{"id":11694,"date":"2022-03-02T09:32:25","date_gmt":"2022-03-02T08:32:25","guid":{"rendered":"https:\/\/www.aluo.uni-lj.si\/sodelavke-sodelavci\/berlot-pompe-ursula\/"},"modified":"2022-09-07T12:08:52","modified_gmt":"2022-09-07T10:08:52","slug":"berlot-pompe-ursula","status":"publish","type":"sodelavke-sodelavci","link":"https:\/\/www.aluo.uni-lj.si\/en\/sodelavke-sodelavci\/berlot-pompe-ursula\/","title":{"rendered":"Berlot Pompe Ur\u0161ula"},"content":{"rendered":"<p><strong>Education:<\/strong><\/p>\n<p>2010: Doctorate, Academy of Fine Arts and Design, University of Ljubljana<\/p>\n<p>2002: Master of Arts, Academy of Fine Arts, University of Ljubljana<\/p>\n<p>2000: DNSAP \u2013 diploma \u00c9cole Nationale Sup\u00e9rieure des Beaux-Arts, Paris<\/p>\n<p>1998: Diploma &#8211; academic painter, Academy of Fine Arts, University of Ljubljana<\/p>\n<p>1992 \u2013 1994: study of philosophy, Faculty of Arts, University of Ljubljana<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Work experiences:<\/strong><\/p>\n<p>2009 \u2013 present: teaches at the Department of Theoretical Sciences UL ALUO<\/p>\n<p>2006 \u2013 2010: Lecturer at the College of Design, Ljubljana<\/p>\n<p>2003 \u2013 2006: Lecturer at the Callegari Institute, Italian School of Design, Ljubljana<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>Memberships and collaborations:<\/strong><\/p>\n<p>2012\u2013: member of the editorial board of the <em>Journal for the Critique of Science, Imagination, and the New Anthropology<\/em><\/p>\n<p>2016\u2013: member of the editorial board of the journal <em>Art Words<\/em><\/p>\n<p>2010\u2013: member of the Society for Aesthetics in Ljubljana<\/p>\n<p>1999\u2013: member of the Slovenian Association of Fine Arts Societies (ZDSLU)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Awards and recognitions:<\/strong><\/p>\n<p>2021: Recognition of Rihard Jakopi\u010d, ZDSLU, Ljubljana<\/p>\n<p>2020: International Award &#8216;Featured Artist&#8217;, ADA &#8211; Archive of Digital Arts, Austria<\/p>\n<p>2006: Award &#8211; Schering Stiftung, residency at Kunstlerhaus Bethanien 2007, Berlin<\/p>\n<p>2005: Pollock-Krasner Foundation Award, New York<\/p>\n<p>2004: Henkel Art Award, KulturKontakt Austria, Vienna<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Exhibitions: <\/strong><\/p>\n<p>In her artwork, Ur\u0161ula Berlot Pompe deals with the intersections of art, science and philosophy. She explores relationships between the real and the virtual, between direct and technologically mediated perceptual experiences of reality, often using technologically advanced optical research tools (radiology, microscopy). In experimental and research-oriented artistic practice, she intertwines various media and genres, and explores the forms of mental spaces in video works, light-kinetic installations or drawings, the question of simulated nature and the relationship between mind, body and technological media.<\/p>\n<p>International exhibitions include exhibitions at museums such as Today Art Museum in Beijing, Kunstlerhaus Bethanien in Berlin, BA-CA Kunstforum Tresor in Vienna, Living Art Museum in Reykjavik, Haus der Kulturen der Welt in Berlin. She has also exhibited in national exhibitions such as Moderna galerija, UGM Maribor, Centre of Contemporary Arts Celje, Lo\u017ea Gallery, Nova Gorica City Gallery, Koro\u0161ka Gallery of Fine Arts, Equrna Gallery, \u0160kuc Gallery).