Painting within the broader visual scope: the case of Slovenia. V: JANKOVIĆ, Ivana (ur.). Symposium Neverending Painting, Saturday, October the 3rd-Sunday, October the 4th, 2015, Museum of Contemporary Art Zagreb. Zagreb: Muzej suvremene umjetnosti. 2015, str. 6. [COBISS.SI-ID 4082939]

nagrade in priznanja

  • Priznanje Ivane Kobilca za sopotnike in podpornike, DLUL, 2020
  • Nagrada Slovenskega društva likovnih kritikov ‘kritiško pero’ za likovno kritiko in kuratorstvo, 2014
  • Zahvala MSS (NYCS) za mentorstvo pri magistrskem delu s področja mladih, 2014
  • Štipendija PATTERNS Lectures, Fundacija Erste, 2014/2015

članstvo v strokovnih in znanstvenih združenjih

  • Od 2019 podpredsednica Tiamsa CEE
  • Od 2018 predsednica Odbora Male galerije BS
  • Od 2015 članica AICA – Association Internationale des Critiques d’Art
  • Od 2014 članica IKT – International Association of Curators of Contemporary Art
  • Od 2006 članica Slovenskega društva za estetiko
  • Od 2006 članica Slovenskega društva likovnih kritikov

Zgonik Nadja

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Dr. Nadja Zgonik is an art historian and an art critic.

Education:

  • 1988 – graduated from the Department of Art History, Faculty of Arts, University of Ljubljana
  • 1993 – completed her master’s degree
  • 1997 – became a Doctor of Science in the field of art history

Work experiences:

  • 1998 – 2020: part-time professor at the Department of Landscape Architecture, Biotechnical Faculty, University of Ljubljana.
  • 1989–: lectures on art history, art theory and analysis of contemporary art at the Academy of Fine Arts and Design, University of Ljubljana.
  • 1988: among the founders and first editor-in-chief of the Modern Gallery’s newspaper M’ars (1989, discontinued in 2001).
  • As a student, she was employed at the Modern Gallery in Ljubljana at the Department of Documentary Studies.

Training, residencies:

She continued her studies abroad with a scholarship from the Cini Foundation in Venice (1988), with a scholarship from the Italian Ministry of Foreign Affairs at the Biblioteca Hertziana in Rome (1992), with a scholarship from the French Ministry of Culture at the Musée d’Art Moderne de la Ville de Paris (1993), was a two-time recipient of the Knafle Scholarship for the Kunsthistorisches Institut in Vienna (1991, 1994) and was selected for a residence in New York by the Ministry of Culture of the Republic of Slovenia (2003). In 2016, she was a visiting professor for one semester at the College of Humanities and Arts, National Chiayi University, Taiwan, and in 2018 she was a visiting researcher at Augsburg University in Minneapolis, MN, USA.

Other collaborations:

She has been the curator of numerous exhibitions, author projects and monographic presentations of Slovenian artists, some of which were prepared as projects for specific spaces (Gustav Gnamuš in the Hospital Chapel, Celje, 1995; Blue Hand: Art – Technology – Science, Rihard Jakopič Art Exhibition, Ljubljana, 1997; Cabinet of Found Objects: an exhibition of personal fetishes of artists, Coastal Galleries Piran, Loža Gallery, Koper, 1997) and has so far collaborated with most important Slovenian galleries, the Modern Gallery in Ljubljana, the Maribor Art Gallery, the Božidar Jakac Gallery in Kostanjevica na Krki, the Nova Gorica City Gallery and others. She has prepared several exhibitions of Slovenian art abroad: Forma eterna, Galleria Civica d’Arte Moderna, Bologna, 1995; La doppiezza della luce, Galleria A+A, Venice, 1999; Positionen des Körpers, Kunstforum, Bonn, transfer to Voipaala Art Center, Finland, 2000; The Different Same. Contemporary Slovene and Chinese Art (with Zhu Tong), Duolun Museum of Modern Art, Shanghai, 2003; Identikit. International exhibition. Muslim Mulliqi Prize (with Gani Llalloshi), The Kosova Art Gallery, Pristina, 2003.

In 2011, she was the commissioner of the Slovenian Pavilion at the 54th Venice Biennale, in 2014 she was the Commissioner for the Slovenian national team at the Biennial European Ceramic Context 2014, Bornholm Art Museum, Denmark. She participated in the international juries of the Essl Award for CE Europe (2003, 2005, 2007), she was the selector for the first international exhibition in Kosovo Muslim Mulliqi Prize in Prishtina (2003), and in 2007 she was a member of the international jury and chaired the international jury of the Ljubljana Ceramics Triennial several times. Unicum (2009, 2012, 2015, 2018).

Publications, research and academic contribution:

Her research interests include Slovene modernism, postmodernism, contemporary art, art theory and the theory of art historiography. She writes critiques, essays, scientific discussions, accompanying studies in exhibition catalogues. So far, she has had the following books published: Marij Pregelj. Drawing in a Picture (1994), Zdenko Huzjan (2001), Images of Slovenia (2002), Žarko Vrezec (2004), Marij Pregelj. Paintings 1957-1967 (2007, together with J. Denegri) and Studies in Slovene Modernism after 1945 (2010). Along with a group of students, she edited and prepared for publication the book Glossary of Slovenian Art after 1945 (2009). First available in a printed edition, it has been freely available online since 2013 www.pojmovnik.si.

As a long-time head of the Department of Theoretical Sciences at the Academy of Fine Arts, she led a project to prepare for a second-level theoretical study in the field of Theory of Fine Arts and implemented the scientific doctoral study of Art Sciences with her colleagues within the interdisciplinary doctoral study Humanities and Social Sciences. From 2007 to 2012 she was the President of the Expert Commission for Fine Arts of the City of Ljubljana, from 2010 to 2012 the President of the National Matura Commission for the subject Art History, from 2008 to 2012 a member of the Board of the Prešeren Fund, from 2011 to 2018 a member of the Expert Council of the Ljubljana Castle Public Institution. She is a member of the International Association of Art Critics AICA and the Slovenian section of PEN. Since 2009, she has been participating in a research program entitled Theatre and Inter-Art Research at UL AGRFT and since 2020 in a research project entitled Models and Practices of International Cultural Exchange. Movements : Exploring Spatio-Temporal Cultural Dynamics at ALUO, both funded by ARRS – the Slovenian Research Agency.

Jeza Primož

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Izobrazba:

Diplomant Fakultete za arhitekturo v Ljubljani.

 

Delovne izkušnje:

2000–: predavatelj na Fakulteti za arhitekturo Univerze v Ljubljani.

2014­–: predavatelj na UL ALUO, smer Industrijsko oblikovanje.

1994: ustanovil je PRIMOZJEZASTUDIO, v okviru katerega je realiziral več kot 50 projektov s področja arhitekture in interiera.

V času študija se je ukvarjal z interierjem, grafičnem oblikovanjem (izdelal je več knjižnih oprem in promocijska gradiva založb DZS-ja ter Mladinske knjige) in filmsko scenografijo (realiziral je preko 40 scenografij reklamnih in kratkih filmov za domače in tuje produkcijske hiše).

 

Sodelovanja in projekti:

2008: knjiga Interier Primož Jeza 9+1, knjigo spremlja istoimenska samostojna razstava; predstavitev knjige v Ljubljani, Mariboru, razstavi v Moskvi in Beogradu.

Je selektor Meseca oblikovanja Ljubljana za Perspektivne oblikovalce.

Član številnih žirij kot npr. leta 2017 za Unesco.

Delo v komisijah (2016-20)

– predsednik natečajne komisije DUTB-ja za izvedbo študentskega natečaja “Natečaj za predlog opreme trosobnega stanovanja v soseski Celovški dvori”. Ljubljana 2016

– selektor Meseca oblikovanja Ljubljana za Perspektivne oblikovalce leta 2016. Ljubljana, 2016

– selektor Meseca oblikovanja Ljubljana za Perspektivne oblikovalce leta 2017. Ljubljana, 2017

– član natečajne žirije Unessca za likovno podobo rudnikov živega srebra CC Almadén in Idrija. Ljubljana 2017.

– selektor Meseca oblikovanja Ljubljana za Perspektivne oblikovalce leta 2018. Ljubljana, 2018.

– selektor Meseca oblikovanja Ljubljana za Perspektivne oblikovalce 2019. Ljubljana, 2019.

