Tanja Pak se ustvarjalno posve\u010da kiparstvu, prostorskim umetni\u0161kim postavitvam in oblikovanju uporabnih steklenih predmetov. V umetni\u0161kih delih zadnjih let raziskuje predvsem ob\u010dutke osamljenosti in samosti, pri \u010demer izpostavlja iskanje bli\u017eine, krhko naravo medsebojnih vezi in razmerij, in ob tem seveda izmuzljivost na\u0161e celosti.<\/p>\n
<\/p>\n
Izobrazba<\/strong><\/p>\n UL ALUO, univ. dipl. ind. obl.<\/p>\n Royal College of Art, London, magistra umetnosti (MA Ceramics and Glass)<\/p>\n <\/p>\n Delovne izku\u0161nje in sodelovanja<\/strong><\/p>\n 2014: redna profesorica na UL ALUO<\/p>\n 2009\u2013: vodja smeri Unikatno oblikovanje \/ steklo in keramika UL ALUO<\/p>\n 2002\u2013: predavateljica na UL ALUO<\/p>\n 1997-2001: samostojna ustvarjalka na podro\u010dju kulture<\/p>\n 2006-: vodja galerije Glesia<\/p>\n 1997-: samostojni umetni\u0161ki in oblikovalski projekti<\/p>\n 1998-: mednarodna projektna sodelovanja in umetni\u0161ko-raziskovalni projekti, mednarodnini oblikovalski projekti in predavanja, vodenja ustvarjalnih delavnic<\/p>\n <\/p>\n Pomembne \u0161tipendije in rezidence<\/strong><\/p>\n Maradiva \/ Arte Laguna Prize 2019, Mavricij, 2019 (nagrada in rezidenca)<\/p>\n Umetni\u0161ka rezidenca Cill Rialaigh, projekt Transartis, Irska, 2019<\/p>\n Umetni\u0161ka rezidenca v MusVerre, Sars-Poteries, Francija, 2018<\/p>\n Prejemnica umetni\u0161kega ateljeja MOL v ustvaralnem centru \u0160vicarija v Ljubljani za dobo petih let, Slovenija, 2017<\/p>\n Umetni\u0161ka rezidenca Cill Rialaigh, projekt Transartis, Irska, 2018<\/p>\n Umetni\u0161ka rezidenca Cill Rialaigh, projekt Transartis, Irska, 2017<\/p>\n International Glass Kanazawa, finalist, Japonska, 2016<\/p>\n International Glass Symposium, aktivna udele\u017eenka, Novy Bor, \u010ce\u0161ka, 2015<\/p>\n Arctic Glass Studio Norway, umetni\u0161ka rezidenca, Norve\u0161ka, 2015<\/p>\n University of Washington, univerzitetna izmenjava, ZDA, 2014<\/p>\n Creative Glass Center of America, umetni\u0161ka rezidenca s \u0161tipendijo, ZDA, 2014<\/p>\n Corning Museum of Glass Studio, umetni\u0161ka rezidenca s \u0161tipendijo, ZDA, 2014<\/p>\n Bullseye R&E center, Artist Exchange Program, umetni\u0161ka rezidenca z vabilom, Portland, OR, ZDA, 2013<\/p>\n New Mexico, umetni\u0161ka rezidenca z vabilom, NM, ZDA, 2012<\/p>\n Seminar z arhitektom James Carpenterjem, Bornholm, Danska, 2012<\/p>\n Northlands Glass Center, umetni\u0161ka rezidenca z vabilom, \u0160kotska, 2011<\/p>\n Pilchuck, umetni\u0161ka rezidenca s \u0161tipendijo, ZDA, 2009<\/p>\n Mese\u010dna \u0161tipendija in atelje Ministrstva za kulturo RS v New Yorku, ZDA, 2008<\/p>\n Creative Glass Center of America, umetni\u0161ka rezidenca s \u0161tipendijo, ZDA, 2001<\/p>\n Seminar z Judy Hill, Jacksonville, ZDA, 