<\/p>\n<p>&nbsp;<\/p>\n<p><u>Selection of international exhibitions:<\/u><\/p>\n<p>2021 \u2018Triennial of Central European Culture and Art: The Universal &#8216;, Olomouc Museum of Art, Olomouc, Czech Republic (next)<\/p>\n<p>2019 \u2018Endemic vs. Global\u2019, C3 Science Complexity Centre, National Autonomous University of Mexico, Mexico<\/p>\n<p>2018 \u2018Extra\/Ordinary\u2019 Plug-in New Media Art \u2013 Contemporary Istanbul, IKM Istanbul Congress Centre, Istanbul<\/p>\n<p>2016 \u2018Flat and Distant \u2013 China and Slovenia Contemporary Art\u2019, Today Art Museum, Beijing<\/p>\n<p>2013 &#8216;Museo Illuminato&#8217;, Museo Revoltella, Trieste, Italy<\/p>\n<p>2012 \u2018Scatole sonore\/Sound Boxes, Palinsesti 2012\u2019, Palazzo Altan, San Vito al Tagliamento,<\/p>\n<p>Italy<\/p>\n<p>2009 \u2018Biennale Quadrilaterale 3: Media Art &#8211; Angles and Intersections&#8217;, Museum of Modern and<\/p>\n<p>Contemporary Art, Rijeka, Croatia<\/p>\n<p>2009 &#8216;SCI-ART&#8217;, Enrico Astuni Gallery, Bologna, Italy<\/p>\n<p>2008 &#8216;Glow: Forum of Light in Art and Architecture &#8216;, Eindhoven, The Netherlands<\/p>\n<p>2008 \u2018Transmediale 08: Conspire &#8216;, Haus der Kulturen der Welt, Berlin, Germany<\/p>\n<p>2007 &#8216;Pulse \/ Intersections&#8217;, Kunstlerhaus Bethanien, Berlin, Germany (solo)<\/p>\n<p>2006 \u2018Art\u2019Fab: L\u2019art\/ la femme\/ L\u2019Europe\u2019, La Citadelle, Saint-Tropez, France<\/p>\n<p>2006 &#8216;Our House is the House That Moves&#8217;, Living Art Museum, Reykjavik, Iceland<\/p>\n<p>2001 &#8216;Sakaide Art Grand Prix 2001&#8217;, Sakaide Civic Art Museum, Sakaide, Japan<\/p>\n<p>&nbsp;<\/p>\n<p><u>Selection of national exhibitions:<\/u><\/p>\n<p>2020 &#8216;Bodyfraction&#8217;, City Gallery Nova Gorica (solo)<\/p>\n<p>2019 &#8216;New Window. Duplicate Extension\u2019 by Urs Bold, Equrna Gallery, Ljubljana (duo)<\/p>\n<p>2019 &#8216;SELFIE \/ sh \/ me &#8211; self-portraits&#8217;, Piran City Gallery<\/p>\n<p>2017 &#8216;Polymorphic Imprint&#8217;, UGM studio, Maribor (solo)<\/p>\n<p>2017 &#8216;Epilogue &#8211; Space, Body and Media in Transition&#8217;, Dvorec Novo Celje near \u017dalec<\/p>\n<p>2016 &#8216;The Earth is Flat &#8211; Contemporary Slovenian and Chinese Art&#8217;, Art Gallery<\/p>\n<p>Maribor (UGM), Maribor<\/p>\n<p>2015 &#8216;Pixxelpoint 2015: Subject &#8211; 16th International Festival of Media Arts&#8217;, City Gallery Nova Gorica<\/p>\n<p>2014\u00a0\u2018La magia dell\u2019arte; I protagonisti dell\u2019arte Slovena contemporanea 1968 \u2013 2013\u2019, Villa<\/p>\n<p>Manin, Passariano di Codroipo<\/p>\n<p>2012 &#8216;Almost Spring &#8211; 100 Years of Slovenian Art&#8217;, UGM, Maribor<\/p>\n<p>2012 &#8216;Vanitas&#8217;, Equrna Gallery, Ljubljana, Slovenia (solo)<\/p>\n<p>2012 &#8216;Bodyscope&#8217;, Kibla &#8211; multimedia centre, Maribor (solo)<\/p>\n<p>2011 &#8216;Contemporary Art from Slovenia&#8217;, European Central Bank, Frankfurt am Main<\/p>\n<p>2010 &#8216;Drawing in Slovenia II. 1940 &#8211; 2009 &#8216;, Museum of Contemporary Art, Zagreb<\/p>\n<p>2008 &#8216;Transience&#8217;, Bo\u017eidar Jakac Gallery, Kostanjevica na Krki (solo)<\/p>\n<p>2008 &#8216;Poetics&#8217;, Carinthian Gallery Slovenj Gradec<\/p>\n<p>2005 &#8216;Slovenian Art 1995-2005: Territories, Identities, Networks&#8217;, Modern Gallery,<\/p>\n<p>Ljubljana<\/p>\n<p>2005 &#8216;Towards Zero Gravity&#8217;, Modern Gallery, Ljubljana, Slovenia. http: \/\/zerogravity.mg-<\/p>\n<p>lj.si\/eng\/svetloba\/berlot.htm<\/p>\n<p>2002 &#8216;Reflection&#8217;, Small Gallery &#8211; Modern Gallery, Ljubljana (solo)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>References<\/strong>:<\/p>\n<p>She is the author of a monograph on Duchamp and also articles on the field of art theory which thematically address issues of perception and representation of space in fine arts, technology and neuroaesthetics, and concepts of traditional aesthetics such as representation, simulation and mimesis.