– selektor Meseca oblikovanja Ljubljana za Perspektivne oblikovalce 2020. Ljubljana, 2020.

– član žirije javnega razpisa za  »Spodbujanje kreativnih kulturnih industrij – Center za kreativnost 2020- 2021«, ki ga izvaja Ministrstvo za kulturo RS. Ljubljana, 2020

 

Nagrade, nominacije in priznanja (2016-20)

V zadnjem obdobju je bilo njegovo najbolj izpostavljeno delo stol Nico less, ki je večkrat nagrajeno:

– Red Dot Award 2016 winner (za stol Nico less)

– Oblikovanje leta, Mesec oblikovanja Ljubljana 2016 (za stol Nico less)

– Green Product Award 2018 (za stol Nico less)

– Circular Design of the year 2019 Moveco award (za stol Nico less)

– Iconic Awards 2019 Inovative interier (za stol Nico less)

– zmaga v Benetkah na mednarodnem natečaju Artre Laguna Prize 2020 v sekciji design art (Artre Laguna Prize 2020 winner) za delo Miza Frankenstein’s Bride.

Nominacije

Design Europa awards 2018 finalist, EU-LAC Foundation 2018 (za stol Nico less)

Archiproducts 2016 , Maison & Objet Paris, Pariz 2016 (za stol Nico less)

ArchiExpo i-NOVO awards at Orgatec 2016, Koeln 2016 (za stol Nico less)

Archiproducts 2017, Salone del mobile Milano, Milano 2017 (za stol Nico less)

Priznanje

2020: skupaj z doc. Barbaro Predan in Studiom Miklavc prejme Priznanje za oblikovalski dosežek leta 2020 od Društva oblikovalcev Slovenije za pregledno razstavo Ali ima prihodnost ponovitev? Interier 1990-2015.

 

 

Industrijsko oblikovanje:

JEZA, Primož. Načrtovanje idejnega in izvedbenega projekta modularne večfunkcijske zofe Venice. Ljubljana, 2017. Za: Prostoria d.o.o.

JEZA, Primož. Načrtovanje in izvedba stola iz filca ter lesa W22. Ljubljana, 2018. Za: Donar d.o.o.

JEZA, Primož. Načrtovanje in izvedba žametnega dvoseda Lars On Ljubljana, 2019. Za: Idiom d.o.o.

JEZA, Primož. Načrtovanje in izvedba nahrbtnika s stolom Backpack-a iz filca in kompozita ali lesene vezane plošče. Ljubljana, 2019. Za: Donar d.o.o.

JEZA, Primož. Načrtovanje in izvedba pisarniškega filc stola Nico ofice + – . Ljubljana, 2020. Za: Donar d.o.o.

JEZA, Primož. Načrtovanje in izvedba kovinskega barskega stola Nicolino. Ljubljana, 2020. Za: Donar d.o.o.

JEZA, Primož. Načrtovanje in izvedba stola Onemilionandhalfchiar (stol iz razrezanih bankovcev v vrednosti 1,5 miljona eur). Ljubljana, 2020. Za: Banka Slovenije

 

Razstave:

Razstavlja na samostojnih in skupinskih razstavah doma in v tujini:

– JEZA, Primož. Razstava slovenskega oblikovanja v Milanu, Odprto -100% odprto v galeriji Ventura futura v organizaciji MAO, z zofo Venice in stolom Nico less.  Milano, 2019

– JEZA, Primož. Skupinski nastop slovenskega oblikovanja na Maison & Object v  organizaciji MAO, z zofo Venice in stolom Nico less. Pariz, 2019.

– JEZA, Primož. “We ‘re open!” razstava slovenskega oblikovanja v galeriji Kunsthall Oslo, v organizaciji MAO, z zofo Venice in stolom Nico less.  Oslo, 2019.

– JEZA, Primož. The Circle (Krog), skupinski nastop slovenskega oblikovanja na 3 days of design Danska, v organizaciji MAO, z zofo Venice, stoloma Nico less in W22. Kopenhagen, 2020.

– JEZA, Primož. Tunel 29, Oblikovanje za postapokaliptični svet, skupinska razstava slovenskega oblikovanja v galeriji MAO, s predstavitvijo nahrbtnikom Backpack. Ljubljana, 2020.

– JEZA, Primož. Pregledna razstava slovenskega interierja Ali ima prihodnost ponovitev? Interier 1990-2015, v galeriji Kresija, s predstavitvijo kluba Propaganda, Administrativnega prostora PR- Slovenija in multimedijskega centra Kibla. Ljubljana, 2020.

 

Arhitektura:

– JEZA, Primož. Idejni projekt LMH (lesene modularne hiše) za prototip pri Laškem. Ljubljana, 2016. Za: Paron lesna industrija d.o.o.

– JEZA, Primož. Idejni in izvedbeni projekt mobilne hiše Felt house (Hiša iz filca). Ljubljana, 2017. Za: Adria dom d.o.o.

– JEZA, Primož. Idejni projekt za pridobitev projekta za gradbeno dovoljene hiše na Vrhovčevi ulici v Ljubljani. Ljubljana, 2017. Za: S-INVESTPROJEKT, inženiring d.o.o.

– JEZA, Primož. Projekt in izvedba razstavnega prostora na dogodku Salone del mobile Milano. Ljubljana, 2017. Za: Donar d.o.o.

– JEZA, Primož. Idejni projekt preureditve, prenove in nadzidave poslovne zgradbe Triglav na Dunajski cesti 22. Ljubljana, 2018. Za: Triglav upravljanje d.o.o.

– JEZA, Primož. Projekt atrijske hiše na Mirju z. Ljubljana, 2020. Za: Zasebni investitor

 

Konference, izobraževanja, predavanja:

S področja arhitekture in oblikovanja redno predava doma in v tujini.

2013: na povabilo University Colorado Denver v Aspnu predstavi Slovensko alpsko arhitekturo (skupaj s predsednico DAL-a Majo Ivanič).

2016: Konferenca Prenova za kreativni turizem, organizator Zavod Big, Mesec oblikovanja 2016, Mesto oblikovanja, Ljubljana.

2018: Znanstvena konferenca »Vloga znanosti pri inovacijah v lesarstvu«, organizator InnoRenew CoE z Oddelkom za lesarstvo v okviru prireditve Čar lesa 2018, Štihova dvorana CD, Ljubljana.

 

Mentorstvo pri interdisciplinarnih projektih:

Arheološki park Situla, študijsko leto 2015/16 (so sodelovali UL ALUO-IO, UL FA, UL BF in Mestna občina Novo Mesto). Tip projekta: Študentska interdisciplinarna delavnica prostorske, urbane, krajinske in vizualne ureditve arheološkega parka v Novem mestu.

Projekt Bovec, študijsko leto 2015/16 (sodelovali UL ALUO-IO, UL FA, UL EF in LTO Bovec). Tip projekta: Študentska interdisciplinarna raziskovalna naloga.

Naslov projekta: Mobilna bivalna enota za celoletno bivanje, študijsko leto: 2016/17 (sodelovali UL ALUO-IO, UL FA, Adria dom d.o.o. in ID interier design d.o.o.). Tip projekta: Študentska raziskava in eksperimentalno načrtovanje novih mobilnih enot za celoletno bivanje

PKP. Naslov projekta: Zelena dnevna soba, študijsko leto: 2017/18 (sodelovali Podjetje Tisa d.o.o., Zavod Bob, UL ALUO-IO in UL FA). Tip projekta: Trajnostno oblikovanje.

Naslov projekta: Mobilni delovni prostor, študijsko leto 2018/19 (sodelovali Podjetje Donar d.o.o., Ministudio d.o.o., UL ALUO-IO in UL FA), tip projekta: Produktno oblikovanje sodobnega pisarniškega pohištva.

Miklavc Jure

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Jure Miklavc je diplomant Akademije za likovno umetnost in oblikovanje in je eden najvidnejših strokovnjakov na področju industrijskega oblikovanja z več kot dvajsetletnimi izkušnjami v praksi. Vodi Studio Miklavc – oblikovalski studio, ki je specializiran za področje industrijskega oblikovanja, vizualnih komunikacij, razvoja blagovnih znamk in svetovanja. Studio uspešno sodeluje z različnimi domačimi in tujimi naročniki s področja gospodarstva, kulture ali javne uprave. V zadnjem času največ razvijajo rešitve na področju zdravstva, osvetlitve, elektronskih naprav, uporabniških vmesnikov, transporta, pohištva in strojegradnje. Še posebej so uspešne rešitve, ki so jih razvijali na področju obutve za tek na smučeh za podjetje Alpina. Ti izdelki zavzemajo tretjinski svetovni tržni delež in so eni izmed globalno najbolj prepoznavnih izdelkov. Studio je v letu 2014 začel sodelovati s svetovno prepoznavnim in uglednim italijanskim podjetjem Bimota, ki izdeluje prestižna motorna kolesa. Oblikujejo tudi za naročnike iz Avstrije, Nemčije in Kalifornije. Posebej odmevne so tudi domače in tuje postavitve razstav, ki jih je zasnoval studio.