1999<\/p>\n Pilchuck, poletna \u0161ola s \u0161tipendijo, ZDA, 1999<\/p>\n Chevening \u0161tipendija britanske vlade, 1995<\/p>\n Valvasor \u2013 Chevening \u0161tipendija britanske in slovenske vlade, 1994<\/p>\n <\/p>\n Razstave <\/strong><\/p>\n Samostojne razstave (izbor)<\/u><\/p>\n Prehodi, Mala Galerija Kos, Ljubljana, 2021<\/p>\n Predih, Galerija Velenje, 2021<\/p>\n Tanja Pak, artist in residence \/ Maradiva Resort & Spa, Mavricij, 2019<\/p>\n Med-dih, Galerija TR3, Ljubljana, 2018<\/p>\n Zgodbe o dihu, Stekleni atrij, Mestna hi\u0161a Ljubljana, 2018<\/p>\n Poti, Atelje galerija, Ljubljana, 2017<\/p>\n Tanja Pak, Znamke in znamenja, Mesec oblikovanja, Ljubljana, 2017<\/p>\n Meddih, Galerija Kresija, Ljubljana, 2015\u20132016<\/p>\n Pot v pu\u0161\u010davi, Atelje Galerija, Ljubljana, 2013<\/p>\n Znotraj \/ I held my breath but the world kept on dreaming, ve\u010dmedijska prostorska postavitev, Ljubljanski grad, 2011\u20132012<\/p>\n Point\u00e9, prostorska postavitev, Ljubljanski grad, 2011\u20132012<\/p>\n Dreaming Odsanjanja, ve\u010dmedijska prostorska postavitev, Ljubljanski grad, 2010\u20132011<\/p>\n The Moment After-Alina., ve\u010dmedijska prostorska postavitev, Ljubljanski grad, 2010\u20132011<\/p>\n Flow, Red Dot 2009, Galerija Glesia, Ljubljana, 2009<\/p>\n Tanja Pak, Svet Evrope, Strassbourg, Francija, 2009<\/p>\n Lara, Red Dot 2008, Galerija Glesia, Ljubljana, 2008<\/p>\n Spet valovanja, Galerija Glesia, Ljubljana, 2006<\/p>\n Sledi, cerkev sv. Vida, KGLU Slovenj Gradec, 2004<\/p>\n Rde\u010de in \u010drno, galerija Marjan Lov\u0161in, Ljubljana, 2003<\/p>\n Iskanja, Galerija Miklova Hi\u0161a, Ribnica, 1999<\/p>\n \u0160epetanja, Ljubljanski grad, Ljubljana, 1998<\/p>\n \u00a0<\/strong><\/p>\n Skupinske razstave in predstavitve \/ izbor<\/u><\/p>\n European Glass Context 2021, Danska (kurirana), 2021<\/p>\n Collect 2021, London (Joanna Bird Gallery), London, Zdru\u017eeno kraljestvo, 2021<\/p>\n Made in (z MAO), Dunaj, Avstrija, 2021<\/p>\n Venice Glass Week Hub, Palazzo Loredan, Benetke, Italija, 2021<\/p>\n Arte Laguna Prize 2021, Arsenale, Benetke, Italija, 2021<\/p>\n Arte Laguna Prize 2020, Arsenale, Benetke, Italija, 2021<\/p>\n Tunnel 29, Milan Design Fair 2020 (z Muzejem za arhitekturo in oblikovanje Ljubljana), Milano, Italija, 2021<\/p>\n Venice Glass Week Hub, Palazzo Loredan, Benetke, Italija, 2020<\/p>\n Tunnel 29, MAO, Ljubljana, Slovenija, 2020<\/p>\n Collect 2020, London, Zdru\u017eeno kraljestvo, 2020<\/p>\n Beauty and His Beast, Legnice in \u0141odz, Poljska, 2020<\/p>\n Beauty and His Beast, Wroclaw, Poljska, 2019<\/p>\n Venice Glass Week Hub, Palazzo Loredan, Benetke, Italija, 2019<\/p>\n Arte Laguna Prize 2019, Arsenale, Benetke, Italija, 2019<\/p>\n Slovenska kreativnost \/ Slovenski etnografski