<\/p>\n<p><u>Selection:<\/u><\/p>\n<ul>\n<li>Berlot Pompe, Ur\u0161ula. <em>Complexity and Technological Biomorphism in Contemporary Abstract Painting<\/em>. Proceedings for Toma\u017e Brejec: Special edition of the Proceedings of Art History, Ljubljana: Slovenian Art History Society, 2020<\/li>\n<li>Berlot Pompe, Ur\u0161ula. <em>Pictorial Abstractions: Visualising Space in the Eras of Modernism and Information<\/em>, AR \/ Architecture Research I \/ 2018 \u201cCorrespondences\u201d. Ljubljana: Faculty of Architecture, University of Ljubljana, 2018<\/li>\n<li>Berlot Pompe, Ur\u0161ula. <em>Space and the Spectator: Embodied Perception in the Art of Installation<\/em>. Journal of Critique of Science, Imagination and New Anthropology XLVI \/ 274: 27-54. Ljubljana: Institute Journal of the Critique of Science, 2018<\/li>\n<li>Berlot Pompe, Ur\u0161ula. <em>Intuition in Contemporary Art<\/em>. Art Words, 106. Ljubljana: ZDSLU, 2017<\/li>\n<li>Berlot Pompe, Ur\u0161ula. <em>Neuroart, Neuroaesthetics and the Question of Consciousness<\/em>. \u010cKZ, XLIV \/ 265. Ljubljana: Institute Journal of the Critique of Science, 2016<\/li>\n<li>Berlot Pompe, Ur\u0161ula. <em>Minimal Difference and Modern Mimesis<\/em>. Art Words, 103. Ljubljana: ZDSLU, 2016<\/li>\n<li>Berlot Pompe, Ur\u0161ula. <em>Space and Light in 20th Century Art Installations<\/em>. Gaps (Praznine) 08\/2015. Ljubljana: Praznine Art Education Association, 2015<\/li>\n<li>Berlot Pompe, Ur\u0161ula. <em>Duchamp in Mimesis<\/em>. Ljubljana: Research Institute of the Academy of Fine Arts and Design, 2011<\/li>\n<li>Berlot, Ursula. Duchamp and the Notion of Optical Tactility. Art, Emotion and Value. 5th Mediterranean Congress of Aesthetics. University of Murcia, 2011<\/li>\n<li>Berlot, Ursula. Biomimesis and Contemporary Art. Journal of Critique of Science, Imagination and Anthropology, vol. XXXIX, 2011, no. 244. Ljubljana: \u0160tudentska zalo\u017eba, 2011<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>Mentoring:<\/strong><\/p>\n<p><u>Doctoral thesis mentoring<\/u><\/p>\n<p>GOLOB, Ur\u0161ka. The Influence of Digital Media on the Creative Process in Fine Arts: doctoral dissertation. Ljubljana, Faculty of Natural Sciences and Engineering, University of Ljubljana, 2018<\/p>\n<p>&nbsp;<\/p>\n<p><u>Mentoring of theoretical work in master&#8217;s theses<\/u><\/p>\n<p>LEK\u0160E, Lene. Strategies and Expectations, ALUO, 2021<\/p>\n<p>ERJAVEC, Nika. Sensory Perceptions at the Intersection of Art and Science, ALUO, 2021<\/p>\n<p>\u0160VET, Teodora. Layers of Reality, ALUO, 2021<\/p>\n<p>MILOVANOVIC, Danilo. Artivism &#8211; Engaged Urban Art in the Public Space, ALUO, 2020<\/p>\n<p>ZORZUT, Neja. Amorphous Object Fusion; Alohton, ALUO, 2020<\/p>\n<p>PREZELJ, Tim. <em>The Microscope as a Bridge Between Science and Art, ALUO, 2020<\/em><\/p>\n<p>HOZJAN, Veronika. <em>Neurological Foundations of Perception and Artistic Creation; Look at Me!, <\/em>ALUO, 2020<\/p>\n<p>KOSI, Janja. Everyday Life of Heterotopic Space, ALUO, 2020<\/p>\n<p>KOCMUR, Tatjana. Body Installation &#8211; Between Performance and Object, ALUO, 2020<\/p>\n<p>PREK, Ur\u0161a. Movement in the Diversity of Time and Space, ALUO, 2020<\/p>\n<p>VU\u010cKO, Teja. The Outpouring of Presence into the