Miklavc poučuje na ALUO že od leta 1998, najprej kot zunanji sodelavec in od leta 2001 kot asistent pri izrednem profesorju Janezu Smerdelju. Od leta 2012 vodi svoj seminar in je vodja smeri Industrijsko oblikovanje. Med leti 2015 in 2019 je bil predstojnik Oddelka za Industrijsko in unikatno oblikovanje. Redno tudi predava na Univerzi Hongik na Mednarodni oblikovalski šoli za napredne študije (IDAS) v Seulu v Južni Koreji ter v Berlin international University of Applied Sciences v Nemčiji.

Kot uveljavljeni mednarodni strokovnjak sodeluje v žirijah za najodmevnejše mednarodne nagrade, med drugimi za prestižno nagrado Red dot product design v Essnu, Red dot design concept v Singapurju in Contemporary Good Design v Xiamenu na Kitajskem.

Miklavc je za svoja dela prejel številne mednarodne oblikovalske nagrade in njegovi izdelki so bili razstavljeni na številnih mednarodnih dogodkih in razstavah.

 

Reference:

Nagrada Good design award, Chicago, 2009, izdelki in blagovna znamka Binom

Nagrada Red dot award: product design, Essen, 2009, izdelki in blagovna znamka Binom

Red dot award: product design, Essen, 2010, čevlji za tek na smučeh Alpina Promise

Nagrada Prešernovega sklada, 2011

Nagrada Red dot award: product design, Essen, 2020, čevlji za tek na smučeh Alpina Elite 3.0

Pak Tanja

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Tanja Pak se ustvarjalno posveča kiparstvu, prostorskim umetniškim postavitvam in oblikovanju uporabnih steklenih predmetov. V umetniških delih zadnjih let raziskuje predvsem občutke osamljenosti in samosti, pri čemer izpostavlja iskanje bližine, krhko naravo medsebojnih vezi in razmerij, in ob tem seveda izmuzljivost naše celosti.

 

Izobrazba

UL ALUO, univ. dipl. ind. obl.

Royal College of Art, London, magistra umetnosti (MA Ceramics and Glass)

 

Delovne izkušnje in sodelovanja

2014: redna profesorica na UL ALUO

2009–: vodja smeri Unikatno oblikovanje / steklo in keramika UL ALUO

2002–: predavateljica na UL ALUO

1997-2001: samostojna ustvarjalka na področju kulture

2006-: vodja galerije Glesia

1997-: samostojni umetniški in oblikovalski projekti

1998-: mednarodna projektna sodelovanja in umetniško-raziskovalni projekti, mednarodnini oblikovalski projekti in predavanja, vodenja ustvarjalnih delavnic

 

Pomembne štipendije in rezidence

Maradiva / Arte Laguna Prize 2019, Mavricij, 2019 (nagrada in rezidenca)

Umetniška rezidenca Cill Rialaigh, projekt Transartis, Irska, 2019

Umetniška rezidenca v MusVerre, Sars-Poteries, Francija, 2018

Prejemnica umetniškega ateljeja MOL v ustvaralnem centru Švicarija v Ljubljani za dobo petih let, Slovenija, 2017

Umetniška rezidenca Cill Rialaigh, projekt Transartis, Irska, 2018

Umetniška rezidenca Cill Rialaigh, projekt Transartis, Irska, 2017

International Glass Kanazawa, finalist, Japonska, 2016

International Glass Symposium, aktivna udeleženka, Novy Bor, Češka, 2015

Arctic Glass Studio Norway, umetniška rezidenca, Norveška, 2015

University of Washington, univerzitetna izmenjava, ZDA, 2014

Creative Glass Center of America, umetniška rezidenca s štipendijo, ZDA, 2014

Corning Museum of Glass Studio, umetniška rezidenca s štipendijo, ZDA, 2014

Bullseye R&E center, Artist Exchange Program, umetniška rezidenca z vabilom, Portland, OR, ZDA, 2013

New Mexico, umetniška rezidenca z vabilom, NM, ZDA, 2012

Seminar z arhitektom James Carpenterjem, Bornholm, Danska, 2012

Northlands Glass Center, umetniška rezidenca z vabilom, Škotska, 2011

Pilchuck, umetniška rezidenca s štipendijo, ZDA, 2009

Mesečna štipendija in atelje Ministrstva za kulturo RS v New Yorku, ZDA, 2008

Creative Glass Center of America, umetniška rezidenca s štipendijo, ZDA, 2001

Seminar z Judy Hill, Jacksonville, ZDA, 1999

Pilchuck, poletna šola s štipendijo, ZDA, 1999

Chevening štipendija britanske vlade, 1995

Valvasor – Chevening štipendija britanske in slovenske vlade, 1994

 

Razstave

Samostojne razstave (izbor)

Prehodi, Mala Galerija Kos, Ljubljana, 2021

Predih, Galerija Velenje, 2021

Tanja Pak, artist in residence / Maradiva Resort & Spa, Mavricij, 2019

Med-dih, Galerija TR3, Ljubljana, 2018

Zgodbe o dihu, Stekleni atrij, Mestna hiša Ljubljana, 2018

Poti, Atelje galerija, Ljubljana, 2017

Tanja Pak, Znamke in znamenja, Mesec oblikovanja, Ljubljana, 2017

Meddih, Galerija Kresija, Ljubljana, 2015–2016

Pot v puščavi, Atelje Galerija, Ljubljana, 2013

Znotraj / I held my breath but the world kept on dreaming, večmedijska prostorska postavitev, Ljubljanski grad, 2011–2012

Pointé, prostorska postavitev, Ljubljanski grad, 2011–2012

Dreaming Odsanjanja, večmedijska prostorska postavitev, Ljubljanski grad, 2010–2011

The Moment After-Alina., večmedijska prostorska postavitev, Ljubljanski grad, 2010–2011

Flow, Red Dot 2009, Galerija Glesia, Ljubljana, 2009

Tanja Pak, Svet Evrope, Strassbourg, Francija, 2009

Lara, Red Dot 2008, Galerija Glesia, Ljubljana, 2008

Spet valovanja, Galerija Glesia, Ljubljana, 2006

Sledi, cerkev sv. Vida, KGLU Slovenj Gradec, 2004

Rdeče in črno, galerija Marjan Lovšin, Ljubljana, 2003

Iskanja, Galerija Miklova Hiša, Ribnica, 1999

Šepetanja, Ljubljanski grad, Ljubljana, 1998

 

Skupinske razstave in predstavitve / izbor

European Glass Context 2021, Danska (kurirana), 2021

Collect 2021, London (Joanna Bird Gallery), London, Združeno kraljestvo, 2021

Made in (z MAO), Dunaj, Avstrija, 2021

Venice Glass Week Hub, Palazzo Loredan, Benetke, Italija, 2021

Arte Laguna Prize 2021, Arsenale, Benetke, Italija, 2021

Arte Laguna Prize 2020, Arsenale, Benetke, Italija, 2021

Tunnel 29, Milan Design Fair 2020 (z Muzejem za arhitekturo in oblikovanje Ljubljana), Milano, Italija, 2021

Venice Glass Week Hub, Palazzo Loredan, Benetke, Italija, 2020

Tunnel 29, MAO, Ljubljana, Slovenija, 2020

Collect 2020, London, Združeno kraljestvo, 2020

Beauty and His Beast, Legnice in Łodz, Poljska, 2020

Beauty and His Beast, Wroclaw, Poljska, 2019

Venice Glass Week Hub, Palazzo Loredan, Benetke, Italija, 2019

Arte Laguna Prize 2019, Arsenale, Benetke, Italija, 2019

Slovenska kreativnost / Slovenski etnografski muzej, Umetnostni muzej v Xi’anu, Kitajska, 2019