muzej, Umetnostni muzej v Xi’anu, Kitajska, 2019<\/p>\n 45th International Invitational, Habatat Gallery, Michigan, ZDA, 2017<\/p>\n International Glass Kanazawa, Japonska, 2016<\/p>\n International Glass Symposium, (Breathing), Muzej stekla, Novy Bor, \u010ce\u0161ka, 2015<\/p>\n Vitraria Glass +A Museum, inavguracija, Benetke, Italija, 2014<\/p>\n Design+, Mesec oblikovanja, Ljubljana, Slovenija, 2014<\/p>\n Bullseye Project, Bergstrom-Mahler Museum of Glass, ZDA<\/p>\n Chroma Culture, Bullseye Gallery, Portland, ZDA, 2013<\/p>\n Inspired by Nature, Hempel Glass Museum, Danska, 2013<\/p>\n Hot Glass, CAA, London, Zdru\u017eeno kraljestvo, 2013<\/p>\n Silent Revolutions – Contemporary Design in Slovenia, Moskva, Rusija, 2013, Helsinki, Finska, 2012; Tent Gallery, London, Zdru\u017eeno kraljestvo, 2011; Eindhoven, Nizozemska, 2011<\/p>\n Glass in Context 2012, Bornholm Art Museum, Danska, 2012<\/p>\n Naklju\u010dja II \/ Razstava slovenskih sodobnih umetnikov, Galerija Murska Sobota, Slovenija, 2012<\/p>\n Mesec Oblikovanja – All Awards Design, Ljubljana, Slovenija, 2011<\/p>\n Modern Art in Slovenia, Evropska centralna banka, Frankfurt, Nem\u010dija, 2011<\/p>\n AllAwardsDesign, Zavod Big, Viba, Ljubljana, Slovenija, 2010<\/p>\n Talents 2010, Ambiente, Frankfurt Messe, Frankfurt, Nem\u010dija, 2010<\/p>\n Rotov\u017e, Lemberg pri \u0160marju, z Mirsadom Begi\u0107em, Slovenija, 2009<\/p>\n Red Dot 2009, Red Dot Design Museum, Essen, Nem\u010dija, 2009<\/p>\n RedDot.si, Mestni muzej Ljubljana, Slovenija, 2008<\/p>\n Red Dot 2008, Red Dot Design Museum, Essen, Nem\u010dija, 2008<\/p>\n Glass in Context 2008, Bornholm Art Museum, Danska, 2008<\/p>\n CGCA Fellowship Alumni, Museum of American Glass, ZDA, 2007<\/p>\n 20.BIO, Bienale industrijskega oblikovanja, Ljubljana, Slovenija, 2006<\/p>\n Postavitve na travi, Kogl, Velika Nedelja, Slovenija, 2005<\/p>\n 20\/20 Vision, Creative Glass Center of America, ZDA, 2003<\/p>\n Lux Europae 2002, Copenhagen, Danska, 2002<\/p>\n Contemporary Glass Exhibition, China Millennium Museum in Beijing, Kitajska, 2001<\/p>\n Contemporary Glass Exhibition , Shanghai Museum of Fine Art, Kitajska, 2001<\/p>\n 29th International Glass Invitational, Habatat Galleries, Pontiac, ZDA, 2001<\/p>\n A Gathering of Glass, Sable V Fine Art Gallery, Wimberley, ZDA, 1999<\/p>\n Glass Art Society Expo International II, Tampa, ZDA, 1999<\/p>\n Expo \u201898, Lizbona, Portugalska, 1998<\/p>\n Oblikovanje iz Slovenije, Rokus, Ljubljana, Slovenija, 1997<\/p>\n Centenary Degree Show, Royal College of Art, London, Zdru\u017eeno kraljestvo, 1996<\/p>\n Celebrating Slovenia, Liberty\u2019s, London, Zdru\u017eeno kraljestvo, 1993<\/p>\n <\/p>\n Stalne javne postavitve in zbirke:<\/u><\/p>\n InBetweenness II, zasebna zbirka, Bruselj, Belgija, 2020<\/p>\n