Eternal and (Internalised) Spaces of the Landscape; Beyond, ALUO, 2019<\/p>\n<p>DRVARI\u010c, \u017diva. Expansion of the Circle; (Un) happiness, ALUO, 2018<\/p>\n<p>GRUDNIK, Jasmina. Time Capture; Model of my Life, ALUO, 2018<\/p>\n<p>PORI, Zala. Art as an Intuitive Practice; Transparency and Abstract Field, ALUO, 2018<\/p>\n<p>RESNIK, Mira. The Influences of the Formal and Conceptual Expansions of the Painting Space in the 1960s on Contemporary Art; My Works in Space and Time, ALUO, 2018<\/p>\n<p>KLEVA IVAN\u010cI\u0106, Rok. Illustration Portfolio &#8211; from Concept to Edition, ALUO, 2016<\/p>\n<p>&nbsp;<\/p>\n<p><u>Co-mentorship in master&#8217;s theses<\/u><\/p>\n<p>PREZELJ, Tim. The Microscope as a Bridge Between Science and Art, Biotechnical Faculty, 2020<\/p>\n<p>BELTRAN, Jana. Spaces of Colour and Light, ALUO, 2016<\/p>\n<p>&nbsp;<\/p>\n<p><u>Mentoring in diploma theses<\/u><\/p>\n<p>AREH, Marko. Indoor and Outdoor LED Lights, Faculty of Design, 2011<\/p>\n<p>JORDEVA, Marija. Uniqueness of Colour Effect: Subjective Influence of Colours in Interior Design, V\u0160D, 2010<\/p>\n<p>&nbsp;<\/p>\n<p><u>Co-mentorship in diploma theses<\/u><\/p>\n<p>MIHEVC, Matej. Neural Networks and the Future of Cultural Production, ALUO, 2021<\/p>\n<p>KUCLER, David. It is Easier to Imagine the End of the World, ALUO, 2021<\/p>\n<p>KOBAL, Pia. <em>Taxonomy of the Visual, <\/em>ALUO, 2021<\/p>\n<p>PRISLAN, Katarina. <em>Modern Man Seeks <\/em>ALUO, 2021<\/p>\n<p>KLINAR, Ema. <em>Paradox Portrait, <\/em>ALUO, 2021<\/p>\n<p>BOJANI\u0106, Maja. From Home, with Regards, ALUO, 2020<\/p>\n<p>TOVORNIK, Nina. Everything is Worth Failing, ALUO, 2020<\/p>\n<p>BAUMAN, Inja. Light Tolerance and Nature Conservation Ethics in Painting, ALUO, 2019<\/p>\n<p>LEK\u0160E, Lene. Mountain, ALUO, 2018<\/p>\n<p>KOCMUR, Tatiana. Body Image in my Practice, ALUO, 2015<\/p>\n<p>OBLAK, Jerca. The Role of Drawing in Contemporary Art and my Practice, ALUO, 2014<\/p>\n<p>MEGLI\u010c, Maru\u0161a. The Confessional Art of Louise Bourgeois. Discovering Aspects of Women through Art, ALUO, 2012<\/p>\n<p>KUMAR, Voranc. Projection and Space of Difference, ALUO, 2012<\/p>\n<p>HRUP, Anamari. Synthesis Between the Subject and the Abstract in the Pictorial Field through the Analysis of One&#8217;s Own Work and the Work of Selected Authors, ALUO, 2012<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"featured_media":7934,"template":"","meta":{"_acf_changed":false,"_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","inline_featured_image":false,"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false},"naziv_zaposlenih":[145,112],"class_list":["post-11694","sodelavke-sodelavci","type-sodelavke-sodelavci","status-publish","has-post-thumbnail","hentry","naziv_zaposlenih-professor","naziv_zaposlenih-teaching-and-academic-staff"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.aluo.uni-lj.si\/en\/wp-json\/wp\/v2\/sodelavke-sodelavci\/11694","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.aluo.uni-lj.si\/en\/wp-json\/wp\/v2\/sodelavke-sodelavci"}],"about":[{"href":"https:\/\/www.aluo.uni-lj.si\/en\/wp-json\/wp\/v2\/types\/sodelavke-sodelavci"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.aluo.uni-lj.si\/en\/wp-json\/wp\/v2\/media\/7934"}],"wp:attachment":[{"href":"https:\/\/www.aluo.uni-lj.si\/en\/wp-json\/wp\/v2\/media?parent=11694"}],"wp:term":[{"taxonomy":"naziv_zaposlenih","embeddable":true,"href":"https:\/\/www.aluo.uni-lj.si\/en\/wp-json\/wp\/v2\/naziv_zaposlenih?post=11694"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}