45th International Invitational, Habatat Gallery, Michigan, ZDA, 2017

International Glass Kanazawa, Japonska, 2016

International Glass Symposium, (Breathing), Muzej stekla, Novy Bor, Češka, 2015

Vitraria Glass +A Museum, inavguracija, Benetke, Italija, 2014

Design+, Mesec oblikovanja, Ljubljana, Slovenija, 2014

Bullseye Project, Bergstrom-Mahler Museum of Glass, ZDA

Chroma Culture, Bullseye Gallery, Portland, ZDA, 2013

Inspired by Nature, Hempel Glass Museum, Danska, 2013

Hot Glass, CAA, London, Združeno kraljestvo, 2013

Silent Revolutions – Contemporary Design in Slovenia, Moskva, Rusija, 2013, Helsinki, Finska, 2012; Tent Gallery, London, Združeno kraljestvo, 2011; Eindhoven, Nizozemska, 2011

Glass in Context 2012, Bornholm Art Museum, Danska, 2012

Naključja II / Razstava slovenskih sodobnih umetnikov, Galerija Murska Sobota, Slovenija, 2012

Mesec Oblikovanja – All Awards Design, Ljubljana, Slovenija, 2011

Modern Art in Slovenia, Evropska centralna banka, Frankfurt, Nemčija, 2011

AllAwardsDesign, Zavod Big, Viba, Ljubljana, Slovenija, 2010

Talents 2010, Ambiente, Frankfurt Messe, Frankfurt, Nemčija, 2010

Rotovž, Lemberg pri Šmarju, z Mirsadom Begićem, Slovenija, 2009

Red Dot 2009, Red Dot Design Museum, Essen, Nemčija, 2009

RedDot.si, Mestni muzej Ljubljana, Slovenija, 2008

Red Dot 2008, Red Dot Design Museum, Essen, Nemčija, 2008

Glass in Context 2008, Bornholm Art Museum, Danska, 2008

CGCA Fellowship Alumni, Museum of American Glass, ZDA, 2007

20.BIO, Bienale industrijskega oblikovanja, Ljubljana, Slovenija, 2006

Postavitve na travi, Kogl, Velika Nedelja, Slovenija, 2005

  1. BIO / Bienale industrijskega oblikovanja Biennial of Industrial Design, Ljubljana, Slovenija, 2004

20/20 Vision, Creative Glass Center of America, ZDA, 2003

Lux Europae 2002, Copenhagen, Danska, 2002

Contemporary Glass Exhibition, China Millennium Museum in Beijing, Kitajska, 2001

Contemporary Glass Exhibition , Shanghai Museum of Fine Art, Kitajska, 2001

29th International Glass Invitational, Habatat Galleries, Pontiac, ZDA, 2001

  1. BIO / Bienale industrijskega oblikovanja Ljubljana, Slovenija, 2000

A Gathering of Glass, Sable V Fine Art Gallery, Wimberley, ZDA, 1999

Glass Art Society Expo International II, Tampa, ZDA, 1999

Expo ‘98, Lizbona, Portugalska, 1998

Oblikovanje iz Slovenije, Rokus, Ljubljana, Slovenija, 1997

Centenary Degree Show, Royal College of Art, London, Združeno kraljestvo, 1996

Celebrating Slovenia, Liberty’s, London, Združeno kraljestvo, 1993

 

Stalne javne postavitve in zbirke:

InBetweenness II, zasebna zbirka, Bruselj, Belgija, 2020

Breath, Lah Art Foundation, Ljubljana, Slovenija, 2019

Whiteness, umetniška zbirka RIKO, Slovenija, 2017

Reveries / Od tod, Center Poezije Tomaž Šalamun, Ljubljana, Slovenija, 2016

Breathing – I, zasebna zbirka, Ljubljana, Slovenija, 2016

Breathing, IGS, Uměleckoprůmyslové museum v Praze, Češka, 2016

In My World, Evropska centralna banka, Frankfurt, 2011

Fontana / prostorska postavitev, Thermana Laško wellness in kongresni center, Laško, Slovenija, 2009–2011

Kaplje 365, Lestenec / prostorska postavitev, Thermana Laško wellness in kongresni center, Laško, Slovenija, 2008

Dela v oblikovanju, Narodni muzej Slovenije, zbirka stekla, Slovenija, 2008

Ladjice, prostorska postavitev, Upravna stavba BTC, Ljubljana, Slovenija, 2007

Valovanja – Soči., Knjižnica Kobarid, Slovenija, 2002

Drevesa, Nova Ljubljanska Banka, umetniška zbirka NLB, Ljubljana, Slovenija, 2001

Fluid, multimedijska prostorska postavitev, Ljubljanski grad, Slovenija, 1999

 

Nagrade in priznanja

Arte Laguna Prize 2019, Benetke, Italija, 2019

New Glass Review 37, 2016 (uvrstitev v svetotni pregled najpomembnejših del v steklu v preteklem letu, Corning Museum of Glass)

New Glass Review 35, 2014

New Glass Review 33, 2012

Oblikovalka leta 2011, Slovenija, 2011

Red Dot Honorable Mention Design Award 2009

Red Dot Honorable Mention Design Award 2008

New Glass Review 29, 2008

 

Pomembnejša javna predavanja / izbor

Predih, Galerija Velenje, 2021International Glass Symposium, Novy Bor, Češka, 2015

Corning Museum of Glass Studio, ZDA, 2014

GSOI, Glass Society of Ireland conference, Cork, Irska, 2013

BeCon, International Glass Conference, plenarno predavanje, Portland, ZDA, 2013

SOFA, Behind the Glass Curtain panel, Museum of Arts and Design, New York, ZDA, 2003

ECERS World Conference, plenarno predavanje, Portorož, Slovenija, 2005

 

Strokovne afiliacije (članstva v društvih in strokovnih komisijah)

2016–2019: zunanja ocenjevalka programa v postopku evalvacij, National College of Art and Design, Dublin, Irska

2016–: NAKVIS, strokovnjakinja v postopkih akreditacij

2015: zunanja članica strokovne komisije AZVO v postopku izredne evalvacije APURI, Rijeka, Hrvaška

1999­–: članica Glass Art Society

1996–: članica Royal College of Art Alumni Club

 

Bibliografija (izbor avtorskih monografij, zbornikov, člankov, intervjujev)

2021

Duša, Zdravko, Pak, Tanja. PREDIH. Ljubljana, 2021. ISBN 978-961-91771-5-0

Prezelj, Pia. Na tone mavca, gline, peska. Delo, 28. 4. 2021, str. 15.

Podergajs, Klara. Med vdihom in izdihom. Večer, 12. 5. 2021, str. 16.

Miše, Miklavčič, Elvira. Prepoznavnost se gradi počasi, od ene do druge točke. Reporter, 29. 3. 2021, str. 62-67.

2020

»Joanna Bird Contemporary Collections.« COLLECT. London, 2020, str. 73.

Ferjanič, Erna. ODSEVI V STEKLU. Celje, 2020: str.186-191, ISBN:978-961-6992-76-3.

2019

ARTE LAGUNA PRIZE 2018.19 – Finalists Collective exhibition, Nappe Arsenale, Italy, 2019: str. 164, 170.

BEAUTY AND HIS BEAST– European Glass Festival. Krakow, Poljska: Anita Bialic, Galeria BB, 2019.

2018

Ivanović, Nataša, Tanja Pak and Miklavž Komelj. TANJA PAK – MEDDIH, Galerija TR3. Ljubljana: Ceeref naložbe d. o. o., 2018.

2017

HABATAT – 45th Annual International Glass Invitational. Royal Oak, Michigan: Habatat Galleries, 2017: str. 69, ISBN: 978-1-928572-06-0.

Kos, Mateja, Cvetka Požar. UMETNOST ZA VSAKDAN: SLOVENSKO MODERNISTIČNO STEKLO = Art for Everyday Life: Modernist Glass Design in Slovenia. Ljubljana: Narodni muzej Slovenije, 2017: str. 92–94, ISBN 978-961-6981-14-9.

2016

THE INTERNATIONAL EXHIBITION OF GLASS KANAZAWA 2016, Executive committee of the IEGK, Kanazawa, Japan, 2016: str. 49, 69.

Hlaveš, Milan. XII INTERNATAIONAL GLASS SYMPOSIUM, Novy Bor, 2016: str. 13, 72, 128, ISBN 978-80-905263-8-9.

NEW GLASS REVIEW. vol. 37. Corning Museum of Glass, 2016. str. 40, ISSN: 0275:469X.