Breath, Lah Art Foundation, Ljubljana, Slovenija, 2019<\/p>\n Whiteness, umetni\u0161ka zbirka RIKO, Slovenija, 2017<\/p>\n Reveries \/ Od tod, Center Poezije Toma\u017e \u0160alamun, Ljubljana, Slovenija, 2016<\/p>\n Breathing – I, zasebna zbirka, Ljubljana, Slovenija, 2016<\/p>\n Breathing, IGS, Um\u011bleckopr\u016fmyslov\u00e9 museum v Praze, \u010ce\u0161ka, 2016<\/p>\n In My World, Evropska centralna banka, Frankfurt, 2011<\/p>\n Fontana \/ prostorska postavitev, Thermana La\u0161ko wellness in kongresni center, La\u0161ko, Slovenija, 2009\u20132011<\/p>\n Kaplje 365, Lestenec \/ prostorska postavitev, Thermana La\u0161ko wellness in kongresni center, La\u0161ko, Slovenija, 2008<\/p>\n Dela v oblikovanju, Narodni muzej Slovenije, zbirka stekla, Slovenija, 2008<\/p>\n Ladjice, prostorska postavitev, Upravna stavba BTC, Ljubljana, Slovenija, 2007<\/p>\n Valovanja \u2013 So\u010di., Knji\u017enica Kobarid, Slovenija, 2002<\/p>\n Drevesa, Nova Ljubljanska Banka, umetni\u0161ka zbirka NLB, Ljubljana, Slovenija, 2001<\/p>\n Fluid, multimedijska prostorska postavitev, Ljubljanski grad, Slovenija, 1999<\/p>\n <\/p>\n Nagrade in priznanja<\/strong><\/p>\n Arte Laguna Prize 2019, Benetke, Italija, 2019<\/p>\n New Glass Review 37, 2016 (uvrstitev v svetotni pregled najpomembnej\u0161ih del v steklu v preteklem letu, Corning Museum of Glass)<\/p>\n New Glass Review 35, 2014<\/p>\n New Glass Review 33, 2012<\/p>\n Oblikovalka leta 2011, Slovenija, 2011<\/p>\n Red Dot Honorable Mention Design Award 2009<\/p>\n Red Dot Honorable Mention Design Award 2008<\/p>\n New Glass Review 29, 2008<\/p>\n <\/p>\n Pomembnej\u0161a javna predavanja \/ izbor <\/strong><\/p>\n Predih, Galerija Velenje, 2021International Glass Symposium, Novy Bor, \u010ce\u0161ka, 2015<\/p>\n Corning Museum of Glass Studio, ZDA, 2014<\/p>\n GSOI, Glass Society of Ireland conference, Cork, Irska, 2013<\/p>\n BeCon, International Glass Conference, plenarno predavanje, Portland, ZDA, 2013<\/p>\n SOFA, Behind the Glass Curtain panel, Museum of Arts and Design, New York, ZDA, 2003<\/p>\n ECERS World Conference, plenarno predavanje, Portoro\u017e, Slovenija, 2005<\/p>\n <\/p>\n Strokovne afiliacije (c\u030clanstva v drus\u030ctvih in strokovnih komisijah) <\/strong><\/p>\n 2016\u20132019: zunanja ocenjevalka programa v postopku evalvacij, National College of Art and Design, Dublin, Irska<\/p>\n 2016\u2013: NAKVIS, strokovnjakinja v postopkih akreditacij<\/p>\n 2015: zunanja c\u030clanica strokovne komisije AZVO v postopku izredne evalvacije APURI, Rijeka, Hrva\u0161ka<\/p>\n 1999\u00ad\u2013: \u010dlanica Glass Art Society<\/p>\n 1996\u2013: \u010dlanica Royal College of Art Alumni Club<\/p>\n <\/p>\n Bibliografija<\/strong> (izbor avtorskih monografij, zbornikov, \u010dlankov, intervjujev)<\/p>\n 2021<\/strong><\/p>\n Du\u0161a, Zdravko, Pak, Tanja. PREDIH. Ljubljana, 2021. ISBN 978-961-91771-5-0<\/p>\n Prezelj, Pia. Na tone mavca, gline, peska. Delo, 28. 