{"id":8369,"date":"2022-01-26T15:17:32","date_gmt":"2022-01-26T14:17:32","guid":{"rendered":"https:\/\/razvoj.aluo.uni-lj.si\/sodelavke-sodelavci\/ksenija-cerce\/"},"modified":"2025-06-06T09:54:36","modified_gmt":"2025-06-06T07:54:36","slug":"ksenija-cerce","status":"publish","type":"sodelavke-sodelavci","link":"https:\/\/www.aluo.uni-lj.si\/en\/sodelavke-sodelavci\/ksenija-cerce\/","title":{"rendered":"\u010cer\u010de Ksenija"},"content":{"rendered":"

Ksenija \u010cer\u010de<\/strong> (1969) graduated (1999) and received her master\u2019s degree (2002) in painting at the Academy of Fine Arts and Design in Ljubljana. Prior to that, between 1988 and 1996, she completed her studies at FNT TT Clothing and Textile Design. In 2003, she received the Fulbright Scholarship for advanced study in the United States where she received a master\u2019s degree in video and sound art (from Liz Phillips) at Purchase College State University of New York. She was an active member of Circulation 2 between 2007 and 2011. She creates in painting as well as in sound and video art, where her work focuses on researching elementary topics: the phenomenology of materiality, experiencing the relationship between visual and auditory perception and especially the multifaceted interdependence of the media in which they arise.<\/p>\n

She has recently worked as a project leader for the Goethe Institute (2018) and as a visiting researcher at Humboldt University in Berlin (2019). She is employed at the Academy of Fine Arts and Design of the University of Ljubljana as an associate professor in the field of painting.<\/p>\n

She is the recipient of several awards, including the Rihard Jakopi\u010d Award for the exhibition\u00a0The voice of the image <\/em>in the Equrna Gallery (2018), the Fulbright Scholarship (2003), the working scholarship of the Ministry of Culture of the Republic of Slovenia (2006 and 2002) and the Golden Bird Award with Circulation 2 (2010).<\/p>\n

 <\/p>\n

Education<\/strong><\/p>\n

2006\u00a0\u00a0 MFA, Purchase College, State University of New York, New York USA<\/p>\n

2002\u00a0\u00a0 Master of Arts, Academy of Fine Arts, University of Ljubljana<\/p>\n

2000\u00a0\u00a0 Diploma – graduate engineer of clothing and textile design, UL FNT TT\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Design of clothing and textiles<\/p>\n

1999\u00a0\u00a0 Diploma – Academic Painting, Academy of Fine Arts, University of Ljubljana<\/p>\n

 <\/p>\n

Academic titles<\/strong>\u00a0<\/strong><\/p>\n

2006\u00a0\u00a0 Associate Professor, Academy of Fine Arts and Design, University<\/p>\n

of Ljubljana<\/p>\n

2011\u00a0\u00a0 Assistant Professor, Academy of Fine Arts and Design, University of Ljubljana<\/p>\n

Recognition of important works of art, Academy of Fine Arts and<\/p>\n

Design, University of Ljubljana<\/p>\n

\u00a0<\/strong><\/p>\n

Awards and scholarships (selection)<\/strong><\/p>\n

2019\u00a0\u00a0 Visiting researcher at Humboldt University in Berlin<\/p>\n

2018\u00a0\u00a0 Jakopi\u010d Award<\/p>\n

Project leader with the Goethe Institute<\/p>\n

2010\u00a0\u00a0 Golden Bird (with Circulation 2)<\/p>\n

2006\u00a0\u00a0 Scholarship of the Ministry of Culture of the Republic of Slovenia<\/p>\n

2003\u00a0\u00a0 Fulbright Scholarship<\/p>\n

1999\u20132002\u00a0\u00a0 Scholarship of the Ministry of Culture of the Republic of Slovenia<\/p>\n

1997\u00a0\u00a0 Award for scenography and costume design, Festival of European Theatre<\/p>\n

Academies, Brno<\/p>\n

 <\/p>\n

REFERENCES <\/strong><\/p>\n

Solo exhibitions (selection)<\/strong><\/p>\n

2021\u00a0\u00a0 Kdo se boji roza barve? (Who is afraid of pink?),<\/em> UGM studio, Maribor Art Gallery<\/p>\n