2016

THE INTERNATIONAL EXHIBITION OF GLASS KANAZAWA 2016, str. 49, 69, Executive committee of the IEGK, 2016.

XII INTERNATAIONAL GLASS SYMPOSIUM NOVY BOR, Milan Hlaveš, str. 13, 72, 128, Town of Novy Bor, 2016, ISBN 978-80-905263-8-9.

NEW GLASS REVIEW 37, The Corning Museum of Glass.

2014

NEW GLASS REVIEW 35, The Corning museum of Glass, str. 36, ISBN 978-0-87290-197-1, ISSN 0275:469X

2013

DESIGN; Jiry Pelcl, Academy of Arts, Design and Architecture.

2012

PIRANESI / 1st Central – European Architectural Magazine for the Culture of the Environment; 30 (20), str. 94-99; Light Captured in Glass; Robert Potokar.

NEW GLASS REVIEW 33, ISSN 0275-469X, The Corning museum of Glass.

EUROPEAN GLASS CONTEXT 2012, Susanne Joker Johnsen, ISBN 978-87-89059-79-2, Bornholm Kunstmuseum.

2011

CONTEMPORARY ART FROM SLOVENIA, European Central Bank in cooperation with Banka Slovenije, ISBN 978-92-899-0802-3.

2009

RED DOT DESIGN YEARBOOK 2009/2010 – LIVING, Peter Zec, Red Dot publishing

2008

CONTEMPORARY GLASS, Craig, Blanche, ISBN 978 906155 360, Black Dog Publishing.

EUROPEAN GLASS CONTEXT 2008, Susanne Joker Johnsen, ISBN 978-87-89059-79-2, str.112-113, Bornholm Kunstmuseum.

RED DOT DESIGN YEARBOOK 2008/2009 – LIVING, Peter Zec, ISBN 978-3-89939-097-1, str. 259, Red Dot publishing .

2007

NEW GLASS REVIEW 28, ISSN 0275-469X, str. 36 (Black With a Rim), The Corning Museum of Glass.

2005

Ecers, str. 24, abstract

2004

Pak, Tanja. Sledi : [Cerkev Sv. Vida, 7. April – 5. Maj 2004]. Koroška galerija likovnih umetnosti; Občina, 2004, p. 20.

2003

20/20 VISION, katalog, ISBN 0-9742107-0-6  str. 22, Museum of American Glass.

2002

LUX EUROPAE 2002, ISBN 87 7429 096 7 str. 28-29, 68, The Danish Cultural Institute.

INTERNATIONAL GLASS ART, R. W Yelle, ISBN 0-7643-1834-9 str. 238-239, A Schiffer Art Book

2001

The 29th Annual International Glass Invitational; The Creative Process, ISBN 1-928572-00-6 str.108-109, Habatat Galleries.

2000

International Contemporary Art Interflow Exhibition Comitee, Kitajska.

L’Eurofeu au Pays de Liege, ISBN D2000/4540/03 str. 103, Office Povincial desMetiers d’Art de Liege, Belgija.

Jingsu Art Monthly, ISSN 1005-689, str. 11-13, Kitajska

1999

SEARCHINGS, dr. Stane Bernik, dr. Jure Mikuž.

FLUID – TANJA PAK, dr. Stane Bernik, ISSN 1318-9026.-ŠT. 43, STR. 22, UDK 748:929 Pak T. (064), COBBIS.SI-ID 123352064

 

 

Publicistika

2021

Felicijan, Tina. »Odsevi svetov v steklu«. NAŠ ČAS., 25. 3. 2021, str. 10

Miše, Miklavčič, Elvira, »Prepoznavnost se gradi počasi, po korakih, od ene do druge točke«. REPORTER. Intervju. 29.3.2021, str. 62-67

2020

Mehle, Borut. »Namesto z domačo Rogaško dela s Čehi«, DNEVNIK. Intervju.

11.3.2020, str. 16.

Morel, Guillaume. »Tanja Pak poesis en verre«. CONNAISSANCE DES ARTS. 2020

2018

»Tanja Pak – Zgodbe o Dihu.« OUTSIDER 13, 2018: 146–151.

2017

Palčnik Narat, Petra. ‘Ko mislim skozi steklo, mislim občutke.’ Intervju. EKO HIŠA & STIL, maj – junij 2017: p. 88–93.

2016

Uta Klotz, Tanja Pak. »Tanja Pak: Between Being and Non-Being.« Interview. NUES GLAS – NEW GLASS: ART & ARCHITECTURE No. 2/2016: p. 10–15.

2016

NEW GLASS, Glass Art& Architecture, No. 2/2016, Uta Klotz, Tanja Pak: Between Being and Non-Being, interview, ISSN 0723-2454

2014

MESEC OBLIKOVANJA / MONTH OF DESIGN, 2014, p. 115, ISSN 1581-9051

2013

DESIGN; Jiry Pelcl, Academy of Arts, Design and Architecture

2012

New Glass / Neues Glass; number 3/12; p.9; European Glass Context 2012

THE GLASS QUATERLY HOT SHEET; Tanja Pak brings two new multimedia installations to Ljubljana castle, by Andrew Page, http://blog.glassquarterly.com/2011/12/23/tanja-pak-brings-two-new-mutimedia-installations-to-ljubiljana-castle-in-her-native-slovenia/

2011

NEW GLASS / NEUES GLASS; number 1/2011, spring 2011; p. 57,59; Personalia

THE GLASS QUATERLY HOT SHEET, Three Questions for Tanja Pak, http://blog.glassquaterly.com/2011/01/18/three-questions-for-tanja-pak/

JUTARNJI LIST, 8. 1. 2011, p. 42, 43; B. Blašković; Trenutak zamrznutog vremena ili snovidenje

2009

NEW GLASS; number 2/2009, summer 2009; p. 59; Personalia

GLASS, Urban Glass Quarterly, ISSN 1064-900X, number 114, spring 2009; p. 23, Hourglass: Glass Installation Adorns European Spa

GLASS; Urban Glass Quarterly, ISSN 1064-900X, No.113, winter 2008/2009, p. 80; Tanja Pak, European Studio Glass / A Search for Identity

2006

GLASS; Urban Glass Quarterly, No. 105, Winter 2006/2007, p. 59, Fluid – a review by Gediminas Gasparavicius, Glass Quarterly NY

Bricelj Suzi

Written by

Education

  • 1998: Graduated from the Department of Visual Communication Design, UL ALU

 

Work experience

  • 2018-: Employed at ALUO as a teaching professional in the subject Illustration
  • 2016: Assistant professor in visual communication design UL ALUO
  • 2014: Assistant in visual communication design UL ALUO
  • –2018: Self-employed in culture at the Ministry of Culture

 

Advanced training

Education abroad:

  • 2001-2002: École nationale supérieure des Arts Décoratifs, Illustration, Paris
  • 2000-2001: École supérieure des Arts graphiques
  • 1996: Vysoka škola vytvarnych umeni, Illustration, Bratislava (Cepus)

 

Projects (selection)

  • 2018: Svetlana Makarovič: Sovica oka, visual image of a puppet show. Ljubljana Puppet Theatre
  • 2014: New Year’s greeting cards, Ljubljana, Sidarta
  • 2004: Illustration for the Bibliobus Library of the France Bevk Library, Nova Gorica (design by Jana Pečečnik)
  • 2003: Illustrations for Sutor wine labels, Ljubljana (design by Jasna Andrić)

 

Selection of exhibitions

  • 2021: 14th Slovenian Biennial of Illustration, (SBI), Ljubljana, Slovenia
  • 2021: Biennial of Illustration Bratislava (BIB), Bratislava, Slovakia
  • 2018: Suzi Bricelj – illustrations, Lek Gallery, Ljubljana, Slovenia
  • 2018: 6th Croatian Biennial of Illustration, Zagreb, Croatia
  • 2017: Suzi Bricelj Z ďalekej krajiny, Toto! je galéria, Bratislava, Slovakia
  • 2017: 49th Golden Pen of Belgrade, 14th International Biennial of Illustration, Belgrade, Serbia
  • 2015: Allstars, Biennial of Independents, Washington DC, USA
  • 2012: Exhibition of Slovenian Illustration, 5th BuchWien Book Fair, Vienna, Austria
  • 2004: Biennial of Illustrations 2004 / OBI’04, Oita, Japan
  • 2002: Salon du livre et de la presse jeunesse, Figures futur 2002, Paris, France