4. 2021, str. 15.<\/p>\n Podergajs, Klara. Med vdihom in izdihom. Ve\u010der, 12. 5. 2021, str. 16.<\/p>\n Mi\u0161e, Miklav\u010di\u010d, Elvira. Prepoznavnost se gradi po\u010dasi, od ene do druge to\u010dke. Reporter, 29. 3. 2021, str. 62-67.<\/p>\n 2020 <\/strong><\/p>\n \u00bbJoanna Bird Contemporary Collections.\u00ab COLLECT. London, 2020, str. 73.<\/p>\n Ferjanic\u030c, Erna. ODSEVI V STEKLU. Celje, 2020: str.186-191, ISBN:978-961-6992-76-3.<\/p>\n 2019 <\/strong><\/p>\n ARTE LAGUNA PRIZE 2018.19 \u2013 Finalists Collective exhibition, Nappe Arsenale, Italy, 2019: str. 164, 170.<\/p>\n BEAUTY AND HIS BEAST\u2013 European Glass Festival. Krakow, Poljska: Anita Bialic, Galeria BB, 2019.<\/p>\n 2018 <\/strong><\/p>\n Ivanovic\u0301, Natas\u030ca, Tanja Pak and Miklavz\u030c Komelj. TANJA PAK \u2013 MEDDIH, Galerija TR3. Ljubljana: Ceeref naloz\u030cbe d. o. o., 2018.<\/p>\n 2017 <\/strong><\/p>\n HABATAT – 45th Annual International Glass Invitational. Royal Oak, Michigan: Habatat Galleries, 2017: str. 69, ISBN: 978-1-928572-06-0.<\/p>\n Kos, Mateja, Cvetka Poz\u030car. UMETNOST ZA VSAKDAN: SLOVENSKO MODERNISTIC\u030cNO STEKLO = Art for Everyday Life: Modernist Glass Design in Slovenia. Ljubljana: Narodni muzej Slovenije, 2017: str. 92\u201394, ISBN 978-961-6981-14-9.<\/p>\n 2016 <\/strong><\/p>\n THE INTERNATIONAL EXHIBITION OF GLASS KANAZAWA 2016, Executive committee of the IEGK, Kanazawa, Japan, 2016: str. 49, 69.<\/p>\n Hlaves\u030c, Milan. XII INTERNATAIONAL GLASS SYMPOSIUM, Novy Bor, 2016: str. 13, 72, 128, ISBN 978-80-905263-8-9.<\/p>\n NEW GLASS REVIEW. vol. 37. Corning Museum of Glass, 2016. str. 40, ISSN: 0275:469X.<\/p>\n 2016<\/strong><\/p>\n THE INTERNATIONAL EXHIBITION OF GLASS KANAZAWA 2016, str. 49, 69, Executive committee of the IEGK, 2016.<\/p>\n XII INTERNATAIONAL GLASS SYMPOSIUM NOVY BOR, Milan Hlave\u0161, str. 13, 72, 128, Town of Novy Bor, 2016, ISBN 978-80-905263-8-9.<\/p>\n NEW GLASS REVIEW 37, The Corning Museum of Glass.<\/p>\n 2014<\/strong><\/p>\n NEW GLASS REVIEW 35, The Corning museum of Glass, str. 36, ISBN 978-0-87290-197-1, ISSN 0275:469X<\/p>\n 2013<\/strong><\/p>\n DESIGN; Jiry Pelcl, Academy of Arts, Design and Architecture.<\/p>\n 2012<\/strong><\/p>\n PIRANESI \/ 1st Central \u2013 European Architectural Magazine for the Culture of the Environment; 30 (20), str. 94-99; Light Captured in Glass; Robert Potokar.<\/p>\n NEW GLASS REVIEW 33, ISSN 0275-469X, The Corning museum of Glass.<\/p>\n EUROPEAN GLASS CONTEXT 2012, Susanne Joker Johnsen, ISBN 978-87-89059-79-2, Bornholm Kunstmuseum.<\/p>\n 2011<\/strong><\/p>\n CONTEMPORARY ART FROM SLOVENIA, European Central Bank in cooperation with Banka Slovenije, ISBN 978-92-899-0802-3.