2019\u00a0\u00a0 Vneto (inflammable), <\/em>Multimedia Centre KIBLA- Kibela, Maribor<\/p>\n

2018\u00a0\u00a0 Glas slike (The voice of the image),<\/em> Equrna Gallery, Ljubljana<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>NE (NO)<\/em>, SCCA Project Room, Ljubljana<\/p>\n

2015\u00a0\u00a0 Barva prepovedanega (The colour of the forbidden)<\/em>, Equrna Gallery, Ljubljana<\/p>\n

2011\u00a0\u00a0 Dialog (dialogue) \u010cer\u010de \/ Vuceti\u0107. rec # 21, sound video ambience, Art Gallery<\/p>\n

Maribor, Court Tower, Maribor<\/p>\n

2010\u00a0\u00a0 EHO (ECHO), 8 channel sound ambience, Maribor Art Gallery, Hladilnica,<\/p>\n

Maribor<\/p>\n

2009\u00a0\u00a0 Ephemera, interactive 16-channel ambient ambience, Kunsthaus Graz –<\/p>\n

MKL, Graz<\/p>\n

Ni\u010d ni slika (Nothing is a picture), Equrna Gallery, Ljubljana<\/p>\n

Dialog (Dialogue) Vu\u010deti\u0107 \/ \u010cer\u010de, Liquid, 8 channel audio video ambience, Cultural Centre<\/p>\n

Belgrade, Belgrade<\/p>\n

\u0160e ni brez naslova (Not without a title yet), City Gallery Nova Gorica<\/p>\n

2008\u00a0\u00a0 Sonic, audio video ambience, Kibla Multimedia Centre, Maribor Synagogue<\/p>\n

2007\u00a0\u00a0 Eter (Ether), audio video ambience, Ljubljana Festival, Ljubljana Castle – Kazemate<\/p>\n

2006\u00a0\u00a0 Sli\u0161ane slike (Heard Pictures), Equrna Gallery, Ljubljana<\/p>\n

 <\/p>\n

Group exhibitions (selection)<\/strong><\/p>\n

2022\u00a0\u00a0 Vra\u010denje pogleda (Returning the look)<\/em>, Cukrarna, Ljubljana<\/p>\n

2020\u00a0\u00a0 Nezasli\u0161an svet, ki ga imam v glavi, Metamodernizem in metaromantika v<\/em><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>slovenskem slikarstvu (The Outrageous World I Have In My Head, Metamodernism And Metaromanticism in Slovenian painting),<\/em> Monfort, Portoro\u017e<\/p>\n

2019\u00a0\u00a0 Nezasli\u0161an svet, ki ga imam v glavi, Metamodernizem in metaromantika v <\/em><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>slovenskem slikarstvu (The Outrageous World I Have In My Head, Metamodernism And Metaromanticism in Slovenian painting)<\/em><\/p>\n

Slovenia<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u010cas brez nedol\u017enosti (Time without innocence)<\/em>, Modern Gallery, Ljubljana<\/p>\n

2017\u00a0\u00a0 Arbitrarnost v besedi in v vsakdanu (Arbitrariness in word and in everyday life), Paul’s House, Bad Radkersburg, Austria<\/em><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 MIG 21 migration interdisciplinary movement 21<\/em>, Museum of Contemporary Art<\/p>\n

Vojvodina, Novi Sad<\/p>\n

2016\u00a0\u00a0 MIG 21 migration interdisciplinary movement 21,<\/em> Kibla Portal, Maribor<\/p>\n

2014\u00a0\u00a0\u00a0 Sodobno slovensko slikarstvo- Prve generacije po letu ni\u010d;<\/em> od Joni Zakonj\u0161ek<\/em><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 do Suzane Brborovi\u010d<\/em> (Contemporary Slovenian painting – First generation after the year zero)<\/em>; from Joni Zakonj\u0161ek to Suzana Brborovi\u010d), Cankarjev dom Gallery, Ljubljana<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sodobno slovensko slikarstvo- Prve generacije po letu ni\u010d;<\/em> od Joni Zakonj\u0161ek<\/em><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 do Suzane Brborovi\u010d (Contemporary Slovenian painting – First generation after the year zero); from Joni Zakonj\u0161ek to Suzana Brborovi\u010d)<\/em>, Coastal galleries, Piran<\/p>\n