Member of the Slovenian Association of Fine Arts Societies (ZDSLU)

 

Awards and recognitions

  • 2020: (also 2004, 2006, 2014, 2015, 2017) Golden Pear, Ljubljana
  • 2017: Hinko Smrekar Plaque, Ljubljana
  • 2015: Recognition of important works of art in the field of visual communication design
  • 2011: International recognition White Ravens selection 2011, Munich
  • 2009: Original Slovenian Picture Book Award, Ljubljana
  • 2008: International recognition White Ravens selection 2008, Munich
  • 2005: Levstik Award, Ljubljana
  • 2004: The Most Beautiful Book Award, in the category for children and youth, Ljubljana
  • 2004: Hinko Smrekar Plaque, Ljubljana
  • 1999: Prešeren University Award, Ljubljana
  • 1998: Golden Bird Award, Ljubljana, Ljubljana
  • 1995: Prešeren Student Award

Bibliography (selection of publications with illustrations by Suzi Bricelj)

  • 2021: Mav Hrovat, Nina, About a prince who didn’t like to read, Mladinska knjiga, Ljubljana
  • 2018: Dekleva, Milan, Bookworm, Morfemplus, Jezero
  • 2017: Makarovič, Svetlana, Honey fairy tale, Mladinska knjiga, Ljubljana.
  • 2016: Sepúlveda, Luis. The story of the snail who discovered the importance of slowness, Mladinska knjiga, Ljubljana
  • 2015: Möderndorfer Vinko, Poems and songs, Mladinska knjiga, Ljubljana
  • 2010: Pavček, Tone. A whale is swimming in the sea, Miš Publishing House, Dob pri Domžalah
  • 2009: Jančar, Drago. Novels, Modrijan, Ljubljana
  • 2008: Milčinski, Fran. Sir and pear, Sanje, Ljubljana
  • 2005: Andersen, H.C. Fairy tales, Mladinska knjiga, Ljubljana
  • 2004: Tellegen, Toon. A little night cake, Mladinska knjiga, Ljubljana
  • 2003: Rabelais, François. Gargantua and Pantagruel, Modrijan, Ljubljana

Koštrun Peter

Written by

2007: diplomiral na Akademiji za likovno umetnost in oblikovanje v Ljubljani

Redno razstavlja v domačem in mednarodnem prostoru vse od leta 2003, sodeloval je tudi na skupinski razstavi Photonic Moments III – salon sodobne fotografije vzhodne in jugovzhodne Evrope (2007), ki na letni bazi predstavlja vzhajajoče umetnike tega geografskega področja.

 

Radovan Jenko

Written by

Izobrazba

1969 – 1973: Srednja šola za oblikovanje in fotografijo

1976 – 1981: Študij na Akademiji za likovno umetnost v Varšavi

junij 1981: magistriral iz grafičnega oblikovanja (specializacija plakat – prof. Henryk Tomaszewski) in slikarstva (prof. Teresa Pągowska)

 

Delovne izkušnje in sodelovanja

Aero, Design studio Aero, 1973 – 1976; oblikovalec

Aero, Design studio Aero, 1981 – 1986; umetniški direktor in oblikovalec
Od leta 1986 – 1998  deluje kot samostojni umetnik na področju grafičnega oblikovanja

Od leta 1991 do 1998 honorarno poučuje vizualne komunikacije na Oddelku za vizualne komunikacije na Akademiji za likovno umetnost in oblikovanje

Od leta 1998 zaposlen na UL ALUO, leta 2004 je pridobil status profesorja

 

Leta 2003 soustanovi Fundacijo Brumen (FB), neprofitno organizacijo s statusom ustanove v javnem interesu. FB se zavzema za promocijo kakovostnega oblikovanja, obenem pa širšo javnost opozarja, da je oblikovanje vse okrog nas in ključno vpliva na kakovost bivanja. Z bienalom slovenskega oblikovanja Brumen, osrednjim dogodkom na področju oblikovanja v Sloveniji, ter nagradami Brumen, najvišjimi nacionalnimi priznanji v stroki, Fundacija Brumen nagrajuje odlične slovenske oblikovalce, kakovostna vidna sporočila ter naročnike, ki v oblikovanju vidijo pomembno konkurenčno prednost.

Leta 2009 v okviru FB ustanovi Mednarodni festival plakata Ljubljana, deluje kot njegov umetniški vodja. Študentje Oddeleka za vizualne komunikacije, sodelujejo na dveh mednarodnih festivalih plakata, leta 2009 na temo Klimatske spremembe in leta 2011 na temo Razkriti obrazi rasizma.

 

Izbor udeležb na mednarodnih dogodkih

Povabljen kot govorec med žiranti mednarodnega bienala plakata v Varšavi, 2021

Povabljen kot govorec na agIdeas, International Design Forum, Melburne, 2015

Mednarodni sodnik, nominiran na različnih tekmovanjih, med drugim na:
Mednarodnem trienalu plakatov v Lahtiju na Finskem 2014

Mednarodnem bienalu plakatov v Varšavi, 2006
Trienalu plakatov Trnava, Slovaška, 2004

Dvakratni član ocenjevalne komisije magistrskih del na ESAG Penninghen, Design School v Parizu, Francija, 2013, 2003

 

Član

Radovan Jenko je član Alliance Graphique Internationale (AGI)

 

Nagrade in priznanja

Radovan Jenko je dosegel širše mednarodno priznanje in osvojil številne nagrade, med drugimi:
– Grand Prix na mednarodnem trienalu gledališkega plakata v Sofiji, 2016
– Srebrna nagrada na Mednarodnem bienalu plakata v Ekvadorju, 2016
– Zmagovalec 19. Mednarodne vabljene razstave plakata v Koloradu, 2015
– Dvakratni dobitnik tretje nagrade na Mednarodni razstavi gledališkega plakata v Rzeszowu, 2020, 2015
– Tretja nagrada na Mednarodnem tekmovanju plakatov na temo Mednarodni Rdeči križ,
v Venezueli, 2013
– Prva nagrada na Mednarodni razstavi grafičnega oblikovanja in vizualnih komunikacij ZGRAF, Zagreb, Hrvaška, 2012
– Srebrna nagrada na Mednarodnem trienalu plakatov Toyama, Japonska 2012
– Prva nagrada na trienalu eko plakatov “The 4th Block” v Harkovu, Ukrajina, 2006
– Srebrna kocka na Art. Directors Club New York, ZDA, 1991
– Nagrada Prešernovega sklada za oblikovalske dosežke zadnjih dveh let, 1991

Stančič Zora

Written by

Assoc. Prof. Zora Stančič (MA) works in three main areas. She approaches graphics with an extended field approach, and in her graphic works she explores the relationship between classical graphic techniques and modern digital graphics. Scenography and costume design is one aspect of her artistic creation, but she has participated in various important and successful events in theatre and film. She derives her illustration style, which is based on freehand drawing, from her experience in graphics.

 

Education

  • 1979 – 1984: Study of Graphics, University of Sarajevo (Academy of Fine Arts), Sarajevo, Bosnia and Herzegovina
  • 1990: Master of Arts, UL ALUO, title: “Framing and My Graphics”, mentor Prof. Zvest Apollonio

 

Work experience

  • 1985-2016: self-employed in culture, Ministry of Culture, Ljubljana
  • 2012: assistant professor of graphics
  • 2016-2021: higher education lecturer, University of Ljubljana, Faculty of Education