<\/p>\n 2009<\/strong><\/p>\n RED DOT DESIGN YEARBOOK 2009\/2010 \u2013 LIVING, Peter Zec, Red Dot publishing<\/p>\n 2008<\/strong><\/p>\n CONTEMPORARY GLASS, Craig, Blanche, ISBN 978 906155 360, Black Dog Publishing.<\/p>\n EUROPEAN GLASS CONTEXT 2008, Susanne Joker Johnsen, ISBN 978-87-89059-79-2, str.112-113, Bornholm Kunstmuseum.<\/p>\n RED DOT DESIGN YEARBOOK 2008\/2009 \u2013 LIVING, Peter Zec, ISBN 978-3-89939-097-1, str. 259, Red Dot publishing .<\/p>\n 2007<\/strong><\/p>\n NEW GLASS REVIEW 28, ISSN 0275-469X, str. 36 (Black With a Rim), The Corning Museum of Glass.<\/p>\n 2005<\/strong><\/p>\n Ecers, str. 24, abstract<\/p>\n 2004<\/strong><\/p>\n Pak, Tanja.\u00a0Sledi\u202f: [Cerkev Sv. Vida, 7. April – 5. Maj 2004]<\/em>. Koro\u0161ka galerija likovnih umetnosti; Ob\u010dina, 2004, p. 20.<\/p>\n 2003<\/strong><\/p>\n 20\/20 VISION, katalog, ISBN 0-9742107-0-6\u00a0 str. 22, Museum of American Glass.<\/p>\n 2002<\/strong><\/p>\n LUX EUROPAE 2002, ISBN 87 7429 096 7 str. 28-29, 68, The Danish Cultural Institute.<\/p>\n INTERNATIONAL GLASS ART, R. W Yelle, ISBN 0-7643-1834-9 str. 238-239, A Schiffer Art Book<\/p>\n 2001<\/strong><\/p>\n The 29th Annual International Glass Invitational; The Creative Process, ISBN 1-928572-00-6 str.108-109, Habatat Galleries.<\/p>\n 2000 <\/strong><\/p>\n International Contemporary Art Interflow Exhibition Comitee, Kitajska.<\/p>\n L’Eurofeu au Pays de Liege, ISBN D2000\/4540\/03 str. 103, Office Povincial desMetiers d’Art de Liege, Belgija.<\/p>\n Jingsu Art Monthly, ISSN 1005-689, str. 11-13, Kitajska<\/p>\n 1999<\/strong><\/p>\n SEARCHINGS, dr. Stane Bernik, dr. Jure Miku\u017e.<\/p>\n FLUID \u2013 TANJA PAK, dr. Stane Bernik, ISSN 1318-9026.-\u0160T. 43, STR. 22, UDK 748:929 Pak T. (064), COBBIS.SI-ID 123352064<\/p>\n <\/p>\n <\/p>\n Publicistika<\/u><\/p>\n 2021<\/strong><\/p>\n Felicijan, Tina. \u00bbOdsevi svetov v steklu\u00ab. NA\u0160 \u010cAS., 25. 3. 2021, str. 10<\/p>\n Mi\u0161e, Miklav\u010di\u010d, Elvira, \u00bbPrepoznavnost se gradi po\u010dasi, po korakih, od ene do druge to\u010dke\u00ab. REPORTER. Intervju. 29.3.2021, str. 62-67<\/p>\n 2020 <\/strong><\/p>\n Mehle, Borut. \u00bbNamesto z domac\u030co Rogas\u030cko dela s C\u030cehi\u00ab, DNEVNIK. Intervju.<\/p>\n 11.3.2020, str. 16.<\/p>\n Morel, Guillaume. \u00bbTanja Pak poesis en verre\u00ab. CONNAISSANCE DES ARTS. 2020<\/p>\n 2018 <\/strong><\/p>\n \u00bbTanja Pak \u2013 Zgodbe o Dihu.\u00ab OUTSIDER 13, 2018: 146\u2013151.<\/p>\n 2017 <\/strong><\/p>\n Palc\u030cnik Narat, Petra. ‘Ko mislim skozi steklo, mislim obc\u030cutke.’ Intervju. EKO HIS\u030cA & STIL, maj – junij 2017: p. 88\u201393.<\/p>\n 2016 <\/strong><\/p>\n Uta Klotz, Tanja Pak. \u00bbTanja Pak: Between Being and Non-Being.