60! Panorama,<\/em> Maribor Art Gallery, Maribor<\/p>\n

2013\u00a0\u00a0\u00a0 Gallery Weekend<\/em>, Iberart Gallery, Berlin<\/p>\n

Skoraj pomlad (Almost Spring)<\/em>, Maribor Art Gallery + Slavija N \u00b0 11, Maribor<\/p>\n

2011\u00a0\u00a0\u00a0\u00a0 Preview – The Emerging Art Fair, Tempelhof, Berlin<\/p>\n

Sodobna umetnost iz Slovenije (Contemporary art from Slovenia), European Central Bank, Frankfurt am Main<\/p>\n

2010\u00a0\u00a0\u00a0\u00a0 Ho\u010demo biti svobodni, kot so bili o\u010detje (We want to be free as were the fathers, MGLC, Ljubljana<\/p>\n

Renaissance Nostra, Private View, Jarmuschek + Partner, Berlin<\/p>\n

2009\u00a0\u00a0\u00a0 Arzenal depo (Arsenal depot) \/ 2K9. Sodobna raziskovalna umetnost 80 let po Delaku (Contemporary research art 80 years after Delak), Film studio<\/p>\n

Viba film, Ljubljana<\/p>\n

Prototype 11, Netart Community Convention, Kunsthaus Graz – MKL<\/p>\n

28th Graphic Biennial. Matrica: nestabilna realnost (Matrix: unstable reality), Ganes Pratt Gallery, Ljubljana<\/p>\n

Lic\u00f4f \u2013 sodobna umetnost na severnem Jadranu (Lic\u00f4f – contemporary art in the northern Adriatic), Palinsesti 2009, San Vito al<\/p>\n

Tagliamento<\/p>\n

Poletje, predlogi za stalno zbirko (Summer, proposals for a permanent collection), Maribor Art Gallery<\/p>\n

2008\u00a0\u00a0\u00a0 Sodobna slovenska umetnost (Contemporary Slovenian art), works of art from the Faktor banka collection, Museum of Art<\/p>\n

Harkov<\/p>\n

Poetika (Poetics), Carinthian Gallery of Fine Arts, Slovenj Gradec<\/p>\n

2007\u00a0\u00a0\u00a0 LabSUs, City Gallery, Labin<\/p>\n

2005\u00a0\u00a0\u00a0 From the Perception Lab: Sound Show, Pelham Art Center, New York<\/p>\n

Slovenska umetnost 1995-2005; teritoriji identitete mre\u017ee (Slovenian Art 1995\u20132005; territory, of identity, of network), Modern Gallery,<\/p>\n

Ljubljana<\/p>\n

Prva linija (First line) – avant-garde and alternative prints in Slovenia from conceptualism to date<\/p>\n

accompanying exhibition of the 26th Biennial of Graphic Arts, MGLC, Ljubljana<\/p>\n

 <\/p>\n

Publications (selection)<\/strong><\/p>\n

Ksenija \u010cer\u010de, THE ERECTION OF LANGUAGE, About the Voice and the Inflamed Touch, Artwords 002, Winter 2019, pp. 6-12<\/p>\n

Ksenija \u010cer\u010de, EREKCIJA JEZIKA, o glasu in vnetem dotiku (THE ERECTION OF LANGUAGE, About the Voice and the Inflamed Touch, Likovne besede, no. 112 zima 2019, pp. 70-75<\/p>\n

Ksenija C\u030cerc\u030ce: LIKOVNA AFIRMACIJA PROSOJNOSTI, Smernice slikanja v akvarelni obliki (ART AFFIRMATION OF TRANSPARENCY, Guidelines for painting in watercolour technique), <\/em>University textbook issued by: Research Institute of the Academy of Fine Arts and Design, University of Ljubljana, publishing house: Academy of Fine Arts and Design, Ljubljana 2016, ISBN 978-961-93514-8-2<\/p>\n

Ksenija \u010cer\u010de: \u010cas v sliki in kodiranje transformacij (Image time and transformation coding)<\/em>, Likovne besede, no. 94 winter 2011, pp. 32-39<\/p>\n