Art works

  • Zora Stančič, Poljubi me / Kiss me: graphics on silk pyjamas by AZ Factory 2021, Paris, France, curator: Alber Albaz
  • Andrej Rozman Roza Baal (theatrical play based on Baal by Bertolt Brecht), directed by: TAUFER, Vito, dramaturgy: Dubravko Mihanović, music: Alexander – Schatzi Pešut, set design: Zora Stančič, costume design: Barbara Stupica, animation: Andrej Kamnik, cast: Ivan Godnič, Vasko Atanasovski Trio, Jure Ivanušič, Uroš Maček, Robert Prebil, Matej Recer, Ivan Rupnik, Dario Varga, Matija Vastl, Première: 20th 3rd 2019, Slovenian Youth Theatre, Ljubljana, performance at the 51st week of drama at the Prešeren Theater in Kranj, Performance at the opening of the 34th Galella Evenings in Zagreb, Croatia
  • Nočno življenje (Nightlife), 2016, directed by: Damjan Kozole, costume design: Zora Stančič, cast: Pia Zemljič, Jernej Šugman, Marko Mandič, Peter Musevski, screenplay: Damjan Kozole, Ognjen Sviličić, photography: Miladin Čolaković, scenography: Dušan Milavec, Neža Zinajić, production Vertigo (SI), financial support Slovenian Film Centre, technical data DCP, in colour, 85 min, image format: 1: 2.35, sound 5.1. The film premièred at the category A Karlovy Vary Festival, where it received the Crystal Globe for Best Director, and has been invited to numerous festivals at home and abroad: Portorož, Motovun, Zadar, Sarajevo, Montpelier, Arras, Vienna, Trieste, Vienna, Sofiaetc. awards: Award for Best Director, Zadar, FSF Award Portorož, Award for Best Actress, FSF, Portorož, Nebojša Djukelić Award, Fest, Belgrade.
  • Zora Stančič, Nič posebnega / Nothing Special, Metropolitan Museum, New York, USA, purchase of books by Slovenian contemporary artists: POGAČAR, Tadej, VARL, Petra, HABICHT, Dejan, LAŽETIĆ, Tanja, January 2016 Note: text at the MMC event entitled The Metropolitan Museum bought books by Slovenian artists, 2 January
  • Zora Stančič, Brez naslova (No title), Hommage au metier de la gravure, Kunstlerhaus Klagenfurt, Austria, authors of the exhibition: Petar Waldegg and Prof. Dr. Philipp Maurer, group exhibition of graphic works, authors: Antoni Tapies, Emilio Vedova,, Pierre Soulages, Hans Hartung, Julije Knifer, FRELIH, Črtomir, BERNIK, Janez, JEMEC, Andrej, SPACAL, Lojze, 11 June 2015 – 14 August 2015. Catalogue of colour reproductions (32), 80 pages, 28 cm, published by Kunstverein Karnten, Klagenfurt
  • Zora Stančič, Angel, Shaving, 23rd International Graphic Biennial, Artists from the competition: invited, Jakopič Gallery, Ljubljana, Slovenia, 19 June 1999 – 30 September 09 1999
  • San Zanobi International Award
  • Zora Stančič, 12th Tallinn Print Triennial / Tallinn XII. graphics triennial, Tallinn, Estonia, group exhibition, 14 September 2001 – 21 October 2001. (Participation in the main exhibition on Mutating Image at Rotermann’s Salt Storage Arts Centre. Rotemannisoolalao arhitektuuri- ja kunstikeskus. International Triennial Award, Special Recognition.)
  • Zora Stančič, 5th International Biennial of Drawings and Graphics, Gyor, Hungary, honorary recognition of the international jury, group biennial exhibition.

 

Independent author and curatorial exhibitions

  • Zora Stančič, Marame (Headscarves), Eugen K. Brseč Gallery, Mošćenička Draga, Croatia, 12 July 2020 – 4 August 2020.
  • Zora Stančič, Zunaj kroga / Out of the loop / Fuori dal cerchio (spatial layout). Piran Coastal Galleries, Monfort Gallery, Portorož, 20 March 2020 – 10 May 2020 (Visibility of the exhibition in the media: www.rtvslo.si/4d/arhiv/174698177?s=mmc)
  • Zora Stančič, Eindrücke vom Rand. Objekte und Malerei /Impressions from the Edge. Objects and Paintings, solo exhibition by two authors with Boris Beja, BV Galerie, Klagenfurt, Austria, 3 October – 25 October 2017
  • Zora Stančič, Marama / Headscarf, History Museum of BiH, Sarajevo, Bosnia and Herzegovina, solo presentation in one of the three galleries of the museum, 9 March – 20 March 2017
  • Zora Stančič, Čije je moje tjelo (Whose is my body), MAP, Meeting Art Place, Brela, Croatia, solo presentation at the Centre for Visual Arts, 22 June 2013 – 21 July 2013
  • Zora Stančič, Kapelica v izložbi (Chapel on display), Kleine Kapelle im Schaufenster, Holasek Gallery, Graz, Austria, Art in Public Space, solo exhibition, 19 September 2009 to 30 September 2009
  • Zora Stančič, Best before / Uporabno do, Gallery MC, New York, USA, personal exhibition of two Slovenian authors with Elena Fajt, 1 December 2006 – 15 December 2006
  • Zora Stančič, curator Nives Marvin, Insieme / Together, Galleria A + A, Venice, Italy, with Huiqin Wang, 18 January 2006 – 7 February 2006
  • Zora Stančič, curator Philip Maurer, Die Kleine Galerie, Vienna, Austria, personal exhibition of two Slovenian creators with Jožef Muhovič, 22 April 2004 to 19 May 2004
  • Zora Stančič, curator Izeta Gradjević, Century / XX. Stoljeće / XX Century, Obala Art Centre Gallery at the Academy of Fine Arts, Sarajevo, Bosnia and Herzegovina, solo exhibition of graphics, 15 April 1998 to 4 May 1998

 

Group exhibitions

  • Zora Stančič, Imago Mundi, Luciano Benetton Collection. Join the Dots / Unire le distanze salone degli incanti, ex Pescheria Centrale, Trieste, Italy, 2018 participating artists: Gustav Gnamuš, Boris Beja, Zmago Lenardič, Aleksij Kobal, 29 May 2018 – 2 September 2018
  • Zora Stančič, curator of the exhibition Ladislav Sykora and Michal Lazorčik, Linoryt, Klatovy Gallery, Klenova, Czech Republic, group international (Czech Republic, Serbia, Poland, Netherlands, England, USA, Australia, etc.) exhibition of works created at the Linocut Symposium from 2001 to 2016, 26 March to 17 July 2016
  • Zora Stančič, curator of the exhibition Snežana Skoko, Što se dešava? / What Is Going On?, Museum of Applied Arts, Belgrade, Serbia, art meetings, group international exhibition, participating artists from Croatia, Poland, Serbia and Slovenia, exhibition organiser: Punkt za umetnički aseksperiment and MPU, 10 February 2016 – 20 February 2016
  • Zora Stančič, NY Art Book Fair, P.S.1 Contemporary Art Center, New York, USA, artist’s book fair, exhibition curator Tadej Pogačar, 18 September 2015 to 20 September 2015
  • Zora Stančič, curator for Slovenian artists: Huiqin Wang, The Seventh China Art Weekly Festival, International Art Exhibition, Nantong, China, 26 November 2014 – 3 December 2014
  • Zora Stančič, curator for Slovenian artists Breda Škrjanec, Napake (Errors), artist’s book, 7th International Triennial of Graphics Sofia, Bulgaria: Barbara Drev, Črtomir Frelih,, Matjaža Geder, Eva Lucija Kozak, Eva Žula, 10 November 2014 – 30 November 2014
  • Zora Stančič, Brez naslova (No title), 7th International Festival of Contemporary Arts AKTO / AKTO 7- Festival for Contemporary Arts, Bitola, Macedonia, 09 August 2012 – 12 August 2012
  • Zora Stančič, A tout prix (project in public space on a billboard), 27th International Graphic Biennial, Ljubljana, Slovenia, 06 September 2007 – 28 October 2007 (Accompanying exhibition in Gallery P74, Ljubljana, Slovenia, book Nothing special and exhibition of prints from the book by Z. Stančič from: 3 September 2007 – 20 September 2007)
  • Zora Stančič, 26th International Graphic Biennial, Ljubljana, Slovenia Accompanying exhibitions Sunek, group exhibition, graphics, 23 June 2005 – 2 October 2005
  • Prva linija (First line) – avant-garde and alternative prints in Slovenia from conceptualism to date
  • The most beautiful graphics – Slovenian graphics of the last fifty years
  • Zora Stančič, Printmakers from Slovenia, CCa Galleries, West St., Farnham, Great Britain, group exhibition, graphics (Transfer from Cambridge, Oxford and Bath, all CCA Galleries, 1993, transfer to CCA Galleries, London, Great Britain – 11 February 1994 – 26 March 1994)
  • Zora Stančič, Brez naslova (No title), 20th International Biennial of Graphic Art, Ljubljana, Slovenia, group exhibition, graphics, 25 June 1993 – 30 September 1993

 