\u00ab Interview. NUES GLAS \u2013 NEW GLASS: ART & ARCHITECTURE No. 2\/2016: p. 10\u201315.<\/p>\n 2016<\/strong><\/p>\n NEW GLASS, Glass Art& Architecture, No. 2\/2016, Uta Klotz, Tanja Pak: Between Being and Non-Being, interview, ISSN 0723-2454<\/p>\n 2014<\/strong><\/p>\n MESEC OBLIKOVANJA \/ MONTH OF DESIGN, 2014, p. 115, ISSN 1581-9051<\/p>\n 2013<\/strong><\/p>\n DESIGN; Jiry Pelcl, Academy of Arts, Design and Architecture<\/p>\n 2012<\/strong><\/p>\n New Glass \/ Neues Glass; number 3\/12; p.9; European Glass Context 2012<\/p>\n THE GLASS QUATERLY HOT SHEET; Tanja Pak brings two new multimedia installations to Ljubljana castle, by Andrew Page, http:\/\/blog.glassquarterly.com\/2011\/12\/23\/tanja-pak-brings-two-new-mutimedia-installations-to-ljubiljana-castle-in-her-native-slovenia\/<\/p>\n 2011<\/strong><\/p>\n NEW GLASS \/ NEUES GLASS; number 1\/2011, spring 2011; p. 57,59; Personalia<\/p>\n THE GLASS QUATERLY HOT SHEET, Three Questions for Tanja Pak, http:\/\/blog.glassquaterly.com\/2011\/01\/18\/three-questions-for-tanja-pak\/<\/p>\n JUTARNJI LIST, 8. 1. 2011, p. 42, 43; B. Bla\u0161kovi\u0107; Trenutak zamrznutog vremena ili snovidenje<\/p>\n 2009<\/strong><\/p>\n NEW GLASS; number 2\/2009, summer 2009; p. 59; Personalia<\/p>\n GLASS, Urban Glass Quarterly, ISSN 1064-900X, number 114, spring 2009; p. 23, Hourglass: Glass Installation Adorns European Spa<\/p>\n GLASS; Urban Glass Quarterly, ISSN 1064-900X, No.113, winter 2008\/2009, p. 80; Tanja Pak, European Studio Glass \/ A Search for Identity<\/p>\n 2006<\/strong><\/p>\n GLASS; Urban Glass Quarterly, No. 105, Winter 2006\/2007, p. 59, Fluid – a review by Gediminas Gasparavicius, Glass Quarterly NY<\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false,"_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","inline_featured_image":false,"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false},"naziv_zaposlenih":[145,112],"class_list":["post-11661","sodelavke-sodelavci","type-sodelavke-sodelavci","status-publish","hentry","naziv_zaposlenih-professor","naziv_zaposlenih-teaching-and-academic-staff"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.aluo.uni-lj.si\/en\/wp-json\/wp\/v2\/sodelavke-sodelavci\/11661","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.aluo.uni-lj.si\/en\/wp-json\/wp\/v2\/sodelavke-sodelavci"}],"about":[{"href":"https:\/\/www.aluo.uni-lj.si\/en\/wp-json\/wp\/v2\/types\/sodelavke-sodelavci"}],"wp:attachment":[{"href":"https:\/\/www.aluo.uni-lj.si\/en\/wp-json\/wp\/v2\/media?parent=11661"}],"wp:term":[{"taxonomy":"naziv_zaposlenih","embeddable":true,"href":"https:\/\/www.aluo.uni-lj.si\/en\/wp-json\/wp\/v2\/naziv_zaposlenih?post=11661"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\n
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