Ksenija \u010cer\u010de, Hortus Conclusus<\/em>, Likovne besede, no. 61\/62 winter 2002, pp. 93-97<\/p>\n

Ksenija \u010cer\u010de, Hortus Conclusus,<\/em> in: House Chaos, The Woman and the Destroyed Home Discourse Re-Build, 359\u00b0- Network for Local and Subaltern Hermeneutics, Skopje, 2003, pp. 96-108<\/p>\n

 <\/p>\n

Media releases \/ archives (selection)<\/strong><\/p>\n

– Amir Muratovich, Zapeljevanje pogleda (Seduction of the view): Gustav Gnamu\u0161\/ Ksenija \u010cer\u010de<\/em>,<\/p>\n

https:\/\/4d.rtvslo.si\/arhiv\/zapeljevanje-pogleda\/174590741<\/a>, RTV SLO, 31 July 2019<\/p>\n

– Osmi dan, Ksenija \u010cer\u010de in Equrna<\/em> :https:\/\/4d.rtvslo.si\/arhiv\/radio-ga-ga-video\/174335921<\/a>, RTV SLO, 14 May 2015<\/p>\n

– Aleksandra Sa\u0161ka Gruden: Na\u0161i umetniki pred mikrofonom<\/em> (Our artists in front of a microphone<\/em>),\u00a0 https:\/\/4d.rtvslo.si\/arhiv\/nasi-umetniki-pred-mikrofonom\/174818045<\/a>, RTV SLO – ARS , 30 October 2021<\/u><\/p>\n

– \u010cas brez nedol\u017enosti (Time without innocence)<\/em>, conversation with Nika Zupan\u010di\u010d), http:\/\/mrezni-muzej.mg-lj.si\/si\/mreznimuzej\/3\/22\/?artworkid=1186<\/a> , Modern Gallery, 26 March 2019<\/p>\n

– Sa\u0161a \u0160avel, Platforma (Platform): Dotik je nevaren (Touch is dangerous): Umetnice neko\u010d in danes (Artists then and today)<\/em><\/p>\n

https:\/\/4d.rtvslo.si\/arhiv\/platforma\/174672510<\/a>, RTV SLO; 13 July 2020<\/p>\n

– Andreja Ko\u010dar: Platforma (Platform): Dialog s sliko- sodobne slovenske slikarke (Dialogue with painting – contemporary Slovenian painters),<\/em> https:\/\/4d.rtvslo.si\/arhiv\/platforma\/174434757<\/a>, RTV SLO, 31 October 2016<\/p>\n

– Aleksandra Sa\u0161ka Gruden: VIEWS AND CONSIDERATIONS: Pomen subkultur v dru\u017ebi in kulturi (The importance of subcultures in society and culture) https:\/\/ars.rtvslo.si\/2021\/01\/razgledi-in-razmisleki-287\/<\/a>, RTV SLO, 4 February 2021<\/p>\n

 <\/p>\n

International projects for ALUO (selection)<\/strong><\/p>\n

2019-21 NO PROMISES<\/em>, Mail Art project with Burg Giebichenstein Kunsthochschule Halle (Burg Halle)<\/p>\n

2019 CONTREFAIT: PLAYFUL ACCESS TO PORTRAITURE<\/em>, workshop in collaboration with High school for graphics and book art Leipzig<\/p>\n

2018 UNFOLDING MEMORY<\/em>, art book workshop, partners: Goethe Institute, MGLC International Centre of Graphics Ljubljana, ALUO, NUK – National and University Library<\/p>\n

2018 PROFESSORS\u2019 VISIT FROM ALUO TO GERMAN ART EDUCATION INSTITUTIONS <\/em>WITH GOETHE INSTITUT<\/em>, (UDK Berlin, HGB Leipzig, Burg Giebichenstein Kunsthochschule Halle\u00a0(Burg Halle), KH Berlin Weissensee)<\/em><\/p>\n

2018 TEXTURE- BETWEEN MIMESIS AND ABSTRACTION, <\/em>workshop<\/p>\n

2017 DAAD PROMOTION, promotion of scholarships for ALUO students and professors<\/em><\/p>\n

2013 PREVIEW ART FAIR BERLIN<\/em>, promotion of ALUO students at the Berlin Art Fair\u00a0<\/em><\/p>\n

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