Collections

  • Zora Stančič, Nič posebnega / Nothing special, (artist’s book), 2008, Metropolitan Museum of Art, New York, USA
  • Zora Stančič, Untitled, 2000, Museum of New Zealand Te Papa Tongarewa, Auckland, New Zealand
  • Zora Stančič, Album, 1995, Revija, 2000, International Centre of Graphic Arts, Ljubljana, Slovenia
  • Zora Stančič, Avtocenzura (Self-censorship), 1997, Museum of Contemporary Art, Ljubljana, Slovenia
  • Zora Stančič, Brez naslova (No title), 1994, Albertina, Vienna, Austria
  • Zora Stančič, The World is Watching You, Farewell, 1995, The Jane Voorhees Zimmerli Art Museum, New Brunswick, New Jersey, USA
  • Zora Stančič, Brez naslova (No title), 1993, Fonds National D’art Contemporain, Paris, France

 

Mentoring

  • Mentoring in student art assignments: 3
  • Completed diplomas (1st level): 16
  • Completed master’s degrees (2nd level): 10
  • Doctorates (3rd level):
  • Prešeren Awards (faculty): 1

 

Awards and recognitions

  • Recognition, May Salon, Ljubljana, Slovenia, 2018
  • Župančič Award, Ljubljana, Slovenia, 2016
  • Recognition of important works of art in the field of graphics, University of Ljubljana (Academy of Fine Arts and Design), 2011
  • Honorary Award, 5th International Biennial of Graphics and Drawing, Gyor, Hungary, 1999
  • Honorary Diploma, 12th Graphic Triennial, Tallinn, Estonia, 1999
  • San Zanobi Award, 23rd International Graphic Biennial, Ljubljana, Slovenia, 1999
  • Grand Prix, Biennial of Slovenian Graphics, Otočec, Slovenia, 1996:
  • Novo mesto Award, Biennial of Slovenian Printmaking, Otočec, Slovenia, 1992

 

Projects

  • 28 June – 16 July 2017 Zora STANČIČ, (editor), ZLOKARNIK, Mojca (editor). Avanti grafika! = Avanti graphic! DLUL Gallery, organisation and catalogue of the exhibition with Slovenian participation
  • 15 June – 07/07/2019 Zora STANČIČ, (editor), ZLOKARNIK, Mojca (editor). Avanti graphics! drugič = Avanti graphic! 2 # in DLUL Gallery, organisation, catalogue and curation of an international exhibition
  • 7 July – 7 August 2021 Zora Stančič, (editor), Mojca Zlokarnik (editor). Avanti grafika! Tretjič=Avanti graphic! 3# in DLUL Gallery, organisation, catalogue and curation of an international exhibition

 

Significant achievements

  • Zora Stančič, Zora Was Here, (Ljubljana in person, alternative guide, book no. 9). Ljubljana: Revija Likovne besede, Zveza društev slovenskih likovnih umetnikov: = Artwords Magazine, Association of the Slovenian Fine Artists Societies, 2015. 127 pp., Illustr., 16 cm
  • Župančič Award 2016
  • Zora Stančič, Oblike (Shapes), public work in MGLC – café, equipment, screen printing on walls, co-authors: Nena Gabrovec, Kaja Lipnik, Arne Vehovar, MGLC – café biennial, Ljubljana, Slovenia, 2015. (18 November 2015, Bavčar, Julijana: Spregovori tisto, kar manjka (The missing things talk). Café biennial [MGLC] Delo in dom 18 November 2015, cf.: year 23, no. 37, p. 26 – 27, ill. Delo in dom – addition to Slovenske novice magazine, Journal of Culture, Župančič Award 2016)
  • Zora Stancic, Petra Varl, Zadnjih dvajset let / The Past Twenty Years, MGLC, Ljubljana, Slovenia, personal retrospective exhibition of two authors (An extensive catalogue with numerous texts and reproductions of works was published at the exhibition, 01 July 2008 – 31 August 2008)
  • Zora Stančič, Revija, knjiga umetnika (Magazine, artist’s book), 2000, published by MGLC, Ljubljana, Slovenia From 28 December 2000 to 20 February 2001, solo exhibition and presentation of the artist’s book Revija, Equrna Gallery, Ljubljana, Slovenia (49 graphics 2000, inkjet print / canvas, screen printing / paper, linocut / wallpaper, screen printing / paper or plastic, solo exhibition.)
  • Zora Stančič, Album, knjiga umetnika (Album, the book of an artist), 1995, published by MGLC, Ljubljana, Slovenia, [texts Milan Kleč… [et al.]; translation by Mark Valentin; photo Jane Štraus, Blaž Zupančič], book, Slovenian, English. Ljubljana: International Centre of Graphic Arts, 1995, Ljubljana, 119 p. : ill. ; 24 cm. Slov. and Eng. text Translation, 1,000 copies. Stančič, Zora (1956- – Albumi)

 

Membership in professional associations and commissions

  • Member of the Slovenian Association of Fine Arts Societies – DLUL (since 1985)
  • Member of the Ljubljana Association of Fine Arts Societies (since 1985)
  • Member of the DLUL Art Council
  • Member of S.K.O.M. (Association of Slovenian film set designers, costume designers, and mask designers)
  • Representative of PEF LJ in the expert council of Pionirski dom (since 2016)
  • Member of the expert commission for the program of galleries of the City of Ljubljana (from 2008-2017)

 

Membership in expert juries

  • Member of the jury for the Orion Awards for Achievement and the Butnskala Award for Originality, 2021
  • Member of the Ivana Kobilca DLUL Professional Awards Committee, 2019
  • Member of the commission for student Prešeren Awards at UL, 2018
  • Chairman of the Ivana Kobilca DLUL Professional Awards Committee, 2018
  • Member of the Likfest jury, Pionirski dom, Ljubljana, 2015, 2016, 2017, 2018, 2019
  • Member of the Graphic Spring jury, International Exhibition of Student Graphics, Exhibition Centre Vetrinjski dvorec, Maribor, 2015
  • Member of the expert jury of the Biennial of Children’s Graphics, Žalec, Slovenia, 2015
  • Member of the Sarajevo Film Festival Jury for the EFA (European Film Academy) Award, Sarajevo, Bosnia and Herzegovina, 2014
  • Honorary President of the Biennial of Children’s Graphics, Žalec, Slovenia, 2013

 

Lectures, guest appearances at domestic and foreign universities and other cultural institutions

  • Participation in the Academy of Fine Arts, University of Sarajevo, Department of Graphics (1 March 2021 – 1 June 2021)
  • Erasmus+ tour at the Academy of Fine Arts, University of Sarajevo, Department of Graphics (24 June 2021 – 29 June 2021)
  • Nema proza, workshop with students at the Blenkuš seminar at the Faculty of Architecture, University of Ljubljana, 2017/2018, (at the invitation of Prof. Dr. Matej Blenkuš), which ended with an exhibition: https://www.zag.si/si/novice/vabilo-na-razstavo-nema-proza
  • Lecture and workshop on the topic of the artist’s book, 2016, Academy of Applied Arts, Department of Graphics, University of Rijeka, Croatia (at the invitation of Prof. Maja Franković)
  • Teaching the subject Graphics and Printed Art for the master’s degree in Fine Arts at the Faculty of Education, University of Maribor, 2014/15 and 2015/16
  • Lecture on Graphic Technique at the Faculty of Architecture, University of Ljubljana, (8 April 2014 seminar in the subject Presentation Techniques, Prof. Jure Sadar), 2014
  • Lecture Printmaking at the University of Haifa, Israel, MA Program for Culture and Film Studies, (14 May 2013 at the invitation of Dr. Yvonne Kozlovsky Golan), 2013
  • Lecture Knjiga umetnika (Book of the Artist) at the Faculty of Education, University of Ljubljana (19 March 2013, at the invitation of Prof. Črtomir Frelih, M.Sc.), 2013
  • Lecture Knjiga umetnika (Book of the Artist) at the National Library of Serbia in Belgrade, Serbia (11 January 2013, at the invitation of the curator of the exhibition Book Art Object 2, Nena Skoko), 2013
  • Lecture Knjiga umetnika (Book of the Artist), at the Biotechnical Faculty, Department of Landscape Architecture, University of Ljubljana, (14 November 2012 at the invitation of Prof. Dr. Ana Kučan), 2012
  • Lecture and workshop for all departments at the Academy of Fine Arts in Sarajevo, Bosnia and Herzegovina (19 December and 20 December 2012, at the invitation of Prof. Dr. Amela Hadžimejlić) http://www.alu.unsa.ba/en/content/radionica-sa-zorom-stancic-